The British and Irish Short Story Handbook guides readers through the development of the short story and the unique critical issues involved in discussions of short fiction. It includes a ...wide-ranging analysis of non-canonical and non-realist writers as well as the major authors and their works, providing a comprehensive and much-needed appraisal of this area. Guides readers through the development of the short story and critical issues involved in discussions of short fiction Offers a detailed discussion of the range of genres in the British and Irish short story Includes extensive analysis of non-canonical writers, such as Hubert Crackanthorpe, Ella D'Arcy, T.F. Powys, A.E. Coppard, Julian Maclaren-Ross, Mollie Panter-Downes, Denton Welch, and Sylvia Townsend Warner Provide a wide-ranging discussion of non-realist and experimental short stories Includes a large section on the British short story in the Second World War.
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the third volume in a set of seven which comprises a complete edition of all ...her works.
The first Polish translation of a German language story by Bruno Schulz, “Du bist Staub. Kriegskizze,” published in the Illustrierte Cetinjer Zeitung (1918, no. 199, p. 1-2).
Fenig z okiem Schulz, Bruno
Schulz Forum,
2020
15
Journal Article
Recenzirano
Odprti dostop
The first Polish translation of a German language story by Bruno Schulz, “Pfennig mitdem Auge,” published in the Illustrierte Cetinjer Zeitung (1917, no. 44, p. 1-2).
Panelės Viktorijos kalbos jausmas Bončkutë, Roma
LOGOS - A Journal of Religion, Philosophy, Comparative Cultural Studies and Art,
04/2023
114
Journal Article
Recenzirano
Odprti dostop
Based on Émile Benveniste’s concept of subjectivity in language and rhythm, the article analyzes Šatrijos Ragana’s short story Viktutė (1903). The writer’s choice to present the narrative in ...diaristic form legitimized the spontaneity and openness of the main character and the individuality of the language components. In the short story, Viktutė, having discovered the beauty of the Lithuanian language, began to use this language more and more in everyday life, started writing a diary, thus creating the conditions for the realization, significance, and historicity of her individual self. Viktutė’s individuality does not come from the realization that she is herself, but from the feeling of unity with others, from the discovery of herself in the lives of others, expressed via language. Assuming that a lot of autobiographical elements can be found in the short story, Viktutė’s transformation into Miss Viktorija can be interpreted as Marija Pečkauskaitė’s transformation into Šatrijos Ragana. Marija Pečkauskaitė’s decision to identify with Lithuanian national identity and propagate it coincided with the strengthening of individuality and the need to realize it by joining the community of Lithuanian patriots.
