Odabir je teme ovoga rada osobne prirode. Rad sam započela pisati kao njegovateljica majke oboljele od demencije. U nastojanju da održim komunikaciju s majkom tražila sam medicinske spoznaje, ali i ...narative sličnih iskustava drugih koji bi mi pomogli u razumijevanju bolesti i osvijestili važnost pripovijedanja priča i oboljelih i njegovatelja. Priče njegovatelja sabrane u dvije knjige o demenciji: Alzheimer: dvanaest anegdota i Alzheimer u mom domu: obiteljske istinite priče pružile su mi model kako pripovjedač njegovatelj – umjesto oboljeloga „ranjenog pripovjedača“ (Frank) može uz pomoć vlastita koherentnoga pripovijedanja razumjeti bolest i prilagoditi se životu s demencijom te tako potvrditi moralni i intelektualni integritet oboljeloga ugroženog gubitkom komunikacijskih vještina u prijenosu vlastita iskustva. Nažalost, rad je prekinut smrću moje majke. Nastavila sam pisati dok traje proces žalovanja nastojeći sabrati u ovome radu vlastita znanja i iskustva o demenciji, predočiti načine pomoći (biblioterapijske, institucijske, narativne) u održavanju komunikacijske spone s majkom te iz analitičke vizure promotriti priče o demenciji kao „narative o iskustvu“ (Labov) oboljelih i njegovatelja. Pričama drugih, dodala sam i vlastitu priču o oboljeloj majci, koja je potvrdila da narativna rekonstrukcija može biti učinkovita metoda za prevladavanje osjećaja bespomoćnosti njegovatelja suočenih s „pričama kaosa“ (Frank) oboljelih. Priče njegovatelja o bolesti demencije pomažu u izgradnji kolektivnog glasa oboljelih te tako uklanjanju stigme koje ih prate u društvu, mogu biti od koristi i liječnicima kao „formalnim njegovateljima“ i članovima obitelji kao „neformalnim njegovateljima“ koji se trude održati komunikaciju s najmilijima, a mogu poslužiti i kao predložak za kulturnoantropološka, književnoznanstvena, folkloristička i srodna istraživanja koja se bave narativima bolesti. Pisala sam ovaj rad uz nadu da on može pomoći njegovateljima u sličnim situacijama, a sam čin pisanja bio je – nakon smrti moje majke – autoterapijska metoda suočavanja s gubitkom voljene osobe.
The choice of the topic for this paper is personal. I started writing the paper as a caregiverto a mother with dementia. In an effort to maintain communication with my mother,I researched medical literature for advice. But I also researched narratives about similarexperiences of others to help me understand the disease and how best to be a caregiver.My research evolved into a project to raise awareness about the importance of tellingthe stories of both patients and caregivers. Two books of caregivers’ personal narrativesabout dementia provided models for how a caring storyteller can understand the diseaseand adapt to life with dementia. The narratives in Alzheimer: Twelve Anecdotes andAlzheimer’s in my Home: True Family Stories model how a caring storyteller − insteadof a sick “wounded storyteller” (Frank) − can, by transferring one’s own experience ina coherent narrative, confirm the moral and intellectual integrity of the sick personthreatened by the loss of communication skills.Unfortunately, the paper was interrupted by the death of my mother. I continued towrite during the grieving process, trying to compile in this paper my own knowledgeand experiences about dementia, to present ways in which I sought to (bibliotherapy,institutional, narrative) maintain the communication bond with my mother. From ananalytical point of view, I continued to write to promote stories about dementia as whathas been termed as “narrative of experience” (Labov) of patients and caregivers. To thestories of others, I added my own story of a sick mother, which confirmed that narrativereconstruction can be an effective method for overcoming the feeling of helplessnessof caregivers in the face of what Frank calls the “chaos narratives” of the ill. Caregivers’stories about dementia diseases help to build the collective voice of patients and thusremove the stigma that accompanies them in society. They can be useful for doctors as“formal caregivers” and family members as “informal caregivers” who try to maintaincommunication with their loved ones. They can also serve as a paradigm for culturalanthropological, literary, folkloristic, and related research that deals with illness narratives.I wrote this paper with the hope that it can help caregivers in similar situations,and the very act of writing was − after the death of my mother − a self-therapeuticmethod of dealing with the loss of a loved one.
