In the contemporary foreign language didactics hypertexts play an increasingly important role, which is reflected in the glottodidactic discourse. The aim of the article is a juxtaposition of the ...elements which facilitate or limit reception of hypertexts in the glottodidactic process. Accordingly, the main problems which appear during student’s work with hypertexts are listed, and solutions to some of them are also suggested. Moreover, the arguments presented are in favour of the application of hypertexts in the glottodidactic process.
Il nome di Agamennone evoca un tempo antico e primitivo, quando il potere coincide con la forza, e una storia familiare che narra di una catena ininterrotta di delitti di sangue. Agamennone è il ...protagonista di una biografia dolorosa, costretto a fare i conti con la maledizione che colpisce la sua famiglia e lo costringe a errori e colpe, imbrigliato dalla rivalità con il più valoroso e nobile degli eroi, Achille, da cui esce sconfitto prima ancora della sfida, vincitore di Troia, ma vittima di un destino tragico. Questo volume nasce nel solco di una tradizione di studi del Dipartimento di Beni Culturali e del Centro di Studi ‘La permanenza del Classico’ dell’Università di Bologna iniziata con Edipo (Edipo classico e contemporaneo, 2012) e proseguita con le Troiane (Troiane classiche e contemporanee, 2017) e raccoglie saggi sulle versioni antiche del mito, le tragedie di Eschilo e Seneca, sulle riscritture moderne e contemporanee, nella letteratura, nel teatro, nella musica, nell’arte.
New insights on the reception of Etruscan antiquity in the modernist period.
“L’Étrurie est à la mode”, French archaeologist Salomon Reinach bluntly stated in 1927. Since the beginning of the ...nineteenth century, Etruria had not only been attracting the attention of archaeologists and specialists of all sorts, but it had also been a fascinating and, in some cases, captivating destination for poets, novelists, painters and sculptors from all over Europe. This volume deals with the impact of the constantly expanding knowledge on the Etruscans and their mysterious civilisation on Italian, French, English, and German literature, arts and culture, with particular regard to the modernist period (1890–1950). The volume brings a distinctive point of view to the subject by approaching it from an interdisciplinary and comparative perspective, and by looking at a quite diverse range of topics and artefacts, which includes, but is not limited to, the study of drawings, art works, travel essays, novels, cooking recipes, schoolbooks, photographs, and movies.
By exploring a new paradigm to understand ancient cultures, beyond the traditional ideas and models of “reception of the classics”, and by challenging the alleged fracture between the so-called “two cultures” of humanities and natural sciences, Modern Etruscans will be of interest to scholars from various disciplines. Designed as a learning tool for university courses on the interplay between literature and science in the twentieth century, it is suited as recommended reading for students in the humanities.
Contributors: Francesca Orestano (Università degli Studi di Milano), Chiara Zampieri (KU Leuven), Bart Van den Bossche (KU Leuven), Lisa C. Pieraccini (University of California, Berkeley), Martin Miller (Italienisches Kulturinstitut Stuttgart), Marie-Laurence Haack (Université de Picardie Jules Verne), Gennaro Ambrosino (University of Warwick), Martina Piperno (Durham University), Andrea Avalli (Scuola Superiore di Studi Storici di San Marino).
Ebook available in Open Access.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Nietzsche Reception by Stanislaw Przybyszewski The author of the article attempts at re-reading the work of Stanislaw Przybyszewki from the perspective of the analogy, and partially ...thecause-and-effect-relationship, between Nietzsche's concept of 'the Dionysian' and Przybyszewski's theory of 'the naked soul'. The author of the paper proposes that the basic element of the reception of German philosopher's thought in the works of the genius Pole is 'the Dionysus' from Nietzsche's early writings understood as a universal cosmic force connected with sexual desire, and not a voluntary concept of 'the overman'. Keywords: Przybyszewski, Nietzsche, reception, 'the overman', 'the Dionysian', 'the naked soul', re-reading. Hin und wieder hält er sich für lediglich "ein Instrument in der Hand eines Dinges, das er nicht kenne, das in ihm tätig sei, das tue, was es wolle, und sein Gehirn sei nur ein ganz gewöhnlicher Handlanger.
