This study, whose theme is romantic love, for being it is a timeless theme in all cultures and literatures, aims to demonstrate the correspondences in the loving lyric of Oswaldo Osorio and Vinicius de Moraes, and has as a background The Four Loves,by C. S. Lewis, whose terms, storge, philia, erosand agape constitute the axes of approach to the loving aesthetics of the two authors, especially in the construction of the female figure, emphasizing their passion, sensuality, gentleness, delicacy and strength. In this sense, the research is based on a theoretical perspective--which is linked to the orientation of Comparative Literature, with a multidisciplinary dimension, in a dialogue close to the studies of Mikhail Bakhtin, Julia Kristeva, Harold Bloom, Earl Miner or Tania Carvalhal--as well as a brief presentation of the context of the temporal, dialogism and intertextuality between life and the work of the two authors, taking into account the identity and literary systems of each one. It is observed that the romantic loving aesthetics of vinician and osorian texts present plural senses constructed under the objective reality and ideal of these poetic subjects--each one in his space and in his time--converging in the way they exalt love, femininity and eroticism.