Cilj ovoga rada je identificirati političke, kulturne i društvene narative turskih serija koje imaju propagandnu ulogu. Analizom narativa obrađena su dva žanrovski različita turska serijala novijeg ...datuma – Sanjalica i 50 m2. Analiza narativa nadopunjena je komparativnim pristupom, odnosno dizajnom najrazličitijih sustava. Unatoč tome što oba serijala površinski prikazuju zapadne i sekularne vrijednosti, njihov dublji sloj otkriva gotovo identične političke, kulturne i društvene narative koje obilježavaju politička propaganda vladajuće stranke i reprodukcija konzervativne kulture u Turskoj. Iako rad potvrđuje propagandni sadržaj analiziranih serijala, ponajprije prema turskim gledateljima, zaključuje se kako je potrebno proširiti istraživanje na veći broj turskih serija. Jednako tako, analiza narativa govori nam koje poruke ti serijali šalju, no kako bi se mogla istražiti recepcija njihovih poruka kod turskih gledatelja potrebna su daljnja istraživanja koja se služe drugim metodološkim postupcima.
The aim of this paper is to identify the political, cultural and social narratives of Turkish series that have a propaganda role. The narrative analysis deals with two Turkish series of recent date and different genres – Daydreamer and 50 m2. The narrative analysis is complemented by a comparative approach, i.e. the most different systems design. Despite both superficially depicting Western and secular values, the deeper layer of the analyzed TV shows reveals almost identical political, cultural, and social narratives marked by the ruling party’s political propaganda and the reproduction of conservative culture in Turkey. Although the paper confirms the propaganda content of the analyzed series, primarily towards Turkish viewers, it is concluded that it is necessary to expand the research to a larger number of Turkish TV shows. Equally, while the narrative analysis tells us what messages these series send, in order to be able to investigate the reception of their messages by Turkish viewers, further research is needed, applying different methodological procedures.
Fenomenologija digitalne sreće Komarica, Tahani
In medias res,
05/2023, Letnik:
12, Številka:
22
Journal Article, Web Resource
Recenzirano
Odprti dostop
Pojam sreće nikad nije jednoznačno definiran. U ovom radu je dat kratak prikaz poimanja sreće sa filozofskog, ekonomskog, psihološkog i duhovnog aspekta. Rad eksplicira fenomenologiju digitalne sreće ...na poligonu digitalnih medija koje karakterizira permanentnost koja se postiže booster dozom medijskih sadržaja i manifestacijom iluzije iskustva kroz medijske narative. Digitalna sreća se pojavljuje u 6 tipoloških manifestacija: zadovoljstvo, iznenađenje, harmonija, zanos, oslobađanje potreba i želja i transcedencija. Tipologija manifestacija digitalne sreće je prikazana kroz upotrebu digitalnih medija i medijske narative.
The concept of happiness is never unambigously defined. This paper gives a brief overview of the happiness concept from the philosophical, economic, psychological and spritual aspects. The paper explains the phenomenon of digital happiness on a polygon of digital media, which is characterized by permanence achieved by a booster dose of media content and the manifestation of experience illusion through media narrative. Digital happiness appears in 6 typological manifestations: pleasure, surprise, harmony, ecstasy, liberation of needs and desires and transcedence. The tipologycal manifestations of digital happiness is presented through the use of digital media and media narratives.
