Abstract
This present study attempts to depict the eco-lexicon form discovered in children’s North Sumatran folktales (CBNSF) book about primary food. The qualitative content analysis method was ...utilized as the research design. The data source was three folktales from a children’s book entitled
“Asal Usul: Bunga Rampai Cerita Rakyat Sumatera Utara”
under the primary theme food. The data were in the form of roots, derivative words, and phrases taken by using documentation technique. The results show that eco-lexicon forms related to primary food folktales are words (noun, verbs, and adjectives) in the form of phrase (noun phrase, and adjective phrase. Affixation in the data was found in prefix, suffix, and simulfix, which form noun and verb. Furthermore, the reference deals with biotic (
plantae
and
animaliae
) and abiotic reference. Therefore, it can be concluded that eco-lexicon in CBNSF was various.
Penelitian ini dilakukan untuk melestarikan sastra sebagian lisan salah satu kaian Folklor yakni tuturan pantang larang agar tidak hilang dalam kehidupan masyarakat dan masih dilestarikan dengan ...baik oleh masyarakat. Khususnya pada masyarakat minang di daerah ujungbatu kabupaten Rokan hulu Riau. Tujuan dari penelitian ini adalah mendeskripsikan fungsi tuturan larangan yang terdapat di daerah Ujungbatu. Jenis penelitian ini adalah penelitian kualitatif dengan menggunakan metode deskriptif. Informan penelitian ini adalah tiga orang minang yang merantau ke daerah Ujungbatu. Data dikumpulkan melalui teknik observasi, wawancara, rekam dan pencatatan data. Berdasarkan temuan dan pembahasan ditemukan empat puluh tuturan pantang larang pada masyarakat minang di derah Ujungbatu. Penelitian ini mendeskripsikan tentang makna yang ada dalam tuturan larangan, dimana kategorinya difokuskan pada lingkaran hidup manusia
A Listening Wind, a collection of translated original texts and commentary edited by Marcia Haag, highlights the large array of Indigenous linguistic and cultural groups of the U.S. Southeast. A ...whole range of genres and selected texts represent language groups of the Choctaw, Creek, Chickasaw, Yuchi, Cherokee, Koasati, Houma, Catawba, and Atakapa.The traditional and modern Native literature genres showcased inA Listening Windinclude stories that speakers perceive to be in the past (or "fixed"), genres that have developed alongside these stories, and modern story types that have sometimes supplanted traditional tales and are now enjoying trajectories of their own. These texts have been selected to demonstrate particular literary themes and the cultural perspectives that inform them. Introductory essays illuminate how they fit into Native American religious and philosophical systems. Overall this collection discloses the sometimes hidden connections among genres as well as their importance to language groups of the Southeast.
This article highlights the connections between the production of folkloristic knowledge and expanding print markets in mid-nineteenth-century Europe. Looking at folkloristic writings from diverse ...geographical and social contexts, the article primarily focuses on the diverse socio-political and aesthetic sensitivities attached to the increased public interest in popular traditions. While Cecilia Böhl de Faber promoted a strongly idealizing and conservative view of the lower classes of the Spanish countryside, Joseph Mainzer’s works published in the French press addressed the creative potential of collective singing in urban contexts, and Anton Glassbrenner endeavoured to illustrate the democratic spirit of the lower classes in Berlin. The article shows that although all three authors promoted the exoticization and aestheticization of the ostensibly “authentic” habits, tales, and speaking modes of “the folk”, their views on the role of the lower classes within the social structure differed significantly. Keeping in mind the importance of mass media in enforcing collective conceptions of reality and political identity throughout the nineteenth century, this article creates new perspectives on the production of folkloristic knowledge within a broad socio-medial and political context.
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