Yacine Belhacene founded Cheb Balowski, now a few years ago, and incorporated into the mestizo music that were made in Catalonia a clear accent magribí. Now, with Eastern Groove, out in search of ...rock bruised.
Anna Roig, for his family origins and his teenage past, evokes the essence of French culture and reinvents with their own eyes, curious and always open. Her vocation is as a song writer, rather than ...a composer, in the style of Chanson’s classics. His verses are full of doubts, joys and disappointments that express with transparency everything that causes him what excites him most: luv. Her music has a childish air, a product of observing as a passionate music teacher the way of seeing the world of the youngest children. And there is a lack of sense of humour that he learnt as a clown student, and that for her has become the best weapon to face the world. In short, this is Anna Roig’s revolution: to disguise her music of sincerity and naturalness. According to her, facing the world with a smile
Raynald Colom has achieved a close relationship as few artists between his music and his instrument. He luvs and hates the trumpet, mimics her and sleeps with her. This is how he has elaborated, step ...by step, his own, independent career, with a fusion of unique and personal styles that has led him to the front line of European soloists. It was his father, also a musician by profession, who gave him the first trumpet as a child. He began to look tirelessly for another jazz look of Barcelona, forged without manias with modernity brand New York, the tradition of masters like Josep Maria Farràs and crossbreeding with root musicians from around the world, who met in his neighbourhood, the Raval. His way of understanding the genre is very broad, breaking the classic limitations that according to Raynald Colom himself deny the feeling of freedom that jazz takes by essence. And for him, the real revolution of a musician, more than succeeding, is learning.
The Valencian Miquel Gil comes at presenting us\ ‘For Marcianes\’ his new work at what continues proposing a contemporary reading of the popular and traditional Catalan musicians, with a global ...perspective, further of the Valencian Country.
El Esther Condal es una de las sorpresas más encisadores del 2012 Jazz, song, pop, in his voice take on a unique personality Songs in English, French and Catalan make up their debut album,\ ‘Home\’ ...which introduces us to\ ‘Close\’.
Pedro Burruezo was in the 80s the\ ‘alma mater\’ Claustrofobia, one of the most unclassifiable formations of the Catalan scene. In recent years it has launched, in Sant Feliu de Guíxols, a proposal ...no less unclassifiable. Burruezo
The Ernest Crusados has gone from trembling with fear when, at the age of seven, he auditions of flute, to going on stage with the Yaya. At the head of the trio of Vic, Ernest defends songs that ...portray the motivations and doubts of a range of characters. Like that student Sociology, in the end, discovered that he had to ignore the rumour he felt for years. The same thing that led him to start writing songs and to realise that, he, what he had to do was to become a musician.
Gani Mirzo is a Kurdish musician, born in northern Syria, who has been living in Barcelona for over twenty years. He was interested in the proximity between flamenco and Syrian music, which he learnt ...in the city of Aleppo.
Cuchillo is another of the formations that emerged in Barcelona as a result of the meeting between a Basque musician, a Galician and Swedish who propose an intense and suggestive psychedelic pop. ...This trio presents us with their latest album,\ ‘Encanto\’
Since it debuted with\ ‘Oníric\’ Barcelona Maria Rodés has been growing and maturing his musical speech to reach a territory where the songs are dressed in contemporary pop and chamber rock ...arguments. He presents us... ‘Triangular dream,’ his second work all alone.