Medijska humanizacija zločinca Vukasović, Marta; Car, Viktorija
Nova prisutnost,
11/2022, Letnik:
XX, Številka:
3
Journal Article, Web Resource
Recenzirano
Odprti dostop
Prema teoriji kulturalne kriminologije, postmoderni mediji pri prikazivanju nasilja i zločina kreiraju društvo spektakla, jer takve događaje nerijetko prezentiraju kao zabavu i senzaciju da bi ...privukli pažnju publike. Nasilje i kriminal temeljna su povreda društvene norme i pravnog poretka te zbog toga i prožimaju medijski prostor. U fokusu ovog rada su medijski okviri i narativi koji se bave kriminalom, a kojima se publici nude objašnjenja zločina i motiva za njegovo počinjenje. Cilj ovog istraživanja je da na temelju teorijskih pretpostavki kulturalne kriminologije utvrdi koji su medijski okviri korišteni u informativnim izvještajima triju nacionalnih televizija prilikom izvještavanja o Filipu Zavadlavu, osuđenom za trostruko ubojstvo u Splitu. Zadaća je pritom analizirati postupke medijske humanizacije zločinca kroz narativne elemente bajronizma, odnosno karakteristike antiheroja koje su preuzete iz tekstova popularne kulture, a koje se pripisuju počinitelju zločina. Istraživanjem je utvrđena zastupljenost jedne od najvažnijih karakteristika Byronovog heroja koja počinitelja zločina stavlja u položaj žrtve-zločinca da bi se ukazalo na njegov nepovoljan položaj u društvu te kod publike izazvalo suosjećanje i dodjeljivanje statusa heroja.
According to theory of cultural criminology, when representing violence and crime postmodern media create a society of spectacle. Such events are then presented as entertainment and sensation, to attract the audience. Criminal behaviour and violence are what represent a fundamental violation of the social norm and the legal order, which is why they pervade the media space. In the focus of this paper studies are media frames and narratives that deal with crime and offer the audience a deeper explanation of the crime itself and the motives for its commission. Based on the theoretical assumptions of cultural criminology, this research aims to determine the media frames used in the three national televisions news reports about Filip Zavadlav, convicted of triple murder in Split. Also, the task is to spot the actions of media humanization of the criminal through the narrative elements of Byronism and the characteristics of antiheroes that are taken from the popular culture texts, which are attributed to the perpetrator of the crime. Through the analysis of media texts were established the representation of one of the most important characteristics of Byron’s hero, which puts the perpetrator in the position of a victim-criminal, to point out his unfavourable position in society and provoke sympathy of the audience.
Pojmovi pandemijskih društvenih praksi, kapitala i ekonomije brige uokviruju ovaj
rad koji se bavi osjećajima, mislima i praksama žena tijekom karantene u prvom valu pandemije
bolesti COVID-19 u ...travnju 2020. godine u Hrvatskoj. Temelji se na uvidima dobivenima
online istraživanjem u kojem je sudjelovalo 213 visokoobrazovanih žena različite dobi.
Postavljena pitanja bila su otvorena i omogućavala prikupljanje osobnih narativa: tražene su
ključne riječi za koje sudionice smatraju da dobro opisuju svijet, njihovu obitelj i prijatelje te
njih same za vrijeme pandemije kao i iskustva svakodnevnice i razmišljanja o vlastitom životu
i budućnosti u kontekstu pandemije. Nalazi ovog istraživanja pokazuju da responzivne pandemijske
prakse prožimaju svakodnevnicu žena u karanteni, da su njihovi životi u karanteni
rutinirani, emotivno kompleksni, kao i da su žene s malom djecom premorene i preopterećene
te da karantena naglašava rodne nejednakosti. Odgovori sudionica također ilustriraju otpornost
u kriznoj situaciji zahvaljujući dostupnim materijalnim resursima, ali i kako su neke od
njih u prekarnim pozicijama i zabrinute za moguću nepovoljnu promjenu svog ekonomskog
statusa. Otpornosti nekih od njih doprinose i kvalitetni odnosi s drugima kao i njihovi hobiji,
koji uključuju vježbanje online joge ili pak online kulturne sadržaje. Učinci pandemije prema
našim sugovornicama mogu uključivati ekonomsku krizu, produbljivanje nejednakosti, ograničenja
ljudskih sloboda te otuđenost među ljudima, ali i veću brigu za prirodu, politički i
ekonomski zaokret prema održivijem društvu te jačanje solidarnosti.
