In The Prehistory of the Balto-Slavic Accent Jay Jasanoff offers a much-needed guide to the accentual changes that set Baltic and Slavic apart from the rest of the Indo-European family.
This book offers a comprehensive introduction to Proto-Indo-European, Balto-Slavic and Proto-Slavic accentology; a branch of diachronic linguistics dealing with the development of syllable stress, ...intonation, and quantity at the word level. Of particular interest in the book is its detailed summary of the major approaches and solutions to accentology of the last thirty years. Furthermore, the book provides a comprehensive overview of the current state of research on accentuation of the Indo-.
Indian Accents Dave, Shilpa S
02/2013, Letnik:
124
eBook
Amid immigrant narratives of assimilation, Indian Accents focuses on the representations and stereotypes of South Asian characters in American film and television. Exploring key examples in popular ...culture ranging from Peter Sellers' portrayal of Hrundi Bakshi in the 1968 film The Party to contemporary representations such as Apu from The Simpsons and characters in Harold and Kumar Go to White Castle , Shilpa S. Dave develops the ideas of accent, brownface, and brown voice as new ways to explore the racialization of South Asians beyond just visual appearance. Dave relates these examples to earlier scholarship on blackface, race, and performance to show how accents are a means of representing racial difference, national origin, and belonging, as well as distinctions of class and privilege. While focusing on racial impersonations in mainstream film and television, Indian Accents also amplifies the work of South Asian American actors who push back against brown voice performances, showing how strategic use of accent can expand and challenge such narrow stereotypes.
Why does the accent jump back and forth in Russian words like golová 'head', acc. gólovu, gen. golový, dat. golové etc.? How come we find similar alternations in other Slavic languages and in a ...Baltic language like Lithuanian? The quest for the origin of the so-called "mobile accent paradigms" of Baltic and Slavic leads the reader through other Indo-European language branches such as Indo-Iranian, Greek and Germanic, all of which are relevant to the reconstruction of the Proto-Indo-European accentuation system. After the examination of the evidence for the reconstruction of the Proto-Indo-European accentuation system, focus is moved to the Baltic and Slavic accentuation systems and their relationship to each other and to Proto-Indo-European. A comprehensive history of research and numerous bibliographical references to earlier pieces of scholarship throughout the book make it a useful tool for anybody who is interested in Balto-Slavic and Indo-European accentology. Written in a simple style and constantly aiming at presenting old and new opinions on the various problems, the volume may serve as an introduction to this complicated field.
This book provides a new account of the rise of Balto-Slavic acuteness from an Indo-European perspective. It is informed by recent advances in tonogenesis and stands out for its comprehensiveness. It ...treats all issues involved, often presenting new insights.
This volume explores an underappreciated feature of the standard Tiberian Masoretic tradition of Biblical Hebrew, namely its composite nature. Focusing on cases of dissonance between the tradition’s ...written (consonantal) and reading (vocalic) components, the study shows that the Tiberian spelling and pronunciation traditions, though related, interdependent, and largely in harmony, at numerous points reflect distinct oral realisations of the biblical text. Where the extant vocalisation differs from the apparently pre-exilic pronunciation presupposed by the written tradition, the former often exhibits conspicuous affinity with post-exilic linguistic conventions as seen in representative Second Temple material, such as the core Late Biblical Hebrew books, the Dead Sea Scrolls, Ben Sira, rabbinic literature, the Samaritan Pentateuch, and contemporary Aramaic and Syriac material. On the one hand, such instances of written-reading disharmony clearly entail a degree of anachronism in the vocalisation of Classical Biblical Hebrew compositions. On the other, since many of the innovative and secondary features in the Tiberian vocalisation tradition are typical of sources from the Second Temple Period and, in some cases, are documented as minority alternatives in even earlier material, the Masoretic reading tradition is justifiably characterised as a linguistic artefact of profound historical depth.
This book is a history of the rise and fall of the English accent as a badge of cultural, social, and class identity. The book traces the origins of the phenomenon in late 18th-century London, ...follows its history through the 19th and 20th centuries, and charts its downfall during the era of New Labour. The book provides a readable account of a fascinating subject, liberally spiced with quotations from English speech and writing over the past 250 years.
Recent advances in cultural analytics and large-scale computational studies of art, literature and film often show that long-term change in the features of artistic works happens gradually. These ...findings suggest that conservative forces that shape creative domains might be underestimated. To this end, we provide the first large-scale formal evidence of the association between poetic meter and semantics in 18-19th century European literatures, using Czech, German and Russian collections with additional data from English poetry and early modern Dutch songs. Our study traces this association through a series of unsupervised classifications using the abstracted semantic features of poems that are inferred for individual texts with the aid of topic modeling. Topics alone enable recognition of the meters in each observed language, as may be seen from the same-meter samples clustering together (median Adjusted Rand Index between 0.48 and 1 across traditions). In addition, this study shows that the strength of the association between form and meaning tends to decrease over time. This may reflect a shift in aesthetic conventions between the 18th and 19th centuries as individual innovation was increasingly favored in literature. Despite this decline, it remains possible to recognize semantics of the meters from past or future, which suggests the continuity in meter-meaning relationships while also revealing the historical variability of conditions across languages. This paper argues that distinct metrical forms, which are often copied in a language over centuries, also maintain long-term semantic inertia in poetry. Our findings highlight the role of the formal features of cultural items in influencing the pace and shape of cultural evolution.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
