El objetivo de este trabajo es repensar la estrategia para revitalizar los edificios industriales y transformarlos en fuentes de resiliencia, mejorando su vivencia como espacios. Nos centramos en La ...Fábrica de Vidrio La Trinidad de Sevilla y el estudio de su entorno físico y humano, imprescindible para desarrollar un acercamiento integral. Nos enmarcamos en los campos del patrimonio y del comportamiento ambiental de edificios, en los que se han desarrollado trabajos sobre energía y confort interior. Proponemos un acercamiento a la rehabilitación del patrimonio industrial desde la resiliencia, el diseño ecológico y la interacción social. Como novedad, ampliamos el campo a los requerimientos de una visión necesaria para abordar los retos del futuro inmediato. La importancia de re-habitar el patrimonio industrial se da en una sociedad que necesita mecanismos para enfrentar las mutaciones que pueden aparecer en todos los órdenes. Afortunadamente, estos dos requerimientos se retroalimentan ya que la rehabilitación industrial puede convertirse en una estrategia sostenible clave. La metodología aplica conceptos de diseño ecológico y herramientas para proponer un entorno integrado para el patrimonio. También se plantea como un marco que incluye múltiples herramientas de diseño y datos para analizar. Algunos flujos de trabajo clave se ejemplificarán en el caso elegido. La rehabilitación del patrimonio industrial es una oportunidad para reconstruir el tejido urbano y social, convirtiéndolo en foco de resiliencia para la ciudad. Para ello es necesaria una aproximación con objetivos y herramientas múltiples, como queda ejemplificado para el caso propuesto, puesto que los nuevos retos necesitan un mayor grado de fortaleza, que será fruto de esa red de cualidades en sinergia.
L'objectiu d'aquest treball és repensar l'estratègia per revitalitzar els edificis industrials i transformar-los en fonts de resiliència, millorant la seva vivència com a espais. Ens centrem a La Fàbrica de Vidre La Trinitat de Sevilla i l'estudi del seu entorn físic i humà, imprescindible per desenvolupar un acostament integral. Ens emmarquem en els camps del patrimoni i del comportament ambiental d'edificis, en els quals s'han desenvolupat treballs sobre energia i confort interior. Proposem una aproximació a la rehabilitació de patrimoni industrial des de la resiliència, el disseny ecològic i la interacció social. Com a novetat, ampliem el camp als requeriments d'una visió necessària per abordar els reptes de futur immediat. La importància de re-habitar el patrimoni industrial es dóna en una societat que necessita mecanismes per enfrontar les mutacions que poden aparèixer en tots els ordres. Afortunadament, aquests dos requeriments es retro alimenten ja que la rehabilitació industrial pot esdevenir una estratègia sostenible clau. La metodologia aplica conceptes de disseny ecològic i eines per proposar un entorn integrat per al patrimoni. També es planteja com un marc que inclou múltiples eines de disseny i dades per analitzar. Alguns fluxos de treball clau s'exemplificaran en el cas triat. La rehabilitació del 'patrimoni industrial és una oportunitat per reconstruir el teixit urbà i social, convertint-lo en focus de resiliència per a la ciutat. Per a això és necessària una aproximació amb objectius i eines múltiples, com queda exemplificat pel cas proposat, ja que els nous reptes necessiten un major grau de fortalesa, que serà fruit d'aquesta xarxa de qualitats en sinergia.
The objective of this work is to rethink the strategy for the revitalization of industrial heritage buildings with the scope of transform them into resilience sources and enhance the architectural experience. We focus in La Trinidad Glass Factory in Seville, to be able to check the social and human environment of a greater interest to develop an integral approach to resilience. Our framework includes the fields of heritage and sustainable behavior of buildings, they had been developed works focused on energy and inner comfort We propose an approach to industrial heritage reuse from resilience, performance of buildings and social interaction. Here, we broaden to the demands of a vision needed for facing the challenges in the foreseeable future. The great importance of re-inhabiting the industrial heritage takes place in a society that needs mechanisms to face mutations that may be looming on all orders. Fortunately, these two statements resonate since industrial retrofitting could become a key strategy for sustainability. This work applies concepts of ecological design and tools to propose a more integrated environment for architectural heritage. The methodology is developed as a framework, which includes multiple design tools and data to be analyzed. Some key workflows will be exemplified by the chosen case. Re-living industrial heritage is an opportunity to rebuild the city fabric, making it a focus of resilience for the city. This requires an approach with multiple objectives and tools as exemplified by the proposed case. Since the new challenges need a greater degree of strength, which will be the result of that network of qualities working in synergy.
