The present contribution gives an overview of the prose by the Serbian writer Dragoslav Mihailović (1930) from the early
narratives to the documentary work
. This opus shows, as a whole, the ...following features: Mihailović tells whole life stories, which put more focus on action than on psychological description. Most of the stories are dominated by a subjective point of view and are marked linguistically (dialects, sociolects, vigorous colloquiality). Mihailović’s heroes are mostly on the social fringe, yet the view of these marginalized people is less socially critical than humanistic and individualistic. Most of the fictional characters are based on actual people, whom the writer got to know at close range in the course of his odyssey – the author has become an orphan at a young age and was put into prison on Goli otok island when he was barely 20 years old.
Goli Otok Prison Camp in the Intergenerational Relationship. The Case of Tiha Gudac’s Documentary Film Goli The issue this paper refers to concerns the camp for political prisoners established in ...1949 in Yugoslavia on the island of Goli otok. The primary objective of my article is to show that documentary films are a significant space for reflection on Goli otok camp. In the context of postmemory, particularly noteworthy is the film Goli from 2014, directed by Tiha K. Gudac, born in 1982. The analysis of this documentary is to present how the memory of the Goli otok prison camp works in the film and how it is transmitted. The film author belongs to the generation of the descendants of Goli otok prisoners. Goli is an attempt to confront the inherited traumatic experience of her grandfather, which – although hushed and hidden for the rest of his life – directly affected the family relationships.
Life on Goli otok Through Tattoos Zaja, Nikola; Uzun, Suzana; Kozumplik, Oliver ...
Socijalna psihijatrija,
3/2018, Volume:
46, Issue:
1
Journal Article
The island Goli otok (north Adriatic, Croatia) cultural landscape is a complex system of interactions between people and nature, which has arisen through the anthropogenic use of this unique natural ...space with the aim of implementing ideas of the ideological re-education of political prisoners between 1949 and 1956, and the punishment of criminals and some political prisoners between 1956 and 1988. The most significant elements of the cultural landscape of the island are comprised of the anthropogenic structures of the political prison camp which deliberately used the natural features of the landscape in such a way as to enable methods of coercion of prisoners, which finally resulted in the unique identity of the space as a unit.
The text concerns the camp for political prisoners established in 1949 in Yugoslavia on Goli Otok island. This theme was almost entirely absent from public discourse before the 1980s, and real ...changes and developments in discussions about this part of the history of postwar Yugoslavia occurred only after Tito’s death. Goli Otok as the largest and most infamous camp in communist Yugoslavia is considered a symbol, its name recognized as a synonym of a physical and psychological system for destroying people. In the text I analyze autobiographical texts written by women prisoners (such as Milka Žicina and Vera Cenić). A large number of female inmates were sentenced just for being related to or keeping close contact with a male “enemy of the state”. Thus women were treated not as independent subjects, but as mothers, sisters and wives subordinate to male family members. The social exclusion of women prisoners and their families exacerbated the feeling of isolation and continued after leaving the camp. I am interested in the detail of the strategies of storytelling which are related to spirituality (focusing on nature) both during the period of isolation, when they searched for a way to survive it, as well as after release when the women tried to start a new life.
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