Provider: - Institution: - Data provided by Europeana Collections- Vabilo Pokrajinskega muzeja Celje na javno vodstvo po razstavi Celeia – mesto pod mestom.- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Najprej naj povem, da sem prošnjo predsednice Društva za antične in humanistične študije, naj vas danes tu pozdravim v imenu prireditelja, sprejel z velikim veseljem.
Provider: - Institution: - Data provided by Europeana Collections- Vabilo Pokrajinskega muzeja Celje na javno vodstvo po razstavi Celeia – mesto pod mestom.- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Vabilo na odprtje arheološke razstave o Izgubljeni rimski poštni postaji.- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Contrary to the general perception, The Invention of Racism in Classical Antiquity by Benjamin Isaac recognizes the ancient society as racist and tries to detect the early forms of racist attitudes ...and behaviour in the Greek and Roman antiquity. Thus Isaac introduces a new concept in understanding the ancient attitudes toward the Others, at the same time offering a new explanation model for collective group characteristics, which are, by his definition of racism, based on environmental determinism and the impossibility of change at an individual or collective level. Isaac’s model, however, raises certain reservations and counter-arguments. Firstly, there are crucial divergences from racism in the modern sense of the term, which recognizes the collective group characteristics not as environmentally but as biologically determined; this is also perceived by Isaac, who therefore defines the ancient attitudes toward Others as protoracism rather than racism. Secondly, contrary to Isaac’s view, the Greek and Roman explanations of collective differences between peoples were not dominated by the environmental-determinist approach but rather by historical, political, cultural, social, and – in particular – linguistic differences. The use of the term ‘racism’ in ancient contexts therefore seems anachronistic, misleading and somewhat narrow. By contrast, the term The Other and the concept of the derogatory and stereotypical Universal Other, invented during the Persian Wars, prove much more stimulating and useful in attempts to define the attitude to other individuals and groups. Introduced by a storm caused by Juno, which breaks the linear journey from Troy to Rome and brings Aeneas to the Libyan shores, the Carthage passage in Books 1–4 of the Aeneid draws the image of a historical and literary Other. To this end, Vergil attempts to ascribe the negative stereotype of the Phoenicians and Orientals in general to the Carthaginians. Moreover, the ‘otherness’ is established through the historical distinctions between the uncivilized barbarians, represented by the Carthaginians, and civilization, the Romans-to-be. The Carthaginians of the Aeneid share with the mythical other, the Trojans, such qualities as an association with Oriental luxury goods, evoked by Homeric images of the Phoenicians and by allusions to Troy. The pairing of the mythical Trojans and the historical Carthaginians resolves into a new symbolic and imaginary aspect of Carthage, associated with ancient Troy: Carthage becomes a new Troy – Ilion novum. The recognition of Carthage as a new Troy is most obvious in the first Vergilian ecphrasis, a description of the images in Juno’s new Carthaginian temple. The ecphrasis is more than a mere retrospective of past historical events, as it is perceived by Aeneas; for Vergilian readers, the temple painting would have drawn a powerful visual analogy between the mythic Trojans and their historical successors, the Carthaginians. As such, the images also function as an ominous hint about the future events. The Vergilian images of Oriental ‘otherness’ can be perceived as a speculum morum reflecting the problematic ethnic identity of Aeneas, who is de facto still a Trojan and as such a direct threat to his mission and to the future Roman race. His inability to recognize his problematic ethnic identity is evident from his personal appearance, his Oriental garb and arms, and the fact that he is reconstructing the wrong city, Carthage.
Provider: - Institution: - Data provided by Europeana Collections- - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The monograph Roman Glass of Slovenia, differs only in minor details from the doctoral dissertation of the author. The first part is dedicated to the typological and chronological presentation of the ...Roman glass (1st–5th cent.) from the territory of modern Slovenia~the second one is a presentation and review of local glass production in the Roman period on Slovene territory.
Domnevni avtor besedila je Kvint Tulij Ciceron, brat slavnejšega Marka. Leta 64 se je Mark kot novinec »homo novus« potegoval za konzulat. Nasproti so mu stali razvpiti nasprotniki, kot sta bila ...Katilina in Antonij, oče Marka Antonija. Kvint naj bi mu bil ob tej priložnosti napisal priročnik za volilno kampanjo v obliki pisma. Zelo verjetno je Kvint res napisal neki spis s tem naslovom, zaradi mnogih spornih mest in anahronizmov pa ni dokazano, da je to ravno tisto besedilo. Pri prevajanju so sodelovali še Jurij Frice, Tina Bernik, Maja Gril, Sonja Ljubetič in Špela Tomažinčič.
Provider: - Institution: - Data provided by Europeana Collections- Vabilo na na dogajanje z naslovom AVE CELEIA – rimski dan v organizaciji pokrajinskega muzeja Celje in Turističnega društva ...Celje. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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