Die vorliegende Arbeit befasst sich mit der transnationalen Dimension der Kanonisierung von Literatur im Rahmen der griechisch-sowjetischen Literaturbeziehungen. Teil der sowjetischen ideologischen ...Expansion war auch ein Konzept von Weltliteratur, mithilfe dessen ein normatives asthetisches Programm exportiert und eine Internationale des Geistes' etabliert werden sollte. Die Arbeit betrachtet die Ubersetzung und Publikation neugriechischer Literatur in der Sowjetunion als Unterprojekt des sowjetischen Kultur- und Weltliteraturprojekts und erkundet anhand dieses literarhistorischen Fallbeispiels dessen Wege und Realisierungsstrategien. Den Forschungsgegenstand der Arbeit bilden Rezeption, Ubersetzung, Publikation und Prasentation neugriechischer Literatur in der Sowjetunion in Hinblick auf narrative Strategien, Ubersetzungspraktiken und Vermittlungsaktivitaten. Die Arbeit, die sowohl eine narratologische als auch eine literaturpragmatische Dimension von Kanonisierung in den Blick nimmt und sich weitgehend auf unveroffentlichtes Archivmaterial stutzt, stellt die erste systematische komparatistische Untersuchung des bis dato unkartierten Bereichs der griechisch-sowjetischen Literatur- und Ubersetzungsgeschichte dar.
Članak se bavi zagonetnom zagrebačkom fazom iz biografije Irine Aleksander-Kunjine, njezinom ulogom u hrvatskoj književnosti razdoblja međuraća i odnosima s protagonistima tadašnjega hrvatskoga ...književnoga života. Donijet će se pregled njezinih književnih suradnji u hrvatskim književnim časopisima. Osim pokušaja određenja njezine uloge u međuratnom književnom životu, cilj je članka osvijetliti njezino pisanje na hrvatskome i donijeti osvrt na recepciju njezina položaja i djela u hrvatskoj književnoj sredini. Iako jest imala odjeka u književnoj javnosti, više je pozornosti dobivala njezina građanska osoba nego književni rad. Cilj je članka iznijeti stajalište o njezinu mjestu u hrvatskoj književnoj povijesti prve polovice XX. stoljeća i možebitnu važnost za povijest hrvatsko-slavenskih književnih veza. Ključne riječi: Irina Aleksander-Kunjina; hrvatska književnost; ruska književnost; međuratni modernizam; hrvatsko-slavenske književne veze; zaboravljena književnopovijesna baština.This paper presents the most important information about the mysterious Zagreb phase of Irina Aleksander-Kunjina’s biography, her role in Croatian interwar literature, and her relations with vital figures of the Croatian literary scene of that time. An overview of her literary contributions in Croatian literary journals will also be presented. Apart from the evaluation of her role in the interwar literary scene, the aim of this paper is to shed light on her writing in Croatian and the reception of her activity and works in Croatian literary milieu. Although she did receive attention among the literary public, this was more due to her public persona than her literary work. Furthermore, this paper aims to offer an summary of her position in Croatian literary history in the first half of the 20th century and her importance in the history of Croatian-Slavic literary relations.
The Simon Editions Kra publishing house, based in Paris, launched a series in the late 1920s concerning the literary history of various nations, titled Panoramas des Littérature Contemporaines. ...Preceding Scandinavian and Balkan literatures, the Hungarian literary history was published in May 1930 in French, with the above mentioned title, written by two authors from Debrecen, professor János Hankiss and secondary school teacher Géza Juhász. The volume managed to attract and keep up the interest of the national literary public for over half a year; forty reviews, reports, debates and corresponding articles were produced in response. Among the authors were Mihály Babits, György Bálint, Pál Ignotus, Attila József, Sándor Márai, etc. Two other teachers from Debrecen, László Kardos and Pál Kardos published their views on the 348-page volume in a 24-page separate booklet in Debreceni Szemle. The authors began with the explanation of the book’s content-editorial principles, emphasising that the book is only a panoramic overview, thus it is “not a report on the contemporary Hungarian literary hierarchy and its inner merits, but merely aims to attract interest in Hungarian literature”. The debates around the Panoramas reflect the divided nature of the contemporary Hungarian over-politicising intellectual life: the liberal and left-wing papers criticise the volume for satisfying course demands and for its anti-Semitism, which they despise, right-wing papers, on the other hand, appraise the work.
Zamisel za sodelovanje hrvaških in slovenskih literarnih zgodovinarjev se je porodila oktobra 2019 na Humboldtovem simpoziju na zagrebški Univerzi ob priložnosti 250. obletnice rojstva Alexandra von ...Humboldta (1769-1859) v organizaciji kluba hrvaških humboldtovcev, med katerimi sta tudi kroatist, prof. dr. Davor Dukić, in hrvaški slovenist in južnoslovanskí komparativist prof. dr. Zvonko Kovač. Zaobiti nismo želeli niti razsežnosti procesov literarnega branja, ki so definirani v različnih smereh (kognitivno, psihološko, historično, sociološko, medkulturno, medijskotehnološko itd.), in njihove vloge pri interpretaciji literarnih besedil. (Z ozirom na nabor razprav slovenskih literarnih zgodovinarjev, ki bodo izšle v okviru Umjetnosti riječi, pa naj na tem mestu samo namignemo, da so v slovenskem prostoru običajnejši empirični oz. kontekstualni pristopi k literaturi, kar pomeni, da razlike med slovensko in hrvaško literarno vedo niso zanemarljive.) V to nas vsaj prepričuje nabor razprav v tej številki, ki so jih prispevali trije avtorji in štiri avtorice. Prispevek vsebuje natančno izdelan protokol za analizo znotrajtekstualnega vrednotenja, ki poteka na treh ravneh (raven direktnega, indirektnega vrednotenja in vrednotenja, ki je v domeni implicitnega avtorja po W. Boothu), in ob številnih primerih prepričuje, da aksiološkega vidika pri interpretaciji literarnega teksta nikakor ni mogoče zanemariti.
Modernism valorizes the marginal, the exile, the "other"—yet we tend to use writing from the most commonly read European languages (English, French, German) as examples of this marginality. Chana ...Kronfeld counters these dominant models of marginality by looking instead at modernist poetry written in two decentered languages, Hebrew and Yiddish. What results is a bold new model of literary dynamics, one less tied to canonical norms, less limited geographically, and less in danger of universalizing the experience of minority writers.
Kronfeld examines the interpenetrations of modernist groupings through examples of Hebrew and Yiddish poetry in Europe, the U.S., and Israel. Her discussions of Amichai, Fogel, Raab, Halpern, Markish, Hofshteyn, and Sutskever will be welcomed by students of modernism in general and Hebrew and Yiddish literatures in particular.
Para entender Camões e a poesia lírica ibérica do século XVI é indispensável compreender o espaço moral-retórico que organiza cada poema enquanto ato comunicativo. Uma importante contribuição para ...essa tarefa reside na observação dos textos não literários que assinalam operadores culturais do período. Este artigo começa discutindo uma preceptiva retórica que pode iluminar algumas questões de interesse para o discurso poético, especialmente seu propósito, para avaliar alguns aspectos argumentativos da poesia de Camões, explorando o horizonte no qual se configura uma persona lírica a partir de um ethos. A reflexão aqui proposta pretende avançar em um capítulo da história literária, bem como levantar alguns problemas teóricos.
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
