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Partljičeva komedija Moj ata, socialistični kulak in vprašanje recepcije v nekdanji JugoslavijiTroha, GašperLeta 1980 so v Jugoslovanskem narodnem gledališču tik pred premiero s sporeda umaknili dramo Karamazovi Dušana Jovanovića, ki je obravnavala takrat tabu temo informbiroja. Kasneje je bila uprizorjena ... v Sloveniji, Bosni in Hercegovini ter na Hrvaškem. Ob tem se je prvič pokazalo, da je recepcija določenega dramskega teksta in njegovih uprizoritev različna glede na republiko nekdanje Jugoslavije, kjer so drame nastale. Tri leta kasneje je bila v Mariboru premierno uprizorjena komedija Toneta Partljiča Moj ata, socialistični kulak, ki obravnava enako temo, a je postala v naslednjih dveh letih največja slovenska uspešnica jugoslovanskih gledališč. Uprizorjena je bila kar dvanajstkrat v letih 1984 in 1985, čeprav prav tako obravnava temo informbiroja. Razprava analizira vzroke za tako diametralno različni recepciji obeh del, ki jima doda še Toplo gredo Marjana Rožanca, edino dramsko delo v bivši Jugoslaviji, ki je doživelo sodno prepoved. Vzroke najde v samem žanru, saj sta Jovanovićev in Rožančev tekst drami, Partljičev pa je komedija. Poleg tega predstavi še model odnosov med slovensko dramatiko, gledališčem, oblastjo in publiko, s katerim lahko razložimo različne usode teh treh dramskih tekstov in njihovih uprizoritev.Source: Življenje med antiko in avantgardo : zbornik ob jubileju Janeza Vrečka (Str. 165-174)Type of material - article, component partPublish date - 2018Language - slovenianCOBISS.SI-ID - 66555746
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Troha, Gašper | 24439 |
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