For performance artists like Montano and Antin, self-documenting their camp autobiographical confessions of self is a means of making the self conscious of itself, of becoming "hypermediate, visible ...only at times (and in parts) as it flashes across a complex media array" (117) that can only be read by audiences in its canonical aggregate. Comparing reviews of Gray's solo performances (he talks) and Russo's play of his greatest hits (he writes), Grobe hones in on the essential misreading by critics: "a distinction between performing and writing that it was Gray's basic project—and that of his theatrical contemporaries—to subvert" (142) by becoming the author/performer/director of his neurotic self. Lynda Goldstein Lynda Goldstein teaches undergraduates at a campus of The Pennsylvania State University, serves as a part-time academic affairs administrator, and writes about politically charged themes in contemporary drama, film, literature, and TV.
To Eddie, respect also involves putting up a fight. ...Eddie demonstrates his masculinity to contrast himself with Rodolpho (Russell Tovey in this production), who does not place physical ...confrontation as a top priority in demanding respect. ...in act 2, he compares Rodolpho to a mouse, saying, "Even a mouse, if you catch a teeny mouse and you hold it in your hand, that mouse can give you the right kind of fight. With the only prop brought onto the stage space in van Hove's interpretation, a simple, wooden chair, Marco (Michael Zegen) challenges Eddie's type of respect with his own by steadily asking him, after quietly observing him punch his brother in the face, "Can you lift this chair?" Eddie, elated from his victory minutes before, is quick to accept the challenge, but finds he cannot lift the chair from the suggested angle. ...what is interesting in Rodolpho's outburst is that the written dialogue actually says, "Have respect for her!" which is the call for Eddie's respect for Catherine.
The series Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in ...Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.
Reason : The actress back home after admission to hospital (?) Esther de Boer-Van Rijk is feeding her cat 15 at the table". ; The actress as Kniertje in Herman Heijermans' "Op Hoop van Zegen" during ...the utterance of the immortal conclusion : \"The fish is paid dearly". 15\"
Cinema newsreels in which Dutch subjects of a certain week are presented.
Bioscoopjournaals waarin Nederlandse onderwerpen van een bepaalde week worden gepresenteerd.
Aanleiding : De actrice weer thuis na opname in het ziekenhuis (?) Esther de Boer-Van Rijk voert aan tafel haar kat 15" ; De actrice als Kniertje in "Op Hoop van Zegen" van Herman Heijermans tijdens het uitspreken van de onsterfelijke conclusie : "De vis wordt duur betaald". 15"
