La presente revisión tiene como objeto presentar las capacidades pedagógicas del programa “Mapping Tonal Harmony Pro” en la enseñanza de la armonía. El programa ha sido desarrollado y actualizado por ...la empresa estadounidense mDecks Music y existen versiones para macOs e iOs. Para otros sistemas operativos (Windows), dispone de una versión en documento PDF interactivo. El programa ofrece una amplia configuración de posibilidades a través de distintos pluginsque permiten el acercamiento a la armonía desde secuencias de acordes simples a las más complejas.
The purpose of this paper was to look into the challenges and opportunities that niche music artists face in the digital age, with a particular focus on Universal Music Group and its subsidiary, ...Spinnup. It examined the transition from physical to digital music and the implications for niche music artists critically. It explicitly addressed pricing and promotion issues in the digital music industry, drawing on marketing mix theory. According to the paper, platforms such as Spinnup have made it easier for niche artists to distribute their music globally, but they frequently require assistance in generating sufficient revenue due to high release fees and insufficient promotion. To address these issues, the paper proposed two major solutions: a pricing model revision and the provision of marketing and promotional tools. The proposed solutions aimed to foster a more welcoming environment for niche artists by providing them with the tools they need to effectively reach their audiences and thrive in the digital music industry. The findings provided insights into the music industry’s digital transformation and suggested strategies for promoting the growth and sustainability of niche music.
Our study explores the work undertaken by entrepreneurial ventures when engaging with external enabling technologies. Specifically, we examine a unique sample of early-stage ventures who are using ...blockchain technologies in an attempt to disintermediate the music recording industry. We carry out a preliminary analysis of 36 venture ‘white papers’, before constructing and inductively analyzing 11 new venture case studies. In doing so, we identify three interlinked enablers of new venture ideas in this context: blockchain, ideology, and market volatility. Furthermore, we identify a range of venture-level shaping practices and field-level work that describes the framing and legitimizing activities undertaken by entrepreneurs to unlock the potential of external enablers. This extends recent conceptual work on external enablers of entrepreneurship. In particular, we propose a novel category of actor-dependent enabler should be advanced to capture engagement with the uniquely editable, interactive, distributed properties of digital technologies.
The 78 RPM record was originally a money-making thing, a means of commerce. The recording efforts of labels were not intended, at first, for preservation. Recording engineers were sent across the ...planet to capture voices and sounds. In the first place, the music industry wanted to attract as many people as possible to buy the phonograph machines. By accident almost, some of these early sounds turned out to be crucial to folks that immigrated away from home and lived in the diaspora. These were sounds that had meaning beyond entertainment. These recordings became essential to people who otherwise wouldn't have had access to their music. They bought gramophones and records to feel a little closer to home and to be able to accompany their ritual feasts, birth, weddings and the like. Here, Müller, shares his favorite 78 RPM recordings.
Five ways data is transforming music Langkjær‐Bain, Robert
Significance (Oxford, England),
February 2018, 2018-02-01, 20180201, Letnik:
15, Številka:
1
Journal Article
Digital technology turned the music industry on its head. But the revolution is not yet over. Robert Langkjær‐Bain explains how data is changing the way music is created, shared, heard and understood
...Digital technology turned the music industry on its head. But the revolution is not yet over. Robert Langkjær‐Bain explains how data is changing the way music is created, shared, heard and understood.
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