The article proposes a close reading of Jacques Derrida’s address to the Estates General of Psychoanalysis, held in Paris in July 2000. In celebrating the centenary of Freud’s Interpretation of ...Dreams, the representative international gathering of psychoanalysts took place under the umbrella of a “political metaphor” suggested by its historically significant title and dates. In Derrida’s address, the metaphor of revolution was far more than just a bright emblem of the meeting, expressing the organizers’ wish to emphasize the revolutionary character of Freud’s “invention” or to encourage the participants’ enthusiasm for solving the current crisis of their profession in the manner inspired by the Estates General in 1789. It is only in his late work, and particularly in this introductory lecture dealing with human cruelty and its recent historical mutations, that Derrida began to explore the deconstructive political potentialities of psychoanalysis. His hypothesis on the superiority of psychoanalysis over all other discourses in dealing with this highly political issue assumes that there is, although not yet fully recognized, or even strongly opposed, a politics inherent to Freud’s theory. Outlined in his later writings, Freud’s “progressive politics,” already engaged in a subversion of the principle of state sovereignty, as proved to be able to indicate a strategy of going “beyond the death drive,” calls for creating a new, revolutionary psychoanalysis beyond all principles. The article attempts to reveal that Derrida’s politically oriented reading of Freud’s legacy crucially depends on his unique position of “the friend of psychoanalysis.”
In response to recent pluralization of modernism, the author adopts Jameson’s singular modernity to argue that, in the capitalist world-system divided between hegemonic and dependent literary fields, ...modernism exists only through its particular manifestations. During the 1968 student revolt, Slovenian late modernism – in-between peripheral phenomenon caught in the Cold War antagonism – displays a universal feature of the period: its transformative impulse resulting from “the imaginative proximity of social revolution” (Anderson). Embedded in the global insurgency, Slovenian innovative trends of the 1960s synchronized with western centers of modernity. It brought together critical theory and experimental artistic practice to reshape writing, literary institution, the subject, and society at large.
This paper considers the ranges, consequences and moral justification of the »ruthless critique of all that exists« that is »not being afraid of the results it arrives at«, nor is it afraid »of ...conflict with the powers that be«. These well-known Marx’s words from his letter to Ruge of September 1843 serve as a starting point for this discussion. This paper primarily aims to reach the basic
intentions and the sense of active critique. Bearing in mind the deviations of concrete historical revolutions that were referring to critical emancipatory teachings, the discussion goes in the direction of ethical consideration, where the very concept of (active) critique is more clearly explained by gaining the designation of responsible critique as the true fulfilment of its internal movements. Finally, this paper points out the essential connection between the problems of traditional ethics and revolution and those of integrative bioethics, especially in terms of widening the horizons of moral concern.
The idea of revolution, which to a great extent shaped the social life during the 19th and 20th century, has influenced the field of art until the present day. The artists from the beginning of the ...last century were probably the most explicit in their attempts to break off with the traditions of the previous era, dismantle the institution of art and through their practice change the social reality. However, the avant-garde aspiration to revolutionise society by eliminating the assumed distance between art and life led primarily to the revolutionisation of the Artworld during the neo-avant-garde period with the emergence of new forms of artistic expression such as happenings, actions, performance pieces, etc. Regarding the avant-garde and neo-avant-garde legacies we will examine how they influence contemporary understandings of revolution concerning present artistic practices.
Glasba in narodna zavest Stane Granda
De musica disserenda,
06/2015, Letnik:
3, Številka:
1
Journal Article
Recenzirano
Odprti dostop
Slovensko narodno gibanje se je v osveščanju rojakov v veliki meri naslonilo na glasbo, zlasti zborovsko. Petje je navduševalo, pridobivalo, pa tudi brusilo ostrine različnih nasprotnikov. V času ...preganjanja Slovencev, zlasti pod fašizmom in nacizmom je bilo poglavitna oblika množičnega odpora. Glasba je mehčala tudi totalitarizem in prispevala k demokratizaciji slovenske družbe.
