El acceso al conocimiento de cualquier manifestación artística implica no sólo a la imagen artística que proyecta, sino también a los procesos que nos permiten interpretar e interactuar con ella. En ...relación con este hecho, la percepción de su modo de hacer artístico, así como la comprensión de su discurso nos llevan a situar su conocimiento en la expresión y comunicación de su contenido, implicando a su conducta artística, semiótica y retórica. Este hecho, se torna complejo ciando nos encontramos con una actividad artística cuyo referente es otra diferente a ella, siendo fuente de creación y significación para la otra. En es el caso entre la imagen pictórica (Embarquement pour Chytère) y la imagen musical inspirada en él, L´Isle Joyeuse, que presentamos como un caso de intertextualidad artística desde la confrontación de la acción de sus lenguajes.
MARCUS O'MAHONY Lincoln, Sarah
Irish arts review (2002),
01/2019, Letnik:
36, Številka:
4
Journal Article
Recenzirano
Lincoln features ceramic artist Marcus O'Mahony. Marcus has been making unique stoneware and porcelain pottery since studying ceramics at Limerick School of Art in the 1970s. Over the years he has ...developed an international reputation as an innovative potter, whose work is aesthetically spare, embodying years of experience and artistry. The pots Marcus creates are largely made to be used. They are functional objects such as cups, bowls, jugs and vases. From the outset, he sought to retain the expressive, handmade qualities of these wheel-thrown objects, altering his pots in only slight ways once they have been created on the pottery wheel. Fingerprints, rips and wobbles are embraced by the maker and result in soft, fluid forms.
This paper examines technology and art. We present insights from a highly influential paper. Here are the highlights from this paper: : Generative art is created by a system that operates ...autonomously, or semi-autonomously, rather than directly by the artist. The artist creates the system and establishes parameters that affect the outcome, but the outcome itself emerges from the system rather than from the artist. Generative art systems are frequently computer programs, although biological, social, or other systems may also be used as well. Computer programming environments are often technically demanding, but there are also those that are more accessible and offer novices ways to engage with concepts and practices of generative art. We report on our experience with two such environments, TurtleArt and Scratch, that we have used in workshops with preservice and in-service teachers over the past several years. TurtleArt and Scratch are two programming environments that are accessible to novices and provide a way to explore and create works of generative art. For our overseas readers, we then present the insights from this paper in Spanish, French, Portuguese, and German.
A director of animation creates a world of his own, full of fragmented impressions from the real, from his time and place, and also from his inner world of emotions, visions, imagination, dreams ...allowing a new world to emerge, one that reflects both the real and both an escape from it in worlds of fantasy. Animator Hayao Miyazaki created worlds which are remarkably human and emotional. At the core of his approach we observe an intention, not only to depict these worries about reality and neither an interpretation of it, but a clear intention to transform the conflicts of the world into places of liberation, reform and positive faith. In Miyazaki's case, the context and frame of reference of his work projects the possibility to tell a story, which is rich in impressions about the real but also impressive, extravagant and imaginative in imagery of fantasy.
In the past years, a few methods have been developed to translate human EEG to music. In 2009, PloS One 4 e5915, we developed a method to generate scale-free brainwave music where the amplitude of ...EEG was translated to music pitch according to the power law followed by both of them, the period of an EEG waveform is translated directly to the duration of a note, and the logarithm of the average power change of EEG is translated to music intensity according to the Fechner's law. In this work, we proposed to adopt simultaneously-recorded fMRI signal to control the intensity of the EEG music, thus an EEG-fMRI music is generated by combining two different and simultaneous brain signals. And most importantly, this approach further realized power law for music intensity as fMRI signal follows it. Thus the EEG-fMRI music makes a step ahead in reflecting the physiological process of the scale-free brain.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK
nora chipaumire's a portrait of myself as my father strikethrough, performed at the Dance Center, Columbia College Chicago, October 20, 21, and 22, 2016, is reviewed.
The text that follows culminates months of sporadic yet sustained conversation, exchange, reading, writing, and thinking between Jade Montserrat and me. The focus of our conservation is meandering, ...and traverses the ideas of geography, place(making) and belonging, particularly as it pertains to our own experiences as women of the black diaspora. Montserrat's Untitled (The Wretched of the Earth, After Frantz Fanon), 2018, a charcoal wall drawing I commissioned for the exhibition The Last Place They Thought Of, acts as an anchor for the discussion.
This article examines how leadership and strategy influenced the multicultural settings in Spain, effectively changing Spain’s cultural identity from rural Visigothic in the eighth century to ...Islamic-Visigothic by the fifteenth century. This research uses qualitative methods and an ethnographic perspective to investigate how poetic approaches supported communal relationships in Spain. It examines the role of the Abd al-Rahman and his caliphates in creating a new page in Spain’s history and shaping a new cultural identity from its complex multicultural environment. The development of the cultural identity represented by the mudejar architectural phenomenon will be revealed through Christian and Jewish architectural contexts. The article argues that the influence of Islamic artistic expression as an aesthetic symbol in architecture and on cultural identity in a complex multicultural setting can not only assist the natural human process of connecting, but also entice people to connect with cultures creating art of broader context and changing geopolitical alignment.
Ao utilizar a dança como um exemplo, o texto discute a questão de como a crítica estética pode manifestar a si mesma, como também do significado que ela comporta. Ao basear-se no registro filosófico ...e nas ciências sociais, no que tange à noção de crítica (Michel Foucault, Judith Butler, Pierre Bourdieu), o presente estudo procura desenvolver uma perspectiva pratico-teórica do processo da crítica na dança contemporânea.
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