Antropologi, ki želimo rahljati kapitalistični koncept dela, se običajno opremo na geografsko in zgodovinsko raznolikost ljudstev po svetu. Kot nakaže zbornik How Nature Works: Rethinking Labor on a ...Troubled Planet (University of New Mexico Press, 2019, Sarah Besky in Alex Blanchette, ur.), pa je morda smiselno v času ekološke krize in razmaha posthumanistične teorije stopiti še korak dlje. Avtorji namreč razpirajo vrsto načinov, na katere se človeško delo prepleta z delom drugih živih bitij in na katere so torej živali, bakterije ali pa glive vsaj posredno vključene v kapitalistični sistem proizvodnje. Na ta način zbornik spretno nagovarja trenutek »ekonomske in ekološke prekarnosti«, saj se po eni strani vklaplja v kontekst aktualnih razmislekov o večvrstni družbi in podnebni krizi, po drugi pa ponuja nekatere uporabne sveže iztočnice antropološkemu preučevanju dela.
Prispevek vpeljuje avtoričina premišljanja o istenju ljudi in delovnih volov, še posebej pri telesno napornih opravilih; strnjeno predstavlja proces raziskovanja razmerij med ljudmi in temi domačimi ...živalmi – razmerij, ki so vezi; raziskava pa je umeščena med sorodna premišljanja in teoretske paradigme v širših humanističnih okoljih.
Every grain of sand Wainwright, Andy
Every grain of sand,
c2004, 2006, 2004, 2006-01-01, 2009-08-01, 20040101
eBook
Universal in scope, yet focusing on recognizable Canadian places, this collection of essays connects individuals' love of nature to larger social issues, to cultural activities, and to sustainable ...technology. Subjects include activism in Cape Breton, eco-feminism, Native perspectives on the history of humans' relationship with the natural world, the inconsistency of humankind's affinity with nature alongside its capacity to destroy, and scientific and traditional accounts of evolution and how they can come together for the welfare of Earth's ecology. These essays encourage us to break down the power-based divisions of centre versus marginal politics, to talk with our perceived enemies in environmental wars, to consider activism as a personal commitment, and to resist the construction of a "post-natural" world. Using a combination of personal memoirs and formal essays, Every Grain of Sand seeks to involve readers in the extraordinary places they inhabit—and usually take for granted—and will appeal to both the general reader and to students in humanities, social sciences, and environmental studies. It is unique for its presentation of entirely Canadian perspectives on ecology and environmental issues.
Plutarhovi teksti o živalih iz njegovega zgodnjega obdobja (Ali so pametnejše kopenske ali morske živali, Živali imajo razum, O uživanju mesa) predstavljajo prvo in najodločnejšo obrambo kapacitet in ...moralnega statusa živali, usmerjeno proti stoiški poziciji, da so vsa in zgolj človeška bitja člani sfere pravičnosti in da živali obstajajo zgolj za zadovoljevanje človeških želja. Plutarh kritizira stoiški vidik instrumentalne vrednosti živali in trdi, da imamo ljudje do živali dolžnosti pravičnosti. V razpravi O uživanju mesa opredeli uporabo živali za prehrano kot očitno nepravičnost, na osnovi argumenta o izkustvenih zmožnostih živali. Razprava je navdihnila angleškega romantičnega pesnika Percyja Shelleyja, da je napisal esej Zagovor naravne prehrane (1813). Shelley Plutarhov etični argument nadomesti s t. i. »lifestyle« argumentom, ki podpira končno izpeljavo liberalnega individuuma, ki se vzpostavlja v razmerju do življenjskega sloga kot samozadostne politike.
Die interdisziplinär angelegte Untersuchung widmet sich der Entstehung und Entwicklung der Anthropologie im 18. Jahrhundert und bietet eine umfassende Bestandsaufnahme des nur schwer überschaubaren ...anthropologischen Denkens vor seinem kultur- und problemgeschichtlichen Hintergrund. Aus vier in sich abgeschlossenen, zugleich aufeinander aufbauenden Studien ergibt sich so eine Geschichte der Anthropologieentwicklung im 18. Jahrhundert.
They don't have syntax, so we can eat them. According to Richard Sorabji, this conclusion attributed to the Stoic philosophers was based on Aristotle's argument that animals lack reason. In his ...fascinating, deeply learned book, Sorabji traces the roots of our thinking about animals back to Aristotelian and Stoic beliefs. Charting a recurrent theme in ancient philosophy of mind, he shows that today's controversies about animal rights represent only the most recent chapter in millennia-old debates. Sorabji surveys a vast range of Greek philosophical texts and considers how classical discussions of animals' capacities intersect with central questions, not only in ethics but in the definition of human rationality as well: the nature of concepts; how perceptions differ from beliefs; how memory, intention, and emotion relate to reason; and to what extent speech, skills, and inference can serve as proofs of reason. Focusing on the significance of ritual sacrifice and the eating of meat, he explores religious contexts of the treatment of animals in ancient Greece and in medieval Western Christendom. He also looks closely at the contemporary defenses of animal rights offered by Peter Singer, Tom Regan, and Mary Midgley. Animal Minds and Human Morals sheds new light on traditional arguments surrounding the status of animals while pointing beyond them to current moral dilemmas. It will be crucial reading for scholars and students in the fields of ancient philosophy, ethics, history of philosophy, classics, and medieval studies, and for everyone seriously concerned about our relationship with other species. A Townsend Lecture Book
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Rodin I is a sculpture - story loosely based on the life and fate of four different characters, Rodin, Camille Claudel, Rose and the ...Elephant Man. They are connected through the space of their bodies, the territory of Rodin's art. They are sculptures caught at the various points of a spasm. Their fleeting sensual perceptions feed one into other - with the aim of developing the perfect contour of touch, a fluctuating line of touching.
Iva Jevtić- Rodin I je skulptura-zgodba, ki temelji na življenjskih usodah štirih različnih oseb, Rodina, Camille Claudel, Rose Rodin in Cloveka slona. Ti liki so povezani skozi pokrajino svojih teles, skozi področje Rodinovega ustvarjanja. So skuplture ujete v različnih presekih krča. Njihova minljiva senzualna percepcija se med seboj dopolnjuje - in razvije bežen obris dotika, valujočo linijo dotikanja.
Iva Jevtić- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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