The purpose of this research is to study the sounding pendants on the shamanic costume of the Evenks, Sakha and Nganasans in the unity of the shamanic ritual complex and ritual musical traditions. ...Shamanic pendants are interpreted as a special text of culture, a reflection of the geocultural ideas of the peoples of the Arctic. The paper is based on the materials of field research carried out by the authors in Taimyr in 1989-1990, in the Olenek Evenk national region of Yakutia in 2014 and scientific publications. The sound world of shamanic ritual is a complex phonic picture, which is formed when using vocal, verbal, vocal-speech, signal, instrumental types of intonation. The movements of shaman are accompanied by the sound of colliding pendants on the costume of shamans and its components (headband, shoes, mittens). The sounding pendants were described by ethnographers and musicologists, but they were not considered in connection with geocultural studies. Metal pendants on a shaman costume mark sacred spatial models of the Universe (images of heavenly bodies - the sun, the moon, stars), mythological spaces of the Upper, Middle and Lower worlds inhabited by the shaman's helper spirits - birds, animals, anthropomorphic creatures, they symbolize parts of the human body, etc. The prospects for the study of shaman costume pendants as a symbolic embodiment of the landscape are contained in a more complete description and generalization of all known materials, including the analysis of shaman costumes from ethnographic museum collections.
Selected byChoicemagazine as an Outstanding Academic Title for 2009When Broadway Was the Runwayexplores the central and largely unacknowledged role of commercial Broadway theater in the birth of ...modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle. Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such asVoguevied for the rights to publish theatrical costume sketches andHarper's Bazarenticed readers with photo spreads of actresses in couture. This combination of spectatorship and consumption was a crucial step in the formation of a mass market for consumer goods and the rise of the cult of celebrity. Through historical analysis and dozens of early photographs and illustrations, Schweitzer aims a spotlight at the cultural and economic convergence of the theater and fashion industries in the United States.
Yue Opera is known as the second most important national opera in China. The costume is an important part of the performance of Yue Opera, which carries the culture and history of Yue Opera. The ...purpose of this paper is to attempt a virtual simulation of Yue Opera costumes through an understanding and analysis of Yue Opera costumes, as well as to use the extracted elements related to Yue Opera costumes for modern fashion design based on Yue Opera costume style. The research method of this paper is to draw 12 sets of traditional costumes of Yue Opera by understanding and studying the costume culture of Yue Opera and transform them into a 3D digital virtual presentation of the costumes. The costume elements are then extracted for costume design so that the designed fashions can reflect the cultural characteristics of Yue Opera, and then virtual simulation technology is used for costume display to realize the dissemination of Yue Opera costume culture. The use of three-dimensional virtual simulation technology to digitize costumes contributes to the preservation and dissemination of Yue Opera costume culture. Secondly, the design of modern fashion using the concept of Yue Opera plays a role in the preservation and dissemination of Yue Opera costume culture.
Lexicon of Costumes in The Rangda Dance Dharma Putra, Pande Agus Putu; Budasi, I Gede; Ramendra, Dewa Putu
JALL (Journal of Applied Linguistics and Literacy),
02/2023, Letnik:
7, Številka:
1
Journal Article
Recenzirano
Odprti dostop
Balinese culture has many traditions. One of the traditions in Bali is the Balinese dance that exists in Bali. Several dances have a sacred meaning for Balinese people. One of the dances is the ...Rangda dance. This dance contains many lexicons in the dance's costumes. This study aimed to discover the lexicons that exist in Rangda dance costumes. This study is designed as descriptive qualitative research using the ecolinguistics approach. The data were obtained through observation and interviews with selected informants. The study's result shows that twenty-seven lexicons exist in Rangda dance costumes. The data were categorized into the lexicons in the mask (ten lexicons) and lexicons on the costume (seventeen lexicons). Those lexicons including tapel rangda, terang, kumba, petitis, lidah api, teteh api, jangar api, rambut, jebug, bungan jepun, jaler reringitan, baju reringitan, udeng, badong mute, badong kulit, angkeb baong, tapih, ampok ampok, kuku, basang basang, sabuk, baju pepontangan, jaler pepontangan, semayut, nyonyo. galeng, and kereb.
This paper explores the practice of football in Belo Horizonte, Brazil, in the 1940s, a few years after the official implementation of professionalism. In particular, the mechanisms of ...rationalization of the sport, such as the measures aimed at changing the players' habits; the hiring of foreign coaches; the changes in stadiums; the tactical alterations; the idea of the body-machine; and the medical interventions in sports. Introdução O objetivo desse artigo é analisar algumas das mudanças ocorridas a partir da instauração do regime profissional na cidade de Belo Horizonte, em 1933 (RODRIGUES, 2006, SOUZA NETO, 2010, MOURA, 2010, LAGE, 2013, SoUTTO MAYOR, 2017), e que reverberaram ou se manifestaram na década de 1940. Podem ser citados alguns exemplos preliminares, como a colocação de cercas separando gramado e arquibancada; a construção de aparatos para controlar a rentabilidade dos jogos; os dispositivos disciplinares aplicados a juízes e jogadores com a criação do Tribunal de Penas da F.M.F (e a proposta de que fossem também aplicados a torcedores); a realização de jogos em campos neutros; e as constantes reformulaçöes dos quadros de arbitragem (SOUTTO MAYOR, 2017).
Transforming Vancouver into Japan circa the late Sengoku period required a sizable team that rivals the powerful Lord Yoshii Toranaga's (Hiroyuki Sanada) army, with nearly 300 people across the globe ...working on the project. Every costume piece in Rachel Kondo and Justin Marks' historical epic, based on James Clavell's 1975 novel, was painstakingly made by hand-from Toda Mariko's (Anna Sawai) silk robes, called uchikake, to Kashigi Yabushige's (Tadanobu Asano) armor and traditional samurai coat, or jinbaori. The Edo period is much more elaborate in terms of fabrics-much more wealthy.
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