Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 116 - ...Italian infantrymen climb the stones of the trenches wearing gas masks- 236 - the team of pilots who with D'Annunzio carried out the action on Vienna- 15 - large airships station in front of a hangar, one is taken off- 279 - the grandstand embellished with plants and large flags- 220 - some officers check with a scope for fire shooting, the message is sent immediately, via telephone, to the artillery.- 249 - field artillery workstations, gunners with machine gun, wear gas masks on the face.- 232 - war scenes on the forehead: the hidden filmmaker between the undergrowth takes a infantry as he throws his hand bomb past the cross-linked.- 289 - heavy gage cannons shoot against the mountains, cannon shots point the horizon- 171 - recovery from the ship and from the ground of the Serbian soldiers who disciplinarily embark on the Italian ship- 149 - AERA recovery of a torpedo boat flotilla in port protection trim- 57 - the mountain in all its sunlit splendor, the curved ridge.- 96 - the fire comes on a cross-linked and detonates it- 95 - no gunner next door as the blow explodes- 256 - gunners in the station behind a wedge with the machine gun pointed- 18 - resumption in the long field of the four airships stationary at the airport- 60 - long field of the alpine column marching one behind the other, lle shoulders the white and sharp peaks- 141 - first floor of the back of a cannon while it is loaded by three people- 39 - an outdoor warehouse with bullets ordered in a row- 158 - powerful cannonengagements of the Italian Navy against the port of Durres, taken over by warships- 305 - general Diaz's victory bulletin- 59 - fast they slip on the slope, someone falls, someone struggles a little- 300 - at the windows the Italian flag with the Savoyard coat of arms, the crowd greets with hats, handkerchiefs and flags the soldiers entering the city- 244 - the construction of a dam with poles and barbed wire on the Piave River- 162 - a merchant ship hit by the side is slowly claimed, two sailors attempt an armed response with the small cannon at their disposal- 89 - boats are joined by ropes, next to each other to form a bridge of boats made of wooden boards- 254 - Bersaglieri transport their machine gun forward against the enemy- 316 - Carabinieri protect the passage of the king and other military authorities- 299 - resumption in the course of Trento with the crowd that rejoices at the entrance of Italian soldiers- 166 - only so much foam remains on the sea when the ship is now gone.- 143 - a freight train loaded with sailors runs along the railway line- 304 - Knights at the back of mule pass a ford over the river- 201 - shot from the ground of two torpedo boats towing two mas- 200 - the strong explosion brings out a submersible- 309 - men around small fires on which they are pots.- 317 - the king and the army staff face the balcony and a huge crowd crowded the square.- 27 - traffic on the roads: military means of vectoring intersect with fleeing refugees, the latter are stationary colonnaded with their wagons laden with Freemasonry- 2 - the film is full of military choirs and offstage noises- 324 - women, children, youth, civil and military in the river streets- 130 - flight recovery of two airplanes, recovery from inside the plane, p.p. of the pilot with helmet and glasses, behind him two people of whom one standing and with the suit- 52 - the transport on a small railway of a train with mine trolleys pulled by two mules, the small railway is located in a small hollow over the snow.- 33 - quarters of ox carried on the shoulder and loaded on trucks- 273 - dead soldiers: the bodies poured over the stony earth- 182 - aerial shot of a duel between two enemy airplanes- 103 - cannonades hit the hills, smoke rises- 172 - the take-off of some seaplanes from a military naval base- 85 - a boat is transported to the shoulder camouflaged between the phrasing- 6 - alpine equipped on the deck of a ship, framing in the American field- 46 - the stages of hand transport: strenuous, hard and collective- 308 - in an Italian prison camp Austrian soldiers built bivouacs- 67 - the traditional sentry walk with the rifle in the shoulder in front of its covered place made from the rock- 247 - infantrymen retrace the trench to take other ammunition- 204 - mas (MAS 515) launch torpedoes against Austrian ships- 118 - the body of a soldier who died between the stones, his head reclined backwards- 164 - some small rowing boats move away from the ship whose bow rose perpendicularly- 318 - hats and handkerchiefs are waved as a sign of greeting- 121 - a military nurse helps an injured person drink water from a glass, while other wounded are transported in a stretcher or rest in a stretcher.