Autor će sagledati aspekte promišljanja ideje Europe na razmeđu epoha digitalnog i post-digitalnog svijeta kroz znakovite tekstove Edgara Morina Kako misliti Europu? te Komentar uz društvo spektakla Guya Deborda, objavljenih koncem osamdesetih godina pro- šloga stoljeća, u pokušaju razumijevanja njihovih temeljnih pozicija i implicitnih stavova o tome s kojom se namjernom i na koji način pristupa realizaciji nečega poput političke i nad-nacionalne unije europskih zemalja usporedno sa strelovitim razvojem digitalnih tehnologija i novih medija. Sâma ideja ujedinjene Europe pojavljuje se ovdje kao kantovski »sumnjivi pleonazam«, čija je vrijednost danas dovedena u pitanje, a posebice s razvojem novih globalnih politika i post-kulturnih virtualnih okruženja koja od pojmova – poput Europa, Mediteran i Zapadni svijet – čine još samo artefakte dekadentne okcidentalne kulture, čije stvarne ruševine prekriva suviše stvarni spektakl virtualnog obilja. The author will look at aspects of thinking about the idea of Europe at the crossroads of the digital and post-digital epochs – through Edgar Morin’s text Thinking Europe and Guy Debord’s Comments on the Society of the Spectacle, published in the late 1980s, in an attempt to understand their fundamental positions and implicit views on how to approach and pursue something like the political and supranational union of European countries in parallel with the rapid development of digital technologies and new media, which fundamentally change our experience of the world. The very idea of a united Europe appears here as a Kantian “suspicious pleonasm”, whose value is questioned today, especially with the development of new global policies and post-cultural virtual environments that make – notions such as Europe, the Mediterranean, and the Western world – only artifacts of decadent Occidental cultures whose real ruins are overshadowed by an overly real spectacle of virtual abundance.