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Dramska forma in etična razsežnost besedila Gostija Simone SemeničJerkovič, LaraV prispevku se bomo posvetili eni najaktivnejših in najuspešnejših ustvarjalk v sodobnem slovenskem gledališkem prostoru, dramatičarki Simoni Semenič, in enemu njenih teoretično in vsebinsko ... najzanimivejših besedil zgodba o nekem slastnem truplu ali gostija ali kako so se roman abramovič, lik janša, štiriindvajsetletna julia kristeva, simona semenič in inicialki z.i. znašli v oblačku tobačnega dima (2010) . Ugotavljali bomo, kako besedilo vpliva na gledalca/bralca, ki ga avtorica ves čas neposredno nagovarja skozi lik pripovedovalca, na podlagi analize forme in vsebine izbranega besedila pa bomo ocenili, koliko ga lahko uvrstimo med ne več dramske gledališke tekste (Poschmann), v okvir (spet) dramskega gledališkega teksta (»dramatisches Drama« – Haas) in na področje postdramskega (Lehmann) ali postpostdramskega (Angel-Perez) gledališča. Namen prispevka je torej analizirati (ne več ali spet?) dramsko formo gostije ter specifike avtoričinega stila pisanja in grajenja besedila, po drugi strani pa razložiti metode, s katerimi poudarja etično in moralno odgovornost vpletenih (predvsem bralcev/gledalcev) v dogajanje.Source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 10, št. 1, 2022, str. 136-148, 150-153)Type of material - article, component partPublish date - 2022Language - slovenianCOBISS.SI-ID - 114764803
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source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 10, št. 1, 2022, str. 136-148, 150-153)
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Jerkovič, Lara | ![]() |
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