The aim of the paper is to analyze the monument to the Peasant Revolt and Matija Gubec in Gornja Stubica as materialised memory of the past constructed in relation to present-day circumstances. The ...monument is approached through the prism of people who use it and bring it to life in diverse ways, with the emphasis on their cultural practices and performances in the memorial space. Out of a number of potential approaches to the Monument, the authors focus on its two faces, related to two historical moments, but also two different modes of memory. One is connected with the construction of the monument and its commemorative and anniversary usages in socialism. The other is created in the 21st century, when images of the past also become embodied in living history performances.
This article looks into various influences that determine the history of theatre architecture: the models from Antiquity, set design requirements, innovations in visual arts, cultural and social ...significance of theatres. It offers a selection of the examples of the renovated and modernized historic theatres in Europe from the mid 20th century up to the present characterized by a wide range of approaches. This phenomenon is linked with the growing historical awareness paralleled with the contemporary requirements for the historic heritage preservation. A proposal for the renovation of the Croatian National Theatre building in Zagreb is based on the idea of the rehabilitation of the original values, i.e. the removal of poor quality layers of building interventions and the placement of service facilities on the underground levels. This approach favours the preservation of this historic building as well as its presentation as a valuable cultural asset.
U preporodnom 19. stoljeću, kada se hrvatski narod bori za svoj identitet, uvjerenje i neovisnost, podiže se niz spomenika u Dalmaciji i Banskoj Hrvatskoj velikanima pisane riječi (P. Preradoviću, ...fra Andriji Kačiću-Miošiću, Ivanu Gunduliću, Ljudevitu Gaju), koji su u svojim pjesmama i proznim djelima otkrivali spoznaje, budili svijest, isticali ponos na svoju kulturu i duhovnu baštinu. Grad Korčula se pokazao dostojnim baštinikom i ponosnim štovateljem svojih značajnika, odlučivši podignuti spomenik svome domorocu pjesniku Petru Kanaveliću. Iako se ta plemenita zamisao nije ostvarila, ona svjedoči o gradu Korčuli kao o jednoj uljuđenoj cjelini, koja je brzo reagirala, stavljajući se uz bok većih gradova. Autor u ovom radu, koristeći se povijesnim vrelima i napisima u ondašnjim novinama, opisuje društveno i duhovno ozračje korčulanske sredine u to vrijeme. Korčulanska općina i pojedinci novčano pomažu izradu spomenika fra A. Kačiću-Miošiću u Makarskoj i I. Gunduliću u Dubrovniku, rad hrvatskog kipara Ivana Rendića. Uspostavom brzih Lloydovih pruga duž Jadrana, Korčula se našla na tom plovidbenom putu od Splita do Dubrovnika, postavši idealnim mjestom za sabiralište i odlazak brojnih putnika za Makarsku i Dubrovnik na otkrivanje spomenika Kačiću i Gunduliću. Tih dana, pri kraju mjeseca kolovoza godine 1890., prigodom priprema za odlazak na otkrivanje spomenika Mačiću u Makarsku tri godine poslije, 1893., krajem mjeseca lipnja za odlazak u Dubrovnik na otkrivanje spomenika Gunduliću, grad živi u jednom posebnom nacionalnom zanosu, srdačno i s rodoljubnim oduševljenjem dočekujući i ispraćajući brojne uzvanike i putnike iz Banske Hrvatske na proputovanju za Makarsku i Dubrovnik i na povratku sa slavlja. Ti dočeci, ispraćaji, susreti, odlasci na otkriće spomenika, prerasli su u jednu opću radost, oduševljenje, zanos i želju hrvatskog naroda za sjedinjenje Dalmacije s Banskom Hrvatskom, odnosno za teritorijalnim jezičnim i kulturnim jedinstvom hrvatskog naroda i hrvatskih zemalja.
Provider: - Institution: - Data provided by Europeana Collections- Lokacija je izbrana na mestu, kjer je pred 2. svetovno vojno stal pavilijon Lepi razgled, ki pa ga je uničila italijanska ...okupatorska vojska. Po vojni so člani Turističnega društva okolico uredili in zasadili park – Cankarjev gaj. - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Mojca Arh Kos z Zavoda za varstvo kulturne dediščine Slovenije in kiparka Alenka Vidrgar med ogledovanjem grafičnih osnutkov zasnove ...spomenika.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Mojca Arh Kos in Alenka Vidrgar v neposredni bližini lokacije za postavitev spomenika.- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Pot proti izbrani lokaciji vodi po Klancu, mimo Cankarjeve spominske hiše. Mojca Arh Kos in Alenka Vidrgar med ogledovanjem ...spominske plošče.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Zemljišče za postavitev spomenika je bilo potrebno ustrezno urediti. Delo so opravili delavci Zavoda Ivana Cankarja Vrhnika s ...podizvajalci.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Nameščanje kamnitega zvona med stebra iz pohorskega graniodioriita – tonalita. Kamniti zvon je narejen iz kalcitne kamenine Lipica ...unito.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tatjana Oblak Milčinski in Alenka Vidrgar spremljata pripravo zemljišče za postavitev spomenika.- All metadata published by ...Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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