- 224 - hidden in the sterthatch the infantrymen advance on a hillock- 136 - shooting from the ground of the native battery, a large cloud of smoke comes out of the two mouths of fire- 13 - mules of an alpine garrison are transferred from the bridge of a ship to a transport boat, the animals suspended- 159 - phases of the orientation of the ship's cannon resumed within the ship- 294 - a infantry drape at the assault of an enemy artillery station, bomb throwing, long field- 20 - four gunners on a large war machine- 187 - the two Austrians are taken aboard and the seaplane is transported by the torpedo boat, aerial shot of the scene.- 168 - officers and soldiers of the Serbian army, with the flag of the Regiment; among them also Prince Alexander- 76 - a gunner system the machine gun, he wears studded shoes- 87 - tree trunks were placed on the shore to be able to slide the boat held by ropes.- 221 - the ground prepared by the artillery allows the advance of the infantry- 203 - long field and sea shooting of an Austrian naval team hit by mas- 104 - fixed framing on a hillock on which the cannonade verts- 91 - the reflector taken up in front, the light and the profile of a soldier- 160 - merchant navy ships during navigation to ensure supply of food and means to military forces- 80 - overview from the top in the long field of a destroyed industrial establishment, the chimney has resisted but the roof has collapsed.- 243 - general Cadorna colloquia with D'Annunzio sitting in his plane- 241 - the exultation of the Avieri in the aviation field on the return of the pilots from the mission on Vienna- 123 - the column of military nurses carrying wounded in stretcher, people move going to meet the camera.- 145 - resumption along the train railway line that stops, sailors descend on the fly- 81 - overview of a town completely destroyed by bombing- 34 - the column of trucks stops in front of an ancient lace from the numerous arches- 55 - recovery from the teleferic of the pylons and the mighty steel wires on which the transport of means and men passes, the height increases with movement- 248 - phases of the battle in open field, soldiers distribute themselves on the trench and then attack on the white weapon- 278 - Duke of Aosta accompanies the king towards the stage of honor- 311 - gathered in a forecourt of a prison camp, dark and dirty faces- 115 - long field explosions, smoke gas charges- 239 - an airplane taking off, shooting behind- 222 - the battle rages, massive artillery cannonade, framing a station- 302 - the distribution of a newspaper by a pickup truck, soldiers and citizens make crowd to receive a copy- 191 - perlustration of the coast: images of the interior of the submersible with the commander who scrutinizes the enemy coast, sailors in charge of the closure and opening of pressurization hatches- 277 - a small group of soldiers inside a hole caused by a bomb that burst near the railway- 140 - long field overview of the famous destroyed shipyards- 282 - the valiant soldiers march in front of the authority stage, taken from the stage- 58 - Alpini in white camouflage uniform ride a slope with skis, in the shoulder the rifle, come to meet the camera- 209 - the great Austrian ship quickly reclines on the left flank, panic scenes of the Austrian sailors throwing themselves into the sea running on the side of the ship- 306 - Austrian prisoners in column along dusty streets, are unarmed- 212 - the flag of the Italian Navy director flies on the stern of a destroyer, a fleet in navigation- 281 - on stage, taken back, general Diaz in conversation with the king- 274 - close recovery of the rising lights of the hill- 323 - the exultation of a group of young people on the balcony of a palace- 5 - the two rows divide by the arrival of a truck loaded with soldiers- 332 - overview from above, very close recovery of the transport of the coffin of the unknown soldier- 157 - phases of fleet navigation in front of the port of Pula- 334 - the deposition of the crate in the Ara al Milite unknown on the altar of the Victorian, shooting of shoulders from the steps of the monument- 287 - the King's handshake to a petticoat, the royals come down from the stage- 114 - white smoke in the distance after a cannon shot- 207 - Austrian sailors launch into the sea and swim fast to get away from the ship that is getting sunk.