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Moderni roman in invencija narativne neskončnosti : premisleki ob branju Pianistovega dotika Mirta KomelaSimoniti, Jurij, 1977-Na podlagi branja Pianistovega dotika, novejšega slovenskega romana Mirta Komela, članek raziskuje razliko med tem, kako je svojo naracijo smel končati klasični evropski roman, predvsem roman ... devetnajstega stoletja, in vedno večjo nezmožnostjo dvajsetega stoletja, da bi še lahko oblikovalo "konec zgodbe". Medtem ko je devetnajsto stoletje junaku še dovolilo, da se njegova zgodba konča, pa čeprav večinoma tragično, dvajseto stoletje prikazuje svet v procesu izgube simbolne strukture, kar junaka obsoja na "narativno neskončnost": denimo na Kafkov sram Josefa K., ki preživi njegovo smrt, utelešenje Časa pri Proustu, čisto nadaljevanje gona govorjenja pri Beckettu, ali celo nezmožnost ujetja točke smrti pri Márquezu. Pri Pianistovem dotiku, romanu enaindvajsetega stoletja, pa izgine še celo ta poslednja razlika med simbolno investituro in zaostajanjem realnosti, ki je denimo interpelirala in zadolževala Kafkovega junaka, zato lahko Komelov junak postane le še povsem nedotakljivi monument sredi razčaranega sveta.Source: Primerjalna književnost. - ISSN 0351-1189 (Letn. 41, št. 3, 2018, str. 37-57)Type of material - article, component part ; adult, seriousPublish date - 2018Language - slovenianCOBISS.SI-ID - 68605282
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Simoniti, Jurij, 1977- | 25580 |
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