FSS, J. Goričar Central Social Sciences Library, Ljubljana (ODKLJ)
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Oko, realni predmet in svet umetnosti. Del 1, O tistem, česar oko ne more izsleditiKante, BožidarPrvi del članka obravnava začetke institucionalne teorije umetnosti, kakor se kažejo v tezah A. Dantoja. To, da vidimo nekaj kot umetnino, ne zahteva nič manj kot ozračje, okolje teorije umetnosti, ... poznavanje zgodovine umetnosti. Eksistenca umetnosti je odvisna od teorij: brez teorije je črna barva zgolj črna barva in nič več. Sveta umetnosti ne more biti brez teorije; zato je bistveno, da razumemo naravo teorije umetnosti, ki je tako močna stvar, da loči predmete od realnega sveta in jih naredi za del drugega sveta, sveta umetnosti, sveta interpretiranih stvari. V osrednjem delu članka dokazujemo, da je Dantojevo stališče nereduktivnega fizikalizma glede eksistence umetnin neizdelano in nepojasnjeno; ravno tako kritični smo tudi do njegove teze, da neka lastnost novih (kasnejših) umetniških del postane umetniško pomembna lastnost prejšnjih del. Zadnji del članka pojasnjuje Dickijevo institucionalno definicijo umetnosti in brani tezo, da artefaktičnost ni nujni pogoj za to, da je neka stvar umetninaSource: Analiza : časopis za kritično misel. - ISSN 1408-2969 (Letn. 4, št. 3/4, 2000, str. 42-54)Type of material - article, component part ; adult, seriousPublish date - 2000Language - slovenianCOBISS.SI-ID - 10811144
Author
Kante, Božidar
Topics
Filozofija umetnosti |
Philosophy of art |
analitična filozofija |
umetnost |
teorija umetnosti |
artefakt |
analytical philosophy |
art |
theory of arts |
theory of arts
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