El objetivo este trabajo es Centrarme en el Nihilismo Aplicando una metodología tanto analítica como comparativa. Para representar la realidad Nietzsche alude por excelencia al arte, específicamente ...a la música y la poesía, pues cree que es la llave de acceso a la vinculación con lo real. El arte tiene más valor de la que tiene la verdad a causa de que la esencia complace a la voluntad de poder; tanto Nietzsche como Heidegger consideran en cuanto la interpretación que existen múltiples de ellas y cada una de ellas son verdaderas. Heidegger infiere que Nietzsche se encuentra en una época obscura en la historia que va recorriendo el pensamiento metafísico, época donde predomina la nulidad del sinsentido; el Nihilismo de Nietzsche no es otra cosa para Heidegger que la manifestación de lo que permanece oculto al Ente, la imposibilidad de develar al Ser tal cual; entonces, el Ser siempre permanece inmutable, no se muestra ante la comprobación bajo ninguna circunstancia, se camufla muy bien permaneciendo en el olvido, resguardando la verdad que se devela en la medida que una parte de ella se oculta en la aperturidad del Ente, imposibilitando así su comprensión pero si ayudando a su aproximación.
This article details how the ideas of nihilism challenged the incipient sphere of Hebrew literature in nineteenth-century Russia. In the 1860s, Russian nihilist critics Nikolai Chernyshevsky, Nikolai ...Dobroliubov, and Dmitrii Pisarev argued that the value of literary works lies in their social utility. For young Jewish writers emerging from rabbinic milieus where the engagement with sacred texts was valued for its own sake, discovery of the utilitarian view of literature threatened to undermine their own literary aspirations and the project of Hebrew literature as a whole. I show that, in the wake of the nihilist critique in the 1860s, yeshiva-educated writers began to turn against the newly formed sphere of Hebrew letters with the accusation that a "useless" textual engagement characteristic of Talmud study pervaded the Hebrew literary production of their day. I track the development of this idea in the debates of pioneering Hebrew writers and literary critics such as Abraham Uri Kovner, his lesser-known brother Isaac Kovner, and the writer Abraham Ber Gottlober. Reading early Jewish writers and critics alongside their Russian contemporaries, this article illuminates the struggle of modern Hebrew writers with the Jewish religious textual tradition, while situating it in the context of larger Russian debates about literature's value and function in the world.
Celotno besedilo
Dostopno za:
BFBNIB, DOBA, IZUM, KILJ, NMLJ, NUK, PILJ, PNG, SAZU, SIK, UILJ, UKNU, UL, UM, UPUK, ZRSKP
8.
Nihilism and technology de Oliveira, Jelson Roberto
Filosofia Unisinos,
01/2020, Letnik:
21, Številka:
1
Journal Article
Recenzirano
Odprti dostop
This paper analyzes the relationship between nihilism and technology based on the intuitions of the Jewish-German philosopher Hans Jonas. To do this, we start from a consideration of nihilism in its ...incomplete form as an attempt to deny worldly and human reality, an attitude that gives technology a role of removing the human from the world, either through an escape from the earth or through post- and transhumanist hypotheses, based on the obsolescence of the body. The theses that see technology both as a philosophical and an ethical problem are examined from the perspective that ethics must be a kind of comple- ment (a “power over power”) to technology. To this, it would take on a new role: through responsibility it will help to adequately design the prognosis of the future and at the same time promote ecologically appropriate lifestyles based on frugality and continence.
DIE MODERNE BARBAREI Barbarić, Damir
Phainomena,
11/2023, Letnik:
32, Številka:
126/127
Journal Article
Recenzirano
Abstract In his work, Eugen Fink often confronted the profound problematicity of the contemporary epoch and attempted to illuminate its enigmatic traits in a productive, future-oriented manner. ...Despite a philosophical fascination with Nietzsche and Heidegger, he apparently did not want to share and radically appropriate for himself their views regarding "the European nihilism." With a reading of the writings collected in the book Zur Krisenlage des modernen Menschen (On the Crisis Situation cf Modern Man), the paper seeks to demonstrate that Finks contemplations upon the matter compellingly reveal the obscure sense and nonsense of the actual state of contemporaneity, although they predominantly devote attention solely to its phenomenality To a certain degree, such an attempt needs to take into account also the philosophers speculative thoughts concerning nothingness and death. Keywords: Eugen Fink, barbarianism, modernity, nihilism, freedom. An die Stelle der geistigen Schöpfung im Denken und Dichten ist die lebhafte Schätzung des praktisch verwertbaren Wissens in der Form der spezialisierten Erkenntnisse getreten (vgl. ibid., 138 fi). Der Mensch scheint frei geworden; er glaubt bestimmen zu können, willkürlich, nach Belieben, was gut und was schlecht ist.
