En 1964 Umberto Eco publicó Apocalípticos e integrados, un libro que abordaba la cultura de masas con rigor metodológico, evitando la crítica moral común entre los intelectuales de la época. ...Analizando las características estéticas y sociológicas de los productos de la industria cultural, el semiólogo italiano buscaba superar tanto la dicotomía entre apocalípticos e integrados como los sesgos de las críticas estéticas y sociales de aquella época. Inspirado por los trabajos previos de Roland Barthes y de Edgar Morin, Eco analiza la complejidad de los productos de masas, proponiendo un enfoque dinámico y heterogéneo frente a la visión estática y homogénea de la cultura de masas predominante hasta entonces. Este artículo valora su vigencia actual y los elementos que perduran más allá del momento de su publicación.
Illuminating Eco Ross, Charlotte
2004, 20170302, 2017-03-02
eBook
Illuminating Eco covers the range of British scholarship on the prolific literary and theoretical work of Umberto Eco. With essays by scholars such as Michael Caesar and David Robey, the volume ...provides an overview of current research being carried out by a new generation of academics. In addition, it provides an opportunity to view the interaction between Eco's fiction and his theoretical texts and suggests future avenues of research. The interdisciplinary nature of the contributions makes this collection accessible to Italianists and non-Italian speakers alike in order to situate Eco's work in the wider literary and critical sphere. Contributions have been divided into four sections, with the first containing essays that engage with Eco's writing through a strong awareness of the reading strategies suggested and required by his texts. The second section is composed of essays that discuss different approaches to interpretative strategies, including the relationship between Eco's theoretical writing and his own fiction. The third part consists of new responses to Eco's work, each of which questions previous theoretical interpretations and creates new applications for established approaches. Finally, the fourth section contains a written response from Eco himself to some of the questions raised by these essays, and a translation of the final chapter from his most recent publication, Sulla letteratura, which discusses the development of his narrative works from conception to execution.
Charlotte Ross Lecturers in the Department of Italian Studies at the University of Birmingham. Her PhD research focused on the presentation of science, technology and 'progress' in the work of Primo Levi. Rochelle Sibley is Postgraduate Tutor in the Department of English and Comparative Literature at the University of Warwick, and Associate Lecturer at the Centre for Translation Studies at the University of Surrey. Her PhD research addresses the influence of Dante's cosmology in the Commedia on the representation of reality in James Joyce's Ulysses, Jorge Luis Borges's Labyrinths, and Italo Calvino's Ti con zero.
Contents: Foreword; Introduction: interpretation and uncertainty, David Robey; Part 1 Readers of Open (Para)Texts: Maps and territories: Eco crossing the boundary, Jonathan Key; Aspects of the labyrinth in The Name of the Rose: chaos and order in the Abbey Library, Rochelle Sibley; Eco and the reading of the Second Level, Manuela Barranu; Eco's discovery of America or travelling the postmodern way, Vanna Motta; Part 2 Overinterpreting the Signs: Economic interpretation, Clare Birchall; Eco's hermeneutics and translation studies: between 'manipulation' and 'overinterpretation', Edoardo Crisafulli; The serendipities of semiotics, or knowledge as a 'Theory of Next Thursday', Charlotte Ross; Part 3 Future Directions: Reconsidering the implications of the 'pre-semiotic' writings in Umberto Eco, Sangjin Park; Traces of analytic philosophy: meaning, reference and style in Kant and the Platypus, Florian Mussgnug; Eco on the move: notes for a re-reading, Michael Caesar; Part 4 A Contribution by Umberto Eco: How I write, Umberto Eco; A response by Eco; Bibliography; Index.
El vals criollo es un género musical que se practica en el Perú desde finales del siglo XIX y tiene una función importante en Valses y otras falsas confesiones (1972), de la poeta peruana Blanca ...Varela, integrante de la denominada generación del cincuenta. Sobre la base del concepto de desmitificación (planteado por Umberto Eco) y del marco teórico de la Retórica General Textual de Stefano Arduini, se analizan algunos poemas representativos de Valses y otras falsas confesiones. Nuestro propósito central es plantear que, para Varela, hay dos tipos de vals: el criollo y el que defiende a los grupos marginales. Varela desmitifica el vals criollo y, a la vez, formula otra clase de vals que toma partido por los grupos periféricos.
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