...book covers, when done well, can illuminate themes and connections between motifs. Hanif Abdurraqib Go Ahead in the Rain: Notes to A Tribe Called Quest University of Texas Press Design by Sunra ...Thompson The gradient color elements of the text are only part of this book covers draw. Sophie Hughes Coffee House Press Design by Tree Abraham Quietly understated in color, the cover design for The Remainder blends artistic mediums to aptly portray key aspects of Alia Trabucco Zerán's work.
Brute: Poems Hoffner, Bailey
World Literature Today,
07/2019, Volume:
93, Issue:
3
Book Review
Peer reviewed
...though we learn something of the beginning, middle, and end of this story of abuse and self-determination, the ominous last line of "My History As" is a reminder that escape is hardly ever a ...straight line: "I learned to counter like a torn edge / frayed from the damp. Frayed, leading, necessarily incomplete; in form a number of the poems seem to end like this, circling back the way predatory birds and abusive relationships do. Within these lines the surreal provides cover, protection as we near a certain disquieting truth: that the spectrum of violence-physical, emotional, generational-is often entangled with love in ways not easily swallowed.
Russell, Robinson, and Norman J. Wagner (all, Univ. of Delaware) deviate fundamentally from the traditional approach in this work, which is part of the "Cambridge Series in Chemical Engineering." The ...method emphasizes the analysis of mass and heat transport-based systems based on the relationship between data and models, with a focus on model development rather than mathematical manipulation of equations.
Provider: - Institution: - Data provided by Europeana Collections- Fløterkoie, tømmer, lensebestyrerne Johannes Skjørten (Nes lense) og H. Chr. Skajaa (Eidet), samt fløtingsinspektør Brede Thurmann ...(2. distrikt Rena). Fotografiet skal være tatt under en befaring i Østerdalen 18. -20. mai 1933. Direktionen på befaring ved Tverrenhullet, Tverrena, Åmot, Hedmark.- Dette fotografiet er hentet fra album 17 i samlinga etter Glomma fellesfløtingsforening. Da fløtinga i Glomma ble avviklet i 1985 ble det ordnet slik at fellesfløtingsforeningens arkivsaker ble overlatt til Riksarkivet, som valgte å fortsette å oppbevare dem i det eksisterende arkivrommet i Fellesfløtingsforeningens administrasjon på Fetsund. Medarbeidere ved det den gang nye lensemuseet på Fetsund og amanuensis Øivind Vestheim fra Norsk Skogbruksmuseum samarbeidet om ordning av papirarkivene. Fotosamlinga fra Glomma fellesfløtingsforening ble overført til daværende Norsk Skogbruksmuseum i Elverum. Materialet består av 72 album. Museumsfotograf OT Ljøstad har reprodusert de fleste av opptakene i dette materialet og skrevet negativnummere i albumene han har utført repro fra. Det finnes også originalnegativer til en del av motivene. Disse skal være merket og ordnet i mapper etter at de kom til museet.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
