There have been few times in US American history when the very concept of freedom of speech—its promise and its contradictions—has been under greater scrutiny. Guided by acclaimed artist, filmmaker, ...and activist Amar Kanwar, the Vera List Center for Art and Politics at The New School convened a series of public seminars on freedom of speech with the participation of some of the most original thinkers and artists on the topic. Structured as an open curriculum, each seminar examined a particular aspect of freedom of speech, reflecting on and informed by recent debates around hate speech, censorship, sexism, and racism in the US and elsewhere. Studies into Darkness emerges from these seminars as a collection of newly commissioned texts, artist projects, and resources that delve into the intricacies of free speech. Providing a practical and historical guide to free speech discourse and in-depth investigations that extend far beyond the current moment, and featuring poetic responses to the crises present in contemporary culture and society around expression, this publication provocatively questions whether true communication is ever attainable. Contributions by Zach Blas, Mark Bray, Natalie Diaz, Aruna D’Souza, Silvia Federici and Gabriela López Dena, Jeanne van Heeswijk, shawné michaelain holloway, Prathibha Kanakamedala and Obden Mondésir, Amar Kanwar, Carin Kