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  • Eurydice’s Diasporic Voice
    Lord, Catherine M

    Shooting the Family, 02/2005
    Book Chapter

    InRevolution in Poetic LanguageJulia Kristeva psychoanalytically understands the myth of Orpheus to be indicative of the perilous journey of the poet in danger of losing his or her subjectivity in the process of writing.² While Kristeva’s approach may offer a beginning to reading poetic practice, I will use an additional ally in my underworld journey of critique. Not entrenched in the psychoanalytic paradigm, Benedict Anderson’s influentialImagined Communitiesexamines how writing, in the form of print, newspapers, and novels, produces an imaginary, a set of fictional mechanisms by which community can be imagined.³ Curiously, he focuses on prose