Elements of Sonata Theory is a comprehensive rethinking of the basic principles of sonata form in the decades around 1800. This foundational study outlines a new, up-to-date paradigm for ...understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven: sonatas, chamber music, symphonies, overtures, and concertos.
Seedlings of wild-type and etiolate mutant plants of Anthurium andraeanum cultivar 'Sonate' were treated for 15 d with different light intensities (20, 100, and 400 µmol·m
−2
·s
−1
) to analyze leaf ...plastid development and pigment content. Significant changes appeared in treated seedlings, including in leaf color, plastid ultrastructure, chloroplast development gene AaGLK expression, chlorophyll and anthocyanin contents, and protoplast shape. Wild-type and etiolated plants exhibited different plastid structures under the same light condition. The results suggest that light intensity is a crucial environmental factor influencing plastid development and leaf color formation in the A. andraeanum cultivar 'Sonate'.
The article aims to discuss the selected presentations of the German translation of Artur Daniel Liskowacki’s novel. The author analyzes the publisher’s strategies of presenting the novel in Germany ...and interprets the vision of the novel shown on a website dedicated to books published in German-speaking countries. The article suggests introducing terms that would specify the roles of literary figures that influence the readers’ opinions of given books. Moreover, certain selected actions of the “setters” of the German translation of Eine kleine are discussed and some differences are demonstrated between Polish and German adjusting of the “setting” of the novel in the media space.
La thèse porte sur les six dernières sonates de Scriabine. L’analyse des œuvres a été pensée en relation avec l’interprétation pianistique. L’univers de référence et l’imaginaire sonore de Scriabine ...sont reconstitués à partir de la perception des œuvres et des indications d’interprétation présentes dans les partitions. Une méthode inspirée par l’analyse schenkerienne est développée pour étudier les logiques d’écriture d’un langage dans lequel la notion de tonalité est considérablement élargie. La dernière partie, plus directement liée à l’interprétation, étudie les spécificités de l’écriture pianistique et des paramètres du timbre et du temps en s’appuyant sur l’étude d’enregistrements historiques.
The following thesis focuses on the six final piano sonatas by Alexander Scriabin from the point of view of pianistic interpretation. The first part reconstitutes Scriabin’s unique musical and image-oriented universe from the basis of the listener’s perspective. The second part analyses the works from a musicological stand-point, taking into consideration indications on interpretation found in the scores. In order to more clearly identify the logic and structure of the musical language, which is marked by the usage of extended tonality, the analyses presented are inspired from Schenkerian traditions. The third part, directly linked to performance practises, explores the pianistic writing style as well as the timbral and temporal parameters, with an important place given to historical recordings.
Italijanski duhovnik in amaterski plemiški skladatelj Francesco Antonio Bonporti je leta 1703 ponatis svoje inštrumentalne zbirke Sonate da camera a tre, opus 2, posvetil ljubljanskemu knezoškofu ...Ferdinandu grofu Kuenburgu (na tem položaju med 1701 in 1711). Kuenburg je bil znan podpornik italijanske umetnosti v svoji škofiji in kranjski prestolnici. Bonportijeve trio sonate sodijo v inštrumentalno glasbeno zvrst, ki je bila še posebno uporabna, saj je bila primerna tako za povsem razvedrilne namene kot tudi pedagoške in duhovne. Trio sonate so bile priljubljene zlasti med plemiškimi glasbenimi amaterji in v Ljubljani je bilo prav v času Bonportijevega posvetila knezoškofu Kuenburgu na vrhuncu svojega razcveta glasbeno združenje Academia philharmonicorum labacensium, katerega člani so zato zelo verjetno igrali tudi njegove trio sonate.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
InSonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad ...constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic.
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