The purpose of this study is to clarify the influence of the characteristics of the textile industry on the architectural characteristics of the saw roof factories. In this study, we conducted a ...field survey of the saw roof factories and the transition of the textile industry in the three regions of Bishu, Mikawa, and Chita in Aichi prefecture, which are representative textile production areas in Japan, and analyzed the relationship between the two. This study reveals that the saw roof factories have different architectural characteristics in terms of factory scale and construction methods due to the management system differences and the textile industry scale.
The Ardèche department is often vaunted today for its attractive natural landscapes and its historic heritage, but it stands out in French industrial history for its production of thrown silk, ...accounting for half of national production during the nineteenth century. The thrown silk is obtained during a little-known intermediate stage in the industry, called ‘moulinage’ in French, silk-throwing, situated between ‘filature’, the spinning, or, more precisely, the reeling of raw silk from the cocoons, and weaving. The process gives twists to one or several threads of hard silk, making them hold together but also giving the silk a series of other qualities such as brilliance, resistance, elasticity, and so on. The work we undertook for our geography thesis on the territory of the natural regional park of the Ardèche Mountains tried to answer a simple question: what has become of this industrial heritage? Between disappearance and conceptualisation as heritage, between inventory notices and citizens initiatives, our article looks at different forms of interpretation and promotion. To begin with we examine the industrial heritage itself, both physical and intangible, observing this heritage in the light of its links with the surrounding rural environment. We then go on to an analysis of the situation and the uses to which the heritage is put today, in keeping with different territorial tendencies within the department. And we conclude by asking what particularities can be observed in the heritagisation processes at work.
In this article, we supplement the methods of reconstruction of historical industrial facilities with some special considerations to be taken into account when deciding on the location of religious ...objects. We have developed a set of criteria for assessing industrial architecture complexes that are preferable in terms of accommodating spiritual and educational centers. Methods are proposed for determining correspondence between the structural parts of the industrial enterprise to be reconstructed and elements of the religious object accommodated. It is noted that historical mill complexes have planning and spatial characteristics that are close to the needs of a modern Orthodox spiritual and educational center. The project of the spiritual and educational center to be located in Staroutkinsky Metallurgical Mill under reconstruction includes an educational architectural component. Its imagery has references to the historical design graphics of the 18th century Ural mills. We have found confirmation that historical mill workshops are close to Christian
Introduction: By determining the importance of industrial architecture as an object of cultural value, it is possible to identify the new principles for preserving the identity of a historical ...location. Purpose of the study: We aim to research different periods in the formation of the architectural and spatial layout of industrial buildings and structures; to determine which principles are applied when the buildings and structures are adapted for reuse. Methods: In this article, we use a synergistic approach to studying the specifics of the historical and cultural development of industrial architecture. Results and discussion: After analyzing the target of our study as a self-organizing system, as well as taking a look at its relationship with various structures, depending on the nonlinearity of the ongoing processes, we came to the conclusion that the emergence of different stylistic trends in industrial architecture can be viewed through the lens of significant historical periods, or bifurcations, which were the result of human activity in the past and would influence the functional development of the resulting space in the future. This approach reflects sociocultural needs and unlocks the potential for reusing historically significant industrial sites in various ways.
The color coordination project focuses on an important industrial heritage site in the Mediterranean—the shipyards of the town of La Ciotat, which is situated in southeastern France. As part of a ...waterfront requalification project, the company, La Ciotat Shipyards, commissioned a color consulting design agency to collaborate in redeveloping the site and maintaining its unique identity. This article aims to present the color research conducted by the agency Nacarat Color Design in 2018, by putting it into perspective alongside the 1974 work carried out by renowned color designer, Jean‐Philippe Lenclos, on the same industrial site but in a different political, economic, and social context. Applying a geopoetic approach, the color coordination project focuses first on understanding the current identity of the site and its history; second on applying a chromatic field research method; and, third on exploring the narratives brought by the use of color and materials. The complex social history of the shipyards of La Ciotat and its industrial conversion has created new challenges for the town, its inhabitants, and its workers. The conclusions of this study show how color and materials are understood as markers of the site's history, playing not only an important role in the affirmation of historical identity and the creation of a continuity, but also in the construction of a new narrative for a site that reinvents itself.