- 16 - the recovery from the airship of the possessors who drown on one of the anchorage ropes- 147 - counters are opened and large bullets are stored ready for use- 90 - a large reflector resumed inside a rocky antro- 37 - stacks of large bullets, free of the head, piled into the back- 262 - different artillery emplacements: large-caliber cannons shoot at the enemy, artillerymen resumed with shoulders- 24 - the airplane makes a turn and rises to the sky- 242 - the handshakes, the congratulations, the joy of the moment- 119 - military nurses carry injured comrades on their stretchers and shoulders- 205 - the wake of the torpedo to the side of the mighty flagship ship\ "Santo Stefano\"- 234 -
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni di ...Sommariva, Linda: Anna Maria Poli; 29331 ; annotazioni: 103 94 cancellato- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1526. Annotazioni originarie: Proveniente dal pacco 804. A matita sul recto del coperchio al centro: Beltrami cancellato/ Poli - Cappa. A matita sul verso del coperchio al centro: 29330/35. Sul recto del coperchio un foglio incollato con la scritta a penna: Alpe di Lemna. La marca viene desunta per confronto con altre scatole integre.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...29330; Anna Maria Poli; 1 chiaro + 103; 2 copia 2- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1526. Annotazioni originarie: Proveniente dal pacco 804. A matita sul recto del coperchio al centro: Beltrami cancellato/ Poli - Cappa. A matita sul verso del coperchio al centro: 29330/35. A matita sul recto del coperchio a destra: Tagliabue Guagni Crespi; a matita blu a sinistra: 34. A matita sul verso del coperchio a destra: 52990/53000.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...Anna Maria Poli; 94 1 chiarissimo; 28756- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1146. Annotazioni originarie: Proveniente dal pacco 768. A matita sul recto del coperchio al centro: Tomatis Preti Majno/ Poli. A matita sul verso del coperchio a destra: 28748/56. A matita sul verso del coperchio a destra: 26582/93.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...29330; Anna Maria Poli; 1 chiaro + 103; 2 copia 2- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1526. Annotazioni originarie: Proveniente dal pacco 804. A matita sul recto del coperchio al centro: Beltrami cancellato/ Poli - Cappa. A matita sul verso del coperchio al centro: 29330/35. A matita sul recto del coperchio a destra: Tagliabue Guagni Crespi; a matita blu a sinistra: 34. A matita sul verso del coperchio a destra: 52990/53000.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...28754; 2 copie; ...?cancellato 102/...?; Anna Maria Poli- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1146. Annotazioni originarie: Proveniente dal pacco 768. A matita sul recto del coperchio al centro: Tomatis Preti Majno/ Poli. A matita sul verso del coperchio a destra: 28748/56. A matita sul verso del coperchio a destra: 26226/38.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni di ...Sommariva, Linda: Anna Maria Poli; 29331 ; annotazioni: 103 94 cancellato- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1526. Annotazioni originarie: Proveniente dal pacco 804. A matita sul recto del coperchio al centro: Beltrami cancellato/ Poli - Cappa. A matita sul verso del coperchio al centro: 29330/35. Sul recto del coperchio un foglio incollato con la scritta a penna: Alpe di Lemna. La marca viene desunta per confronto con altre scatole integre.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...28754; 2 copie; ...?cancellato 102/...?; Anna Maria Poli- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1146. Annotazioni originarie: Proveniente dal pacco 768. A matita sul recto del coperchio al centro: Tomatis Preti Majno/ Poli. A matita sul verso del coperchio a destra: 28748/56. A matita sul verso del coperchio a destra: 26226/38.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Internet Culturale / Biblioteca Nazionale Braidense - Milano - Data provided by Europeana Collections- Originale ; mascheratura, ritocco, vernice ; ritratto ; annotazioni: ...Anna Maria Poli; 94 1 chiarissimo; 28756- Storia del documento. Inserito dal Sommariva nel Contenitore SOM 1146. Annotazioni originarie: Proveniente dal pacco 768. A matita sul recto del coperchio al centro: Tomatis Preti Majno/ Poli. A matita sul verso del coperchio a destra: 28748/56. A matita sul verso del coperchio a destra: 26582/93.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
PDF
