Salezjanie od początku powstania zgromadzenia kładą duży nacisk na wychowanie młodych ludzi rozwijając ich pasje i zainteresowania. Teatr był zawsze obecny w dziełach salezjańskich. Dzisiaj ciągle ...można spotkać grupy kładące nacisk na te formę wychowania. Tak jest w przypadku teatrów szkolnych, oratoryjnych czy działających wśród studentów. Godnym uwagi jest to, że ciągle, mimo zmian społeczno-kulturowych pojawiają się pasjonaci, za których wzorem inni młodzi ludzie mogą rozwijać zarówno swe umiejętności, jak i duchowość.
Ancient Roman theatres represent a unique cultural heritage which is still used nowadays to host a variety of cultural activities and performances. Acoustic measurements show that the acoustics of ...these theatres does not always support the listening of music, which is common in modern performances. Although the acoustics of these theatres for modern use performances may be challenging, this cultural heritage offers a unique experience to the audience who can assist to a performance on the same seats once used by Romans. Nowadays, these unroofed theatres, whose walls behind and at the sides of the stage have rarely been restored, are often criticized for the weak sound strength. Moreover, these theatres are often exposed to urban modern background noise. The significant sound absorption due to the presence of the audience on the seating area (named cavea) and to the tapestries used in modern scenes makes challenging to support the acoustic reverberation in these theatres. In this paper, these aspects are described focusing on five ancient Roman theatres located in Southern Italy. The study reports acoustic measurements followed by virtual simulation results. As it was impossible to perform acoustic measurements with full audience occupancy, the presence of the audience was simulated using room acoustic software. The paper compares the acoustic characteristics of these five theatres considering their architectural characteristics, and discusses the role that the material used for their restoration had on their acoustics. Finally, some considerations about some reversible interventions to improve the acoustics of these ancient theatres for modern uses are reported.
Recensione al libro Autore: Laura Scala Titolo: Teatro e scena urbana Sottotitolo: Ricerche e sperimentazioni spaziali dell’Avanguardia russa Lingua: Italiano Editore: LetteraVentidue, Siracusa ...Caratteristiche: formato 19,5x24,5 cm, 272 pagine, brossura, colori ISBN: 978-8862424974 Anno: 2021
Data Analytics is being deployed to predict the dissolved nitrous oxide (N2O) concentration in a full-scale sidestream sequence batch reactor (SBR) treating the anaerobic supernatant. On average, the ...N2O emissions are equal to 7.6% of the NH4–N load and can contribute up to 97% to the operational carbon footprint of the studied nitritation-denitritation and via-nitrite enhanced biological phosphorus removal process (SCENA). The analysis showed that average aerobic dissolved N2O concentration could significantly vary under similar influent loads, dissolved oxygen (DO), pH and removal efficiencies. A combination of density-based clustering, support vector machine (SVM), and support vector regression (SVR) models were deployed to estimate the dissolved N2O concentration and behaviour in the different phases of the SBR system.
The results of the study reveal that the aerobic dissolved N2O concentration is correlated with the drop of average aerobic conductivity rate (spearman correlation coefficient equal to 0.7), the DO (spearman correlation coefficient equal to −0.7) and the changes of conductivity between sequential cycles. Additionally, operational conditions resulting in low aerobic N2O accumulation (<0.6 mg/L) were identified; step-feeding, control of initial NH4+ concentrations and aeration duration can mitigate the N2O peaks observed in the system. The N2O emissions during aeration shows correlation with the stripping of accumulated N2O from the previous anoxic cycle. The analysis shows that N2O is always consumed after the depletion of NO2− during denitritation (after the “nitrite knee”). Based on these findings SVM classifiers were constructed to predict whether dissolved N2O will be consumed during the anoxic and anaerobic phases and SVR models were trained to predict the N2O concentration at the end of the anaerobic phase and the average dissolved N2O concentration during aeration. The proposed approach accurately predicts the N2O emissions as a latent parameter from other low-cost sensors that are traditionally deployed in biological batch processes.
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•S.C.E.N.A N2O emissions contribute up to 97.3% to the operational carbon footprint.•Stripping of accumulated N2O from the previous anoxic cycle increases emissions.•Aerobic dissolved N2O concentration is correlated with DO and conductivity.•Conductivity can be used to control SBR NH4+ concentration and N2O.•N2O can be estimated as a latent parameter from other low-cost sensors.
In Italia non c’è accordo, sintonia, nel rapporto tra sala e scena, tra la lingua parlata fuori del teatro e quella pronunciata in palcoscenico, tanto che gli autori devono inventare una propria ...lingua. Infatti, il palcoscenico italiano s’è privato altresì di un codice preciso di tradizioni che costituivano quasi i fondamenti organici per la stessa recitazione. Questi questioni permettono diverse riflessioni in torno alla lingua teatrale, sia nel caso della compagnia veneta che mette in scena i Consigli a un giovane scrittore di Danilo Kiš, sia la revisione, tra altre, del sincretico esperanto linguistico di Eugenio Barba.
