V prispevku so predstavljeni zasnova in uresničitev narečnega tematskega slovarja, ki mu nove tehnološke možnosti omogočajo, da je spletni oziroma e-slovar, interaktivni (z multimedijskimi vsebinami) ...in rastoči (dopolnjujoči), poleg tega pa ima tudi estetsko celostno grafično podobo, kar vse vpliva na potencialne uporabnike.
The paper presents the design and implementation of a thematic dialectal dictionary that uses new technological possibilities of e-media to be transformed into an e-dictionary. It is web-based, interactive (with multimedia content), and growing (supplementing articles), it has an aesthetic graphic identity. All this influences the potential endusers.
Ovaj članak predstavlja koncept i realizaciju dijalektnoga tematskoga rječnika, kome elektronički medij nudi mogućnost da bude online ili e-rječnik, interaktivan (s multimedijskim sadržajima) i komplementaran, a također da ima integriran estetski grafički dizajn, što sve utječe na potencijalne korisnike.
Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than ...buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through “smart screens,” and other examples of what urban designers call “urban objects.” The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.
The bestselling graphic design reference, updated for the digital age
Meggs′ History of Graphic Design is the industry′s unparalleled, award-winning reference. With over 1,400 high-quality images ...throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design.
Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has also been updated to provide:
The latest key developments in web, multimedia, and interactive design
Expanded coverage of design in Asia and the Middle East
Emerging design trends and technologies
Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design
Extensive ancillary materials including an instructor′s manual, expanded image identification banks, flashcards, and quizzes
You can′t master a field without knowing the history. Meggs′ History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.
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