Avtor članka razčlenjuje značilnosti arhitekturnega jezika v izbranih ljubljanskih delih arhitekta Jožeta Plečnika. Sprašuje se, ali je Plečnikov arhitekturni jezik samo univerzalen, lokalen, moderen ...ali sinteza univerzalnega (torej klasičnega ali tradicionalnega), lokalnega in modernega jezika oziroma še kaj več. Značilne Plečnikove arhitekturne elemente in sintakso opredeli in predstavi s tabelami in fotografijami ter posamezne primere podkrepi s citati uglednih strokovnjakov. Avtorjev sklep je, da arhitekturna dela in urbanistične poteze arhitekta Jožeta Plečnika v Ljubljani vsebujejo (p)osebni arhitekturni jezik, ki je drugačen od jezika v svetu prevladujočih arhitekturnih smeri med svetovnima vojnama. Arhitekturni elementi, tipi (in prostori) predvsem iz klasične arhitekture, od staroegipčanske, antične, renesančne in baročne, pa tudi ljudske ter celo bližnje- in daljnovzhodne arhitekturne tradicije, so inovativno povzeti, preobraženi in posodobljeni za nove potrebe modernega človeka. Arhitekturna dela so bila, drugo za drugim, v zgodovinsko-prostorskem kontekstu mesta postopoma povezana v harmonično celoto javnih prostorov. Sinteza zatečenih in novih stavb, prostorov s kompozicijskimi načeli ter dodanih zelenih površin pomeni kontinuiteto spomina in novo identiteto. Javni prostori so povezani v zeleni urbani mreži v merilu človeka. Izbrana dela zaradi splošno jasno prepoznavnega, drugačnega in simbolnega arhitekturnega jezika, pa tudi večpomenskosti, edinstvenosti, kakovosti in etičnega pristopa arhitekta do prostora v času, v katerem so nastala, pa vse do danes pomenijo pomemben prispevek k arhitekturni ustvarjalnosti prve polovice 20. stoletja. V njih prepoznamo inovativni osebni arhitekturni jezik, izvirno (pre)oblikovanje arhitekturne tradicije in drugačno modernost.
This book develops a grammar for the basic elements in the art of building: the floor, the wall and the roof. Drawing on examples from the history of architecture, a range of archetypes connected to ...these basic elements are discussed. The book explores how these architectural archetypes affect us psychologically, with a particular emphasis on the relationship between archetypes and the dynamic interactions between inside and outside space. The book shows how our experiences of architecture are tied in with our bodily experiences of archetypes as carriers of specific meanings, which in turn influences our experiences of the relationship between inside and outside. The aim of the book is design-oriented. With more accurate knowledge of the archetypes and their variations, schematic post-war architecture can be replaced without necessarily resorting to copying motifs from the past.
Provider: - Institution: - Data provided by Europeana Collections- Kamnito uho, konzola lesenega podpornika linde na zunanjem stopnišču. (Muzej, 2003, str. 61)- All metadata published by Europeana ...are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Jakopinov skedenj v Škocjanu na Krasu s slamnato streho in skrilami na zatrepih.- All metadata published by Europeana are available ...free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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