This work covers the echoes of the Hungarian Revolution of 1956 in the contemporaneous Croatian press. It is focused on articles and reports published in 1956, partly during the summer just before ...the revolution, and mostly on contemporaneous newspaper articles (October, November, December), also encompassing some articles published during the first months of 1957. Furthermore, this paper presents and analyses the echoes of the events in Hungary in the leading newspapers of the Socialist Republic of Croatia (Vjesnik, Narodni list), giving an equal amount of attention to articles published in the Croatian émigré press (Hrvatska revija, Hrvatska država, Hrvatski glas, etc.). In addition, the complex Yugoslav-Hungarian and Yugoslav-Soviet relations of that time are examined.
Ratna promidžba u hrvatskim novinama 1848./1849. godine Kolak Bošnjak, Arijana
Zbornik Odsjeka za povijesne znanosti Zavoda za povijesne i društvene znanosti Hrvatske akademije znanosti i umjetnosti,
12/2017, Letnik:
35, Številka:
-
Journal Article, Paper
Recenzirano
Odprti dostop
U radu se analizira ratna promidžba, koja se vodila u hrvatskom tisku tijekom 1848./1849. godine, tj. neposredno prije i tijekom hrvatsko-mađarskog rata. Kao izvor korištene su novine Agramer ...Zeitung, Slavenski Jug, Novine dalmatinsko-hèrvatsko-slavonske (Narodne novine) te Südslavische Zeitung, koje su izlazile u revolucionarnom razdoblju. Tekstovi iz spomenutih novina analizirani su u kontekstu ratne promidžbe, koja je bila dio strategije u ratu pokrenutom protiv Mađara 1848. godine.
The thesis presents the ethical aspects of Camus’ philosophical essay entitled The Rebel. The ethical aspect is crucial in this work, since the author first starts pondering on the justification of ...murder, an issue that first became prominent in the period marked by totalitarian ideologies. From there, Camus proposes the concept of rebellion, which constitutes the foundation for developing values, and which serves as a base for the principle of border, and for the requirement for solidarity. Camus tries to bring back those values into the world, especially into the rebellion that has lost all relations with its roots, which primarily refers to the revolution. A true rebellion in a time of great ideas returns dignity to the individual and refuses to use him as a means for carrying out those ideas. Finally, this thesis examines the possibility of creating Camus’ ethics.
The focus of this examination is on Hegel’s Lectures on the Philosophy of History, particularly the final chapters in which, among other things, Hegel posits that no change in legal freedoms can be ...expected without the liberation of conscience and that it is illusory to expect the revolution to succeed if it is not preceded by religious reformation. It is an attempt to critically rethink Hegel’s views on reformation, revolution and history in the light of modern religious, theological, philosophical, political, scientific and cultural theses and research. The philosophy of history is observed as something of a key to understanding Hegel’s (often hermetic) philosophical ideas. At the same time, his brilliant insights are reimagined in the context of the contemporary revival of the phenomena of religion/faith.
Politika pred zagonetkom drustva Jantol, Tomo
Politička misao,
10/2012, Letnik:
49, Številka:
3
Journal Article, Conference Proceeding
Recenzirano
Odprti dostop
The drama of Yugoslav socialism had begun long before its final collapse, only a few years after its coming to power. It had been announced by social events which the ruling politics neither expected ...nor could explain; events which at first were manifested in various forms of self-willed conduct of those employed in economy, and later in increasingly pervasive and complex disturbances in the system of material reproduction and other spheres of social life. Those events faced the ruling politics with the enigma of society that posed a serious challenge to the existing model of etatist economy and monopoly power of the Party. In this article, the author focuses precisely on the above-mentioned problem, i.e. on the relation of the ruling politics of socialism towards the social world of life (society): what did it do in order to regain mastery over the social events which gradually eluded its control, and what is the significance of the methods and procedure which it applied to that effect? All that the ruling politics of Yugoslav socialism was faced with and all it resorted to is observed by the author merely as a special case of socialism in general. PUBLICATION ABSTRACT
Celotno besedilo
Dostopno za:
DOBA, IZUM, KILJ, NUK, ODKLJ, PILJ, PNG, SAZU, UILJ, UKNU, UL, UM, UPUK
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