Preliminary study of the colors of the cranes on the site of the shipyards of the Ciotat‐Nacarat Color Design 2018.
Se estudian los mercados construidos en la comarca de la Ribera del Júcar entre 1925-1936 desde el punto de vista urbanístico, arquitectónico y tipológico. En este periodo se consolidan una serie de ...cambios en el ámbito valenciano. Se abandonan los emplazamientos tradicionales en relación con las mayores dimensiones su arquitectura, que adopta un carácter monumental y representativo dentro de la escena urbana. Se observa una adopción del edificio cerrado por una caja de fábrica en contraposición a los pabellones abiertos de estructura metálica difundidos durante el último cuarto del siglo xix y primeros años del siglo xx. Las fachadas exteriores reflejan la evolución experimentada en los lenguajes arquitectónicos del momento.
The recovery of industrial heritage poses design challenges that are not always easy to solve. In many cases, it remains as a meaningless skeleton, unrelated to the urban life of today's metropolises ...The work describes the recovery of the old Mediodía power plant of Madrid, in the so-called golden triangle of art identified by the Prado Museum, the Thyssen-Bornemisza Museum the national museum Centro de Arte Reina Sofia. Its recovery and transformation in CaixaForumMadrid by the Swiss architects Jacques Herzog and Pierre de Meuron have meant a milestone in modern architecture in the city. The intervention is a term of reference for the recovery of the building heritage, demonstrating how the need for pre-existence protection may become a pretext for contemporary architecture. The use of contemporary construction technologies and materials has preserved the original beauty of the heavy solid brick facades and has detaches the construction from the ground in apparent defiance of the laws of gravity. The former power station has once again become one of the city's most popular sites, attracting tourists and visitors alike for the impressive architecture of the converted building and the many exhibitions and cultural events that take place there.
When they fish, humans play an active part in the dynamics of marine ecosys-tems, and architecture is subsequently involved in the processing of their catch. Our goal is to develop the idea of ...Fishing Architecture as a useful concept for understanding the interconnected relationship between architecture and fish-ing. By analysing the architectural and ecological outcomes of fisheries and can-ning industry, we will try to assess the complex relationship between human ac-tivities and environmental transformations. How can we represent the intricate relationship between the sea and the coast? This text seeks to state this hypothe-sis and incorporate ecological information into the analysis of the development of the sardine canning industry in Matosinhos. Based on the knowledge of ma-rine ecology, we hope to find an original perspective from which to visualize and evaluate urban developments and their environmental impacts.
Rasjonelle fabrikker Peter Forrás
Kunst og kultur,
01/2020, Letnik:
103
Journal Article
Recenzirano
Odprti dostop
Tidlig på 1900-tallet oppsto det nye ideer om fabrikkbygninger; de ble ikke lenger bare sett på som et hus for maskiner og arbeid, men som en «supermaskin» som kunne være et redskap til å styre ...maskiner, arbeid og produksjon i retning av høyere og mer rasjonell produksjon. Ideen om rasjonelle fabrikker var av amerikansk opphav, men fikk stor gjennomslagskraft også i norsk industri i løpet av 1920- og 30-årene. Den norske industrien var imidlertid av en noe mindre skala, og man flikket i større grad på eksisterende bygningsmasse fremfor å foreta store investeringer i moderne og (angivelig) rasjonelle anlegg. I tekstilindustrien, som her undersøkes gjennom Salhus Trikotasjefabrikk, vil man finne rasjonelle fabrikker som deler og fragmenter av eldre anlegg, men kanskje også en annen slags industriell logikk der man stadig endret og tilpasset anleggene, fremfor troen på en industriarkitektur som skulle løse alt i og med én bygning.
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