In the 1980s, the Southern Frontier of Spain became one of the southern borders of the European Union after Spain entered into the European Economic Community (EEC). On the African continent, the ...Spanish cities of Ceuta and Melilla that border with Morocco are physically separated from Spain by the Mediterranean Sea. Those two cities became a privileged enclave for immigration control, but also for the detection of vulnerable conditions of the migrant population. This paper has a double objective: to describe the action research developed in the Center for the Temporary Residence of Immigrants in Ceuta and to analyze 49 biographical interviews with women residents of the Center within the framework of saidaction research. The results show the diversity of situations of vulnerability in which migrant women can find themselves in this border context. Hence, it is important to rethink the intervention to avoid secondary victimization within critical and humanistic models of intervention. This work, precisely, addresses the design of a tool for biographical narratives from the perspectives of integral health and care.
The paper analyses the correspondence between Josip Juraj Strossmayer and Lujo Vojnović (1885-1892). Five letters from this period have been included as an Appendix, with a critical apparatus. The ...remainder of the correspondence, covering the years 1893-1901, with a total of nine letters, will be analysed in Part II, likewise with full transcription. Special attention has been paid to those letters that refer to some crucial international aspects of Croatian politics. Strictly speaking, when it comes to the correspondence from 1885 to 1892, in addition to Vojnović’s letter to Strossmayer of June 5, 1885, which has already been a subject of scholarly analysis, this includes only two other letters: Vojnović’s from July 23, 1892, in which he asked Bishop Strossmayer to support his memorandum in French to the famous British statesman William Ewart Gladstone, in which Vojnović recommended him the Croatian-Hungarian Settlement (1868) as a template for the Home Rule Bill, which Gladstone proposed to the British Parliament in 1886 and 1893; and Strossmayer’s reply to that letter of July 25, 1892, in which, instead of supporting Vojnović’s initiative, he presented a series of critical objections about the Hungarians and their hegemonic policy towards the Croats in the Hungarian-Croatian Kingdom and generally towards non-Hungarian peoples in Transleithania, the Hungarian half of the Austro-Hungarian Monarchy (1867). In his reply to Vojnović, Strossmayer also presented some racist and pseudo-anthropological objections about the Hungarians, whom he considered unable to overcome feudal social organization and establish modern civil institutions. He attached another letter with the same date to this reply, asking Vojnović to seal it and send it to Gladstone together with his own letter. This second letter likewise contains a number of critical objections about the Hungarians and their hegemonic politics. Regarding the scope of Strossmayer’s influence in shaping Gladstone’s critical views on the Hungarians and their policy towards the non-ruling peoples of Transleithania, especially towards the Croats in the Hungarian-Croatian Kingdom, it should be pointed out that Gladstone, who won his fourth and last electoral mandate in 1892, not only refused to support Strossmayer in his criticism of the Hungarians, but did not even reply to his letter of July 25, 1892. The author of this paper argues that Gladstone did so mainly for pragmatic political reasons, considering that he was otherwise in very cordial and friendly relations with Strossmayer: Great Britain was at that time providing strong support to the Austro-Hungarian Monarchy as an important balancing factor in European politics, an obstacle to both Russian expansionism towards the West and German progress in the East. Therefore, if it all came down to Gladstone alone, the results of Strossmayer’s efforts to expose Hungary’s repressive policies against the non-Hungarian peoples of Transleithania in Great Britain would have been insignificant. However, they found an extremely strong resonance with another Briton, likewise very influential: it was Robert William Seton-Watson, who published a fragment of Strossmayer’s sealed letter to Gladstone as an appendix to his book The Southern Slav Question and the Habsburg Monarchy (1911), while in another book, Racial Problems in Hungary (1908), starting