The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
The paper is part of a ‘work in progress’ on the influence of oriental cultures and religions on Western ancient literature (The Seven Gates). After a short history of use and symbolic role of the ...“planetary ladder” from Sumerians to Islamic literatures and cultures via Greece, Rome and Jewish mysticism, the essai tries to show that the early Christians writers preferred to avoid employing the planetary ladder as a cipher of an itinerary to God. It was only Dante, in his Divina Commedia, who resumed to use with high perfection the planetary ladder: he re-elaboreted the circular Islamic hell in the Inferno, the Islamic heaven in the Paradiso and the Islamic paradise in the Purgatorio (his source was the Latin translation of The book of the ladder of Mahomet).
The classic guide to one of America's architectural treasures—now with magnificent new color photos and a foreword by Princeton's dean of religious life Like the medieval English cathedrals that ...inspired it, the Princeton University Chapel is an architectural achievement designed to evoke wonder, awe, and reflection. Richard Stillwell's The Chapel of Princeton University is the essential illustrated guide to this magnificent architectural and cultural landmark.Now with new color photos throughout, The Chapel of Princeton University traces the history of the chapel and describes its architecture, sculpture, woodwork, and furnishings. Stillwell knew the building from its planning stages through its construction, dedication, and long use. In this book, he offers unique insights into the vision of architect Ralph Adams Cram and the artistry of Charles J. Connick, who designed the chapel's breathtaking cycle of stained-glass windows. Stillwell's thoroughly researched account of the glorious stone, wood, and glasswork gives readers and visitors an opportunity to enjoy the chapel as both an aesthetically beautiful structure and a moving religious statement. Stillwell reveals how the building's composition is meant to provide spiritual access to as many seekers as possible and instill in them an extraordinary message of hope.Featuring a foreword by Alison Boden, Princeton's dean of religious life, The Chapel of Princeton University is a guided tour of an inspiring structure that has served as the spiritual home to one of America's leading universities.
Dante's metaphysics — his understanding of reality — is very different from our own. To present Dante's ideas about the cosmos, or God, or salvation, or history, or poetry within the context of ...post-Enlightenment presuppositions, as is usually done, is thus to capture only imperfectly the essence of those ideas. This book argues that the recovery of Dante's metaphysics is essential if we are to resolve what has been called “the central problem in the interpretation of the Comedy. ”That problem is what to make of the Comedy's claim to the “status of revelation, vision, or experiential record — as something more than imaginative literature.” This book offers a sustained treatment of the metaphysical picture that grounds and motivates the Comedy, and of the relation between those metaphysics and Dante's poetics. The book carries this out through an examination of three notoriously complex cantos of the Paradiso, read against the background of the Neoplatonic and Aristotelian tradition from which they arise.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1, 100 titles from Penn Press's ...distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1, 100 titles from Penn Press's ...distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Dante, cinema, and television Iannucci, Amilcare A
Dante, cinema, and television,
c2004, 20041006, 2004, 2014, 2004-01-01
eBook
TheDivine Comedyof Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors ...from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television.Dante, Cinema, and Televisioncorrects this oversight.
The essays, from a broad range of disciplines, cover the influence of theDivine Comedyfrom cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television.Dante, Cinema, and Televisiondemonstrates the many subtle ways in which Dante'sDivine Comedyhas been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
