The article demonstrates the potency and volatility of political lyricism by comparing two masters of the trade, the French Jacques Prevert and the Israeli Aryeh Sivan. Although writing in two ...dissimilar cultures and witnessing disparate political environments, the poetry of Prevert and Sivan is similar in many ways. They are both keen observers of their societies' woes and both are equally critical. Their accounts are s are emphatic and caring and strewn in their passionate, affectionate and brutally honest verses, Prevert and Sivan are the quintessential models for contemporary political poetry. Both poets, despite their disparate cultures and dissimilar local experiences, painstakingly probe and penetrate the political realities around them with velvet nails.
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Provider: - Institution: - Data provided by Europeana Collections- Exposition. Paris, Bibliothèque nationale. 1982- Exposition. Prévert, Jacques. 1982- Appartient à l’ensemble documentaire : ...UnivJeun0- Contient une table des matières- Avec mode texte- Catalogues d'exposition- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Artykuł z: Annales Universitatis Mariae Curie-Skłodowska. Sectio F, Humaniora. Vol. 32, s.195-210 ; streszcz. pol., ros.- Tyt ...równol.: Jacques Prevert i jego graffiti- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Gredos. Repositorio Documental de la Universidad de Salamanca - Data provided by Europeana Collections- "Vázquez Montalbán, Manuel, 1939-2003" también ha firmado sus ...artículos como "Cámara, Sixto"- "Este Artículo pertenece a la sección Arte, Letras, Espectáculos. "- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Cet article étudie le rôle du dictionnaire bilingue dans le transfert du culturel à travers les traductions en arabe du poème « La grasse matinée » de Jacques Prévert. Nous voudrions répondre à la ...question : à quel point le dictionnaire bilingue est utile dans le transfert du culturel français vers l’arabe ? L’étude montre que le dictionnaire bilingue réduit le fossé entre les deux langues tout en fournissant des équivalences. Or, le traducteur doit les adapter au contexte.
Focusing specifically on Jacques Prévert's screenplays for Jean Renoir (Le Crime de M. Lange) and Marcel Carné (Drôle de drame and Les Enfants du paradis), this essay explores the legacy of the ...Surrealist Movement-particularly Georges Bataille's advocacy of amour fou and the informe-on the French political left's difficulties in generating a viable politics of collective resistance during the period of the Popular Front and the immediate aftermath of Vichy defeatism.
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9.
Pataphysical Assemblages COOKSEY, THOMAS L.
The Comparatist,
10/2019, Letnik:
43, Številka:
1
Journal Article
Recenzirano
The feature length French animation Le roi et l'oiseau (1947–1952, 1967–1980), later appearing in English as The King and the Mockingbird (2014), was a labor of love and the thirty-year collaboration ...between the animator Paul Grimault and the poet and screenwriter Jacques Prévert (Les Enfants du Paradis 1945). Based on Hans Christian Andersen's fable, La bergère et le ramoneur (The Shepherdess and the Chimney Sweep), Le roi has produced mixed responses (Pagliano, Le roi 47–51). Many considered it one of the finest feature length works of French animation, a work that has influenced subsequent French animators such as René Laloux (La planète sauvage 1973; The Fantastic Planet) and Jean-François Laguionie (Le Tableau 2011), and more explicitly the anime of Hayao Miyazaki, Isao Takahata and Studio Ghibli. We might also mention Brad Bird's 1999 The Iron Giant. The thirty-year history of the film reflects Grimault's obsession with his creative vision.