Przedstawienia pasyjne wystawiane w Polsce mają długą historię, sięgającą średniowiecza. Na przestrzeni wieków podejmowano następnie dramatyczne przedstawienia przedstawiające mękę i śmierć Jezusa ...Chrystusa. Polscy salezjanie, działając na polu edukacji i ewangelizacji, zwłaszcza wśród młodzieży, również wielokrotnie z pomocą i dla nich reżyserowali wydarzenia paschalne. Trzy współczesne, ale bardzo różne przedstawienia tajemnic śmierci i zmartwychwstania Chrystusa, przygotowane przez trzy różne środowiska salezjańskie, w Czerwińsku, Krakowie i Poznaniu, wskazują na ciągłą potrzebę aktualizacji tej tematyki. Realizowane z wykorzystaniem różnorodnych nowoczesnych form i środków teatralnych pod okiem profesjonalistów sztuki teatralnej, do dziś cieszą się dużym zainteresowaniem.
La glottodidattica moderna considera il parlato come l’indicatore più significativo della competenza comunicativa. Per questo motivo, nell’insegnamento delle lingue straniere si tende spesso a ...sviluppare la produzione più che la ricezione. Partendo dal presupposto che imparare a parlare comporta automaticamente la capacità di capire altre persone che parlano. Tuttavia, apprendere una lingua significa saper fare in questa lingua. Bisogna saper agire negli atti comunicativi che richiedono non solo correttezza linguistica, ma anche appropriatezza al contesto in cui ci si trova. Infatti, lo sviluppo della competenza comunicativa mette a fuoco nuove tecnologie, teorie e attività didattiche che corrispondono alle esigenze del discente e lo pongono al centro del processo di apprendimento, come ad esempio la didattica inclusiva che crea un’atmosfera piacevole e fruttuosa per lo studente, permettendogli di promuovere un apprendimento consapevole e responsabile. Attraverso questo articolo, ci proponiamo di chiarire il concetto di competenza comunicativa e di esaminare come la didattica inclusiva possa influenzare positivamente il suo sviluppo. Abstract Language teaching considers speaking as the most significant indicator of communicative competence. For this reason, foreign language teaching often tends to favor the development of production rather than reception. Based on the principle that knowing how to speak automatically implies the ability to understand others who are speaking. However, learning a language means knowing how to act in that language, being able to interact in communicative situations that require not only linguistic correction but also adaptation to the context in which one finds oneself. We thus integrate new technologies, theories and educational activities, which meet the needs of the learner and place them at the heart of the learning process, such as inclusive didactics that creates a pleasant atmosphere for the student. Through this article, we aim to clarify the concept of communicative competence and examine how inclusive teaching can positively influence its development.
Ovaj rad predstavlja preliminarne rezultate etnografskog istraživanja savremenog muzičkog fenomena koji okuplja „autore sa srpske scene“ čije je stvaralaštvo zasnovano na kombinaciji novokomponovane ...narodne muzike i turbo-folka sa različitim alternativnim muzičkim žanrovima i stilovima. Istraživanje je sprovedeno uz pomoć tehnike polustrukturiranog intervjua s izvođačima i organizatorima, te posetama različitim dešavanjima (nastupi izvođača, promocija kompilacije, festivali Zasram i FESRAM), kao i korišćenju pisane i audio-vizuelne građe dostupne na internetu. Jedan od osnovnih ciljeva rada jeste formalno određenje turbotronik fenomena u kontekstu muzičkog žanra i scene, kao i prepoznavanje njegovih karakteristika. Kroz analizu različitih procesa koji utiču na formiranje jednog muzičkog žanra – naziv žanra, narativ o poreklu žanra, vizuelni identitet, karakterističan zvuk, tematika pesama i karakteristike publike žanra – turbotronik se posmatra kao svojevrsni lokalni „žanr u nastajanju“.
Festival srpskog podzemlja je manifestacija posvećena „ekstremnim“ muzičkim žanrovima (metal, hardkor, pank i njihovi podžanrovi) koja se u poslednjih nekoliko godina održava u Beogradu. U ovom radu ...nastojaću da pokažem na koji nači se ovaj festival može posmatrati i analizirati kao muzička scena „u malom“, uzevši u obzir to da njegov program, osim muzičkog i izvođačkog aspekta, podrazumeva sabiranje svih činilaca jedne scene – organizatora, novinara, fotografa, umetnika, izdavača, pisaca, publike – na istom mestu. Kako bih to učinila, bliže ću odrediti pojmove kao što su „muzička scena“, „ekstremni muzički žanrovi“, te underground, odnosno, „podzemlje“, oslanjajući se prvenstveno na nalaze Kita Kan Herisa. Analiza Festivala srpskog podzemlja kao scene zasnovana je na teorijskim postavkama intenziteta, konceptualnih ograničenja i uticaja festivala koje su izveli Timoti Daud, Katlin Lidl i Džena Nelson. Razumevajući ovaj festival kao jedan mogući model tog mehanizma, cilj mog rada je doprinos boljem razumevanju modusa funkcionisanja domaće underground scene i njenog mesta u savremenom kontekstu.
Il contributo analizza la Lectura Dantis di Carmelo Bene dalla Torre degli Asinelli di Bologna la sera del 31 luglio 1981, orazione civile in occasione del primo anniversario della strage alla ...stazione della città emiliana. Ricorda come questo evento, accompagnato da discussioni e polemiche, fu il primo esempio di traduzione spettacolare di pagine del Poeta e rappresentò la svolta di Bene verso la “phoné” e la “macchina attoriale”, in una negazione sempre più radicale dello spettacolo come flusso di immagini e come rappresentazione, verso la parola “in-canto”, phantasma capace di parlare da un “dentro” a un altro “dentro”, col supporto di raffinati e imponenti apparati elettronici.
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