he article focuses on Janko Trost, a longtime principal of and teacher at the middle school in Ribnica; the founder of the museums in Ribnica and Idrija; a choirmaster; and a story-teller. In ...addition to these pursuits, he was also interested in research, topography, painting, and puppetry. Trost was the first to define the various types of woodenware and their extent. He was a trustee of the Institute for the Protection of Cultural Monuments in Slovenia, both in the wider regions of Ribnica and Kocevje, and of Idrija. When working on issues related to cultural heritage, he closely cooperated with ethnologists Boris Orel and Niko Kuret. The ideas and views of Janko Trost, which can be gleaned from the still-preserved sources, are still valid today. Due to his pedagogical expertise, he was capable of presenting everything he undertook to the people around him. It is therefore hardly surprising that many contents he designed over five decades ago are still relevant and very much alive today; among them are the Idrija Municipal Museum and the Museum of Ribnica.
Architekturmuseum der TU Berlin, Inv. Nr. B 1922,35. Werk und Digitalisat sind gemeinfrei, aber wir freuen uns über einen Bildnachweis. (Creditline)
Architecture Museum of the TU Berlin, Inv. No. B ...1922.35. The work and digitalisat are in the public domain, but we look forward to receiving a picture. (Creditline)
This chapter contains sections titled:
Summary
Introduction
Overview of reintroductions
Perspectives on reintroductions
Overview of natural recoveries
Natural recovery versus reintroduction
Common ...lessons
References