Cilj je ovoga rada analizirati ciklus pjesama Sanjači Mladena Tarbuka u kontekstu visoke i niske kulture, a na temelju glazbenih parametara i literarnog predloška Nikole Šopa, te ga pokušati ...smjestiti u područje visoke kulture. Članak uključuje izbor iz dosad o tome djelu napisanih i objavljenih tekstova, kao i pretpostavke koje bi za ovaj segment glazbene kulture bilo vrijedno uspostaviti da bi se kritički preispitali glazbeni stil, tehnika skladanja, izvedba djela, glazbena estetika i drugi strukturni elementi te da bi se dobiveni rezultati uokvirili kontekstualnim podatcima, kao i opaskama i uputama samog autora.
Podrobnom analizom Tarbukovih (Šopovih) Sanjača, a imajući u vidu gore navedene parametre valoriziranja umjetničkog djela, dolazi se do zaključka da ovaj harmonijski, ritamski, glazbeno i izvedbeno izuzetno kompleksan, a »elitnom« slušatelju itekako zanimljiv i u svojoj eteričnoj metafizičnosti uzbudljiv ciklus pjesama spada među najkvalitetnije skladbe prijelaza 20. u 21. stoljeće.
Mass deposition fluxes of mineral dust to the tropical northeast Atlantic Ocean were determined within this study. In the framework of SOPRAN (Surface Ocean Processes in the Anthropocene), the ...interaction between the atmosphere and the ocean in terms of material exchange were investigated at the Cape Verde atmospheric observatory (CVAO) on the island Sao Vicente for January 2009. Five different methods were applied to estimate the deposition flux, using different meteorological and physical measurements, remote sensing, and regional dust transport simulations. The set of observations comprises micrometeorological measurements with an ultra-sonic anemometer and profile measurements using 2-D anemometers at two different heights, and microphysical measurements of the size-resolved mass concentrations of mineral dust. In addition, the total mass concentration of mineral dust was derived from absorption photometer observations and passive sampling. The regional dust model COSMO-MUSCAT was used for simulations of dust emission and transport, including dry and wet deposition processes. This model was used as it describes the AOD's and mass concentrations realistic compared to the measurements and because it was run for the time period of the measurements. The four observation-based methods yield a monthly average deposition flux of mineral dust of 12–29 ng m−2 s−1. The simulation results come close to the upper range of the measurements with an average value of 47 ng m−2 s−1. It is shown that the mass deposition flux of mineral dust obtained by the combination of micrometeorological (ultra-sonic anemometer) and microphysical measurements (particle mass size distribution of mineral dust) is difficult to compare to modeled mass deposition fluxes when the mineral dust is inhomogeneously distributed over the investigated area.
Mary Spennert (g. Hannikainen) (1901-1974), finländsk sångare (sopran) och skådespelare. Verkat vid Svenska Teatern i Helsingfors 1925-1928 och som gäst 1945-1946.
På baksidan: "Till fröken Olga ...Lundén från"
Emma Meissner (f. Ekström) (1866-1942) som Hanna Glawari och Carl Barcklind (1873-1945) som Danilo i pjäsen "Den glada änkan" av Franz Lehár, Victor Léon och Leo Stein.
Gift 1) 1894–1897 med kassör ...Robert Berg och 2) från 1899 med kapellmästaren Hjalmar Meissner.
Gerda Grönberg (g. Rove) (1860-1936), svensk skådespelare och operettsångare (sopran),som Simon Rymanovicz i "Tiggarstudenten" av Carl Millöcker.
Grönberg var vid Svenska Teatern 1894–1897. Gift ...1903-1912 med disponenten Carl August Rove.
På baksidan: "Don. R. Stenius"
Emma Meissner (f. Ekström) (1866-1942), svensk operettsångare (sopran) och skådespelare.
Gift 1) 1894–1897 med kassör Robert Berg och 2) från 1899 med kapellmästaren Hjalmar Meissner.
Hilda Castegren (f. Sjöberg) (1864-1945) i rollen som Denise de Flavigny ("Lilla Helgonet") i operetten "Lilla helgonet" av Henri Meilhac och Albert Millaud.
Hilda Castegren (f. Sjöberg) (1864-1945) i rollen som Denise de Flavigny ("Lilla Helgonet") i operetten "Lilla helgonet" av Henri Meilhac och Albert Millaud.
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