Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Libretto- München, Bayerische Staatsbibliothek -- Slg.Her O 141- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Libretto- München, Bayerische Staatsbibliothek -- Slg.Her O 312- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- München, Bayerische Staatsbibliothek -- Slg.Her O 238#Beibd. 6- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The Bach cantatas are among the highest achievements of Western musical art; yet studies of individual Bach cantatas that are both illuminating and detailed are few in number. In this book Eric Chafe ...combines theological, historical, analytical, and interpretive approaches to the cantatas to offer the reader and listener the richest possible experience of the works in the light of the composer’s intentions and of the enduring and universal qualities of the works. Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Chafe illustrates how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory.
Provider: - Institution: - Data provided by Europeana Collections- Autograf- Crna tinta- Napomene crvenom olovkom- Godina nastanka: 1897- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Österreichische Nationalbibliothek - Austrian National Library - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Landesdigitalisierungsprogramm Sachsen: Altbestand Deutsche Fotothek (Digitalisierung)- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Sadrži: L. 1r-15v: Noćni čar : op. 315 : hrvatska kantata ; L. 16r-17v: Domovini i ljubi ; op. 338a ; L. 18r-20v: U boj! : op. 182 : ...zadnji čas Zrinjskoga (prema Pettanu op. 182a) ; L.22r-25 v: U boj! : coro a quatro voci ; L 26r-31v: Večer na Savi ; L. 32r-37r: Frühlingslieder ; L. 39-47: Die Junge Garde 39-47 ; L.51-58: Der Flötenspieler : No. 7, No. 6 ; L. 59-62v: Zwei Warsowien (7 str.) + sk- L. 220-223: Solitario bosco ombroso ; L. 224-225v: Canzonetta per sopran Con qual grazia ; L. 226-228v: Un pensiero al Tirolo ; L. 230-231v: Canzonetta Kad sam sinoč onde bila ; L. 232-233: Graduale Ave Maria ; L. 234-240: Ave Maria D-dur ; L. 241-241: Ave Maria As dur ; L. 243-254: Quartetto Fugato nello stile libero, / Ivan Zajc, ml. - L. 177-182: Inno per piano forte lento / Ivan Zajc, st.- Autograf. - Crna i ljubičasta tinta. - Plava i crvena olovka. - Paginacija dodana naknadno (nije autograf)- Smeđi kožni uvez sa zlatnim slovima na hrptu. - U knjigu uvezano više skladbi Ivana Zajca, ml. te jedna skladba Ivana Zajca, st.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
