E-viri
Recenzirano
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Cubero, Diego
Intégral (Rochester, N.Y.), 01/2022, Letnik: 35Journal Article
This article argues that Robert Schumann and Johannes Brahms gave their music a blurry, Romantic quality by distorting well-known harmonic progressions. After identifying the basic progression that underpins the music, the analyses discuss the rhythmic dislocations that cause chords to overlap and merge together. The essay bridges a gap between an important aspect of the Romantic aesthetic and our theoretical understanding of Schumann's and Brahms's harmonic vocabulary.
