5) How drunk can you get on Spanish wine in Benidorm at seven cents a bottle if a booth further down the market has butter for a peseta less ? How many glasses of wine would have been raised to ...praise the hostess and the soon-to-be mistress? Teacher's Pets, a novel in verse for young adults, was published by Tightrope Books in 2014, and is one of the books in the North Shore authors Program in the local library system (BC).
Tiny Fissures Kolbe, Laura
The Virginia quarterly review,
10/2023, Letnik:
99, Številka:
3
Journal Article
False Endings and the Daybook Nature of Art MY FIRST ACT of writing, after having a baby in early January of this year, was a February journal entry. ...came the whump of a red-tailed hawk launching ...itself from one fire escape to another-its noise a kind of anti-noise, like pulling on earmuffs. ...there it was: the old, comfortable, glorious sense that my presence was extraneous and belated-the way I used to be able to feel, prebaby, like a speck of a many, rather than a terribly over-centered instance of one. "so much depends / upon //a red wheel / barrow..." While keeping a diary, Truitt realizes that she had buried her own "intensities" inside each work of art she'd made, hoping that in so doing she could "exorcise those beyond her endurance."
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
This paper explores the relationship between the poem “Lady Lazarus” by Sylvia Plath, on the one hand, and two photographs of Janieta Eyre, on the other hand, which are part of the exhibition Lady ...Lazarus, presented at the Diane Farris Gallery in 2001. Both artistic processes are intrinsically linked to the experience of death, conditioning their work by the intensity that this experience spurs in the construction/deconstruction of the Self, engaging the reader/spectator in the experience of death, not merely as a necessary and final stage of life, but as a revelation of an emotional, creative, and liberating inner energy. Thus, death also becomes a staging experience, a celebration of art over the mortal physical condition, surpassing real space and time: the artist looses herself from her personality imprisoned in physical and moral constrictions, dies of inner energy, multiple and excessive, to reborn into some aesthetic immortality, and to create a powerful and fantastic imagery capable of expanding the artist and her work to eternity.
Este texto explora las relaciones entre el poema “Lady Lazarus”, de Sylvia Palth y dos fotografías de Janieta Eyre, que integran la exposición con el mismo nombre del poema de Plath, exhibida en la Diane Farris Gallery, en 2001. Plath y Eyre son dos artistas cuyos procesos artísticos están intrínsecamente ligados a la experiencia de la muerte, condicionando su trabajo por la intensidad que esta experiencia espoleta en la construcción / deconstrucción del Yo, involucrando al lector / espectador en la experiencia de la muerte, no solamente como una etapa necesaria y final de la vida, pero como revelación de una energía emocional, creativa y liberadora. La muerte surge también como una puesta en escena artística, una celebración del arte sobre la condición física mortal, sobrepasando el espacio y el tiempo reales: el artista se suelta de una personalidad condicionada por fronteras físicas y morales, muere de energía interior, que es múltiple y excesiva, pero renace para la inmortalidad estética, creando un imaginario poderoso y fantástico, capaz de proyectar para la eternidad al artista y su obra.
Este texto explora as relações entre o poema “Lady Lazarus”, de Sylvia Plath e duas fotografias de Janieta Eyre, que integram a exposição intitulada como o poema de Plath, exibida na Diane Farris Gallery, em 2001. O processo artístico de ambas está intrinsecamente ligado à experiência da morte, condicionando o seu trabalho pela intensidade que esta experiência espoleta na construção/ desconstrução do Eu, levando o leitor/ espectador a redimensionar a questão da morte, não meramente como uma etapa necessária e final da vida, mas como revelação de uma energia emocional, criativa e libertadora. Sendo assim, a morte surge também como uma encenação artística, uma celebração da arte sobre a condição física mortal, ultrapassando o espaço e o tempo reais: o artista solta-se de uma personalidade condicionada por constrições físicas e morais, morre de energia interior, múltipla e excessiva, mas renasce para a imortalidade estética, criando um imaginário poderoso e fantástico, capaz de projetar para a eternidade o artista e a sua obra.
Editorial María Clara Bernal Ph.D.
Hart,
01/2018
2
Journal Article
Recenzirano
Odprti dostop
Danielle Stewart en el artículo Geraldo de Barros: Photography as Construction provee una mirada analítica tanto a nivel formal como conceptual de la exposición Fotoformas de uno de los fotógrafos ...más visionarios en América Latina. La profesora Artundo, que dictó la conferencia de lanzamiento de la revista H-ART, nos ofrece en esta entrevista su visión sobre la historia del llamado arte latinoamericano en el contexto de la globalización. La publicación de este número de H-ART es posible gracias al apoyo de Patricia Zalamea Ph.D., Decana de la Facultad de Artes y Humanidades, los miembros del Comité Editorial y Científico de nuestra revista, y los autores y colaboradores.