not only from Strossmayer’s ideas in this regard, but also from the results of his own research and insights, he informed the European public about the hegemonic policy of the Hungarian political elites towards the non-Hungarian peoples in the Kingdom of Hungary, especially the discriminatory towards the Slovaks, based on strong cultural prejudices. Taking into account that this problem of the Hungarian attitude towards the non-Hungarian peoples of Transleithania aroused great interest among British historians and journalists, the correspondence between J. J. Strossmayer and L. Vojnović from July 1892 has also been considered in the wider context of Croatian-British and Hungarian-British discussions and confrontations in this regard. As Strossmayer’s racist objections against the Hungarians played an important role therein, this paper focuses particularly on the national stereotypes and racist narratives in the political and scholarly discourse of the time. By analysing several scholarly and journalist publications from the mid-19th century until the end of the first decade of the 20th, the author argues that national stereotypes, including the racist narrative, articulated to support one’s critical hypotheses about other nations, were almost equally present in Croatian and Hungarian, as well as in British authors who dealt with this issue at the time, although, of course, in different proportions. Thus, traces of such discourse can be found even in Seton-Watson, who tried to avoid it in every way and condemned it on principle. This, again, means that Strossmayer’s racist and xenophobic formulations about the Hungarians were in no way an exception, but rather a segment of the racist narrative that was prevalent at the time, spilling over from the public and political into the scholarly domain. In this sense, this paper can be understood as a critical analysis of a communication discourse present in the 19th and early 20th centuries that was inappropriate from an ethical and scholarly points of view, based as it was on quasi-historiographical, pseudo-anthropological, and racist stereotypes, which today would be completely inacceptable, especially in view of the obligation to respect the prescribed ethical norms in scholarly work and public activity.
This paper presents narrative analysis as a qualitative research method focused on language at the suprasentential level and on the structure and social function of narrative as a specific discursive ...genre, which is a rather under–researched area in Croatian linguistics. The first part of the paper presents a short historical overview of the development and current trends of narrative analysis in linguistics, sociolinguistics, and various discourse analyses, with a special emphasis on the inquiry into identity construction in narrative discourse. The second part introduces a possible model of narrative analysis, based on findings from a larger empirical research on identity construction in personal narratives of migration.
Članak je posvećen prvim rezultatima lingvističnoga terenskog istraživanja jezika nacionalnih manjina u Središnjoj Hrvatskoj koji su izvršili znanstveni suradnici Instituta za slavistiku Ruske ...akademije znanosti u svibnju 2019. Tijekom istraživanja bili su snimljeni narativi na češkom i mađarskom jeziku. Prikupljeno gradivo analizira se s gledišta kontaktološke lingvistike, dijalektologije kao i sociolingvistike. Autori ukratko opisuju suvremenu jezičnu situaciju te objavljuju transkribirane uzorke tekstova na češkom i mađarskom jeziku koji sadrže između ostalog i kontaktološke elemente (prilagođene i neprilagođene jezičnom sustavu posuđenice kao i slučajeve mijenjanja kodova)
Rad analizira djelovanje Komisije za istinu i pomirenje Južnoafričke Republike kroz tezu o kongruenciji između njenih protokola i elemenata kazališne predstave. Nakon uvodnog istraživanja povijesnog ...konteksta apartheida, rad nudi detaljnu analizu rada Komisije za istinu i pomirenje kroz ostvarivanje njezine dvije uloge – uloge pravnog instrumenta i uloge esencijalnog instrumenta za suočavanje s prošlošću te stvaranje nacionalne povijesne pripovijesti. Rad analizira odnos kazališnih i performativnih karakteristika i koncepata tranzicijske i restorativne pravde; utjecaj elemenata performansi proučava se i u učinku Komisije za istinu i pomirenje a na stvaranje nacionalnih narativa, koji se koriste za legitimiranje novog pravnog i političkog poretka.
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