Pričujoči članek izpostavi novo interpretacijo Ji Kangove (Kitajska, 223–262) teorije glasbe, ki temelji na njegovem razumevanju spoznavnoteoretskih osnov percepcije. Analiza pokaže, da je bilo ...njegovo razumevanje osnovano na strukturni zvezi med subjektom in objektom dojemanja.
Around A. D. 500, a young Roman intellectual A. M. S. Boethius collected all the existing knowledge on music and presented it in form of an extensive Latin treatise. He was convinced that a deep ...comprehension of music (as well as any other discipline of the quadrivium) was an indispensable basis of any scholarship and philosophical inquiry. Boethius' text that was discovered only in the Carolingian times, became the starting point of European music theory, and on Boethius' theorems many excellent scholars and thinkers of the past centuries (not just musicians) trained their intellects. The edition includes Boethius' Latin text, the synoptically running translation into Slovenian with annotations, the Slovenian-Latin glossary of Boethius' terms, and the bibliography.
Skladba Uroša Rojka Tongenesis je med njegovimi deli morda najbolj dosledno organizirana. Ob analizi dela se pokaže, s katerimi sredstvi si je avtor »izboril« dovolj svobode pri apliciranju sistemov, ...da je v končni podobi partiture njegova glasbena volja močnejša od logike s pomočjo sistemov generirane glasbene materije.
Izhajajoč iz pogosto navajane domneve o "nelagodnem" položaju analize glasbenega stavka v sodobni muzikologiji, avtor v sestavku pretresa nekatere osrednje značilnosti področja analize sestavek v ...štirih poglavjih. Prvo poglavje zadeva oblikoslovje, drugo razmejitve analitičnih ravni, tretje konkreten primer analitičnega prikaza glasbe Lévi-Straussa, četrti pa prinaša komentar o vlogi analize glasbe v muzikologiji kot analize glasbenega jezika.
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