Nakon sažetog povijesnog pregleda o Đakovu i Đakovštini rad donosi temeljne odrednice početaka i razvitka glazbenog života Đakova te njegov kraći prikaz tijekom 19. stoljeća i prve polovice 20. ...stoljeća. Analizom trenutno dostupnih i istraženih primarnih i sekundarnih izvora đakovačkog sakralnog i svjetovnoga glazbenog života prati se pojava prvih violinista te njihov mogući utjecaj na razvitak i napredak kako violinističke izvođačke prakse, tako i violinističke poduke na tom prostoru.
V prispevku so obravnavana violinska dela Rista Savina v okviru violinske ustvarjalnosti v začetku 20. stoletja. Čeprav so violinska dela na Slovenskem znana že od začetka 17. stoletja, za prvo ...slovensko violinsko delo štejemo delo Mateja Babnika Sonate pour le piano-forte avec accompagnement de violon, ki je nastalo med leti 1817–1820 in je bilo izdano na Dunaju. Temu delu so kmalu sledila še violinska dela slovenskih skladateljev Gojmira Kreka ter Josipa in Benjamina Ipavca. V začetku 20. stoletja se je na Slovenskem zgodil preobrat tako na ustvarjalnem kakor tudi na poustvarjalnem violinskem področju. Prvi pomembnejši slovenski violinski skladatelj je bil Risto Savin, ki je napisal šest del za violino in klavir in so bila že primerna za koncertno rabo.
V prispevku so obravnavani močni češki violinski vplivi, ki so v 19. pa tudi še v 20. stoletju krojili in soustvarjali slovensko zgodovino violinizma ter vplivali na razvoj domačih simfoničnih ...orkestrov. Češki vplivi na Slovenskem so bili večplastni, najmočneje pa so bili izraženi v pedagoški dejavnosti obravnavanega časa, saj je bil tedaj delež čeških violinskih pedagogov največji. K nam so razširili praško violinsko šolo, v 20. stoletju pa popularizirali slavno violinsko metodo Otakarja Ševčíka, ki se še danes uporablja za poučevanje violine.
A loving and admiring companion for half a century to literary titan Ezra Pound, concert violinist Olga Rudge was the muse who inspired the poet to complete his epic poem,The Cantos, and the mother ...of his only daughter, Mary. Strong-minded and defiant of conventions, Rudge knew the best and worst of times with Pound. With him, she coped with the wrenching dislocations brought about by two catastrophic world wars and experienced modernism's radical transformation of the arts.In this enlightening biography, Anne Conover offers a full portrait of Olga Rudge (1895-1996), drawing for the first time on Rudge's extensive unpublished personal notebooks and correspondence. Conover explores Rudge's relationship with Pound, her influence on his life and career, and her perspective on many details of his controversial life, as well as her own musical career as a violinist and musicologist and a key figure in the revival of Vivaldi's music in the 1930s. In addition to mining documentary sources, the author interviewed Rudge and family members and friends. The result is a vivid account of a highly intelligent and talented woman and the controversial poet whose flame she tended to the end of her long life.The book quotes extensively from the Rudge-Pound letters--an almost daily correspondence that began in the 1920s and continued until Pound's death in 1972. These letters shed light on many aspects of Pound's disturbing personality; the complicated and delicate balance he maintained between the two most significant women in his life, Olga and his wife Dorothy, for fifty years; the birth of Olga and Ezra's daughter Mary de Rachewiltz; Pound's alleged anti-Semitism and Fascist sympathies; his wartime broadcasts over Rome radio and indictment for treason; and his twelve-year incarceration in St. Elizabeth's Hospital for the mentally ill.
Nous avons souhaité évaluer l’impact de la pratique intensive du violon et de l’alto sur la mobilité articulaire du poignet en flexion.
Nous avons pu recruter 18 professeurs classique de violon et ...alto des écoles de musique et conservatoires de Grenoble ; 25 sujets témoins non musiciens appariés en âge et en genre.
Trois mesures de flexion passive par poignet ont été mesurées à l’aide d’un électrogoniomètre. La moyenne des amplitudes du poignet gauche puis droit a été comparée entre les 2 populations. La posture de ces musiciens étant asymétrique, nous avons également réalisé une comparaison intragroupe entre poignet gauche et droit.
Notre étude n’a pas montré de différence significative pour les comparaisons entre les 2 groupes. En revanche, nous notons une amplitude significativement supérieure du poignet droit pour les musiciens (93,67° contre 89,41°, p=0,03)
Nous avons mis en évidence une différence significative seulement en intragroupe chez les musiciens. Cette étude apporte de nombreuses perspectives de recherche pour cette population encore trop peu connue.
Niveau 2.
We wanted to assess the impact of intensive practice of violin and viola of the mobility of the wrist joint.
We were able to recruit 18 teachers of classical violin and viola music schools in Grenoble, 25 control subjects non-musicians matched in age and gender.
Three parts by passive flexion wrist were measured using an electrogoniometer. The average amplitudes of the left wrist and right were compared between the two populations. The posture of these musicians is asymmetric, we also made a within groups comparison, between left and right wrists.
Our study did not show a significant difference for comparisons between the two groups. In contrast, we note a significantly higher amplitude of the right wrist for musicians (93.67° vs. 89.41° against left, P=0.03)
We demonstrated a significant difference only among musicians. This study provides many research opportunities for these people too little known.
Level 2.
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- ...Partecipano alla competizione sette squadre nazionali; riprese dalla gara tra la squadra francese e la squadra italiana.- 1 - attorno a una tavola imbandita conversano gli organizzatori e i concorrenti- 2 - le squadre fanno il loro ingresso tenedo le bocce in mano- 3 - fasi della gara- 4 - una boccia sfiora il boccino- 5 - un anziano uomo con la paglietta sorride- 6 - pubblico segue la gara- 7 - un uomo in prima fila è colpito da una boccia che ha deviato la traiettoria; gli vengono offerti dei fiori che rifiuta- Seven national teams participate in the competition; shooting from the race between the French team and the Italian team- 1 - around an unbanished table the organizers and competitors converse- 2 - the teams make their entrance darkness the bowls in their hands- 7 - a man in the front row is struck by a boccia that has deflected the trajectory; he is offered flowers that he refuses.- 6 - public follows the race- 5 - an elderly man with a clowns smiles- 4 - a boccia touches the mouthpiece- 3 - stages of the race- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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