This comprehensive sourcebook thoroughly explores the state-of-the-art in communications receivers, providing detailed practical guidance for constructing an actual high dynamic range receiver from ...system design to packaging. You also find clear explanations of the technical underpinnings that you need to understand for your work in the field . This cutting-edge reference presents the latest information on modern superheterodyne receivers, dynamic range, mixers, oscillators, complex coherent synthesizers, automatic gain control, DSP and software radios.You find in-depth discussions on system design, including coverage of all pertinent data and tools. Moreover, the book offers you a solid understanding of packaging and mechanical considerations, as well as a look at tomorrows receiver technology, including new Bragg-cell applications for ultra-wideband electronic warfare receivers. This one-stop resource is packed with over 300 illustrations that support critical topics throughout.
This research is to find out how the audience reception about tarhim is carried out at dawn and what factors can influence the reception of the audience in interpreting tarhim. The method used in ...this study is Stuart Hall's reception analysis with a qualitative approach. The results of the study indicate that there are differences in reception in the community. The seven informants in this study came into three positions, namely 2 people as preferred / dominant reading; 3 people as negotiated reading; and 2 people as opposition reading. The difference in reception is caused by factors found in the context of communication, namely environmental, temporal, and psychological-social conditions in society.Penelitian ini untuk mengetahui resepsi khalayak mengenai tarhim yang dilaksanakan pada waktu dini hari dan faktor-faktor apa saja yang dapat mempengaruhi resepsi khalayak dalam memaknai tarhim. Metode yang digunakan dalam penelitian ini adalah analisis resepsi dari Stuart Hall dengan pendekatan kualitatif. Hasil penelitian menunjukkan terdapatnya perbedaan resepsi di masyarakat. Tujuh orang informan dalam penelitian ini terbadi ke dalam tiga posisi, yaitu 2 orang sebagai preferred/dominant reading; 3 orang sebagai negotiated reading; dan 2 orang sebagai opposition reading. Perbedaan resepsi tersebut disebabkan oleh faktor-faktor yang terdapat dalam konteks komunikasi, yaitu faktor lingkungan, temporal, dan kondisi psikologis-sosial pada masyarakat.
This research deals with (sensory perception and reception of the Iraqi theatrical performance), considering perception is the process through which sensory information is recognized and interpreted, ...whether the stimuli are visual, auditory, or Tactile, olfactory, or gustatory, and given the importance of the topic, the researcher observed many philosophical opinions and theories. The religious and psychological aspects related to (sensory perception) were discussed to show the extent of the benefit of sensory perception of the Iraqi theatrical performance. The first chapter (the methodological framework) included the research problem, the limits of the research, and the most important terms used in the research. As for the second chapter (the theoretical framework), it included two sections, the first (the concept of sensory perception and its philosophy), and the second section on (the mechanism of perception), and the indicators for the theoretical framework. In the third chapter (research procedures), it was The researcher presented the play (Umm Al-Khosh) By its author and director (Mahmoud Abu Al-Abbas). The researcher chose the sample intentionally, adopting the descriptive analytical method. In the fourth chapter, the researcher also (discussed the results of the analysis) in accordance with the research objectives, as the researcher found that acting performance is supposed to be a means capable of awakening the imagination and feelings of the recipient, in order to feel Identify the characters and their situations so that he understands them in his mind, and the necessity of emphasizing the importance of vocal and performance technique. For the actor, with the aim of having a vocal and physical space that enables him to imitate an unlimited number of characters. Then the researcher confirmed the recommendations and proposals, and the researcher also arranged the sources and references in alphabetical order and without numbering.
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