The tensions between father and sons power this play, as they would Death of a Salesman. The family are trapped in this room (the action otherwise moving only to the failing family company), and that sense of psychological claustrophobia is heightened at the Old Red Lion Theatre where the audience is similarly cramped. If the Miller Estate had done likewise there would have been no reimagining of A View from the Bridge, no staging of his screenplay The Hook, and now no production of the play that would ensure that Arthur Miller would one day be able to address an audience across the world, even in a small pub theater in which it is as well to time visits to the toilet with discretion.