Originally published in 1979. Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her ...own intensity—the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors—among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Perloff—draw on material that most previous commentators lacked: a substantial body of Plath's poetry and prose, a moderately detailed biographical record, and an important selection of the poet's correspondence. The result is an important and provocative volume, one in which major critics offer an abundance of insights into the poet's mind and creative process. It offers insightful and original readings of many poems—some, like "Berck-Plage," scarcely mentioned in previous criticism—and fosters new understandings of such matters as Plath's comedy, the development of her poetic voice, and her relation to poetic traditions. The serious reader, whatever his or her initial opinion of Sylvia Plath, is sure to find that opinion challenged, changed, or deepened. These essays offer insights into a violently interesting poet, one who despite, or perhaps because of, her suicide at age thirty continues to fascinate and trouble us.
...as William Osler, physician and a founder of the Johns Hopkins Hospital, indicated with his bedside library for medical students, it is a mistake to overlook the potential of reading “to make ...doctors humane and complete.” Hans’s warped sense of time may resonate with the modern day hospital inpatient: “All the days are nothing but the same day repeating itself—or rather, since it is always the same day, it is incorrect to speak of repetition; a continuous present.” First published in 1963, it is important to note that The Bell Jar evinces outdated and offensive racist attitudes.
Em setembro de 2020, enquanto eu estava em isolamento social na casa de meus pais, em Sergipe, no Nordeste brasileiro, a escritora carioca concordou em me conceder, por e-mail, esta entrevista, ...integrante de minha tese de doutorado, intitulada "Ariel e Corola: A seiva descalça no solo poético de Sylvia Plath e Claudia Roquette-Pinto", defendida em abril de 2021, na Universidade de Brasilia (UnB). Em entrevistas anteriores, já lhe perguntaram ou comentaram o erotismo presente em sua poética, assim como a experiencia sensorial, visual e sonora que seus poemas nos provocam. Em relaçâo å critica associar minha poesia "å vivencia urbana em um mundo violento", creio que esta associaçâo só tenha começado a ser feita para valer a partir do meu livro Margem de manobra, o qual, propositadamente, reúne poemas que falam desta perspectiva e tratam deste modo de estar no mundo. Compartilhamos uma poética que, sem desconsiderar o real, tangencia a espiritualidade, provavelmente por virmos de tradiçöes filosóficas como o hinduísmo (no caso dele) e o budismo tibetano (no meu). Conforme o tempo passa, tenho observado que fica cada vez mais fácil tomar a palavra e nomear, de uma forma menos velada, aquilo que, em mim, experimenta essas instancias.
Sylvia Plath: An Iconic Life Clark, Heather
Women's history review,
11/2021, Letnik:
30, Številka:
7
Journal Article
Recenzirano
Odprti dostop
This article is an edited transcript of the Hilary Term Weinrebe Lecture, which was delivered remotely on 2 March 2021 at the Oxford Centre for Life-Writing, Wolfson College, Oxford. The lecture ...offers a personal and scholarly account of the reasons why the author decided to write a new biography of Sylvia Plath. It reviews Plath's popular and academic status as a feminist, confessional, 'mad' poet, and offers an alternative way of interpreting her life and work that rejects the pathological approaches of previous biographies. Also recounted are some of the challenges the author encountered over the course of eight years while researching and writing this 1,117-page biography.
Sylvia Plath’s novel The Bell Jar chronicles prize-winning college student Esther Greenwood’s descent into melancholy and attempted suicide. An emerging writer, Esther sees clearly the paths ...available to her under 1950s US patriarchy: homemaker or eccentric intellectual. Each on its own is untenable, and choosing one precludes the other. The bell jar metaphor conjures a sense of confinement and suffocation, but this essay offers a multispecies reading that shows why such an interpretation is too narrow. The essay looks carefully at the bell jar, its function within her story, and the context within which Plath encountered it, namely, as a student of botany at Smith College conducting lab exercises on photosynthesis using the South African silverleaf geranium (Pelargonium sidoides). Through archival research on Plath and botanical instruction at the college, the essay shows that the bell jars Plath used were not tools of oppression. Rather, they were tools for growing plants from faraway places that require higher atmospheric humidity: technologies for making dislocated life possible. Plath’s cross-species encounters with exotic plants at the conservatory were critical to her conception of life as a woman under patriarchy—like the silverleaf geranium, living in a world not built for her.
In attempting to weave in the evolution of physical laws with that of the human mind and cultures, Greene's aim vaults beyond that of his bestselling 1999 book, The Elegant Universe. ...the End of ...Time is packed with ideas; whether they come together as a convincing story is another matter. ...Greene remains wedded to the idea that the most reductive view has ultimate authority - that it all comes down to particles, entropy and evolution. Philip Ball is a science writer and author; his latest book is How To Grow a Human. e-mail: p.ball@btinternet.com "Greene remains wedded to the idea that the most reductive view has ultimate authority." ...the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe Brian Greene Penguin (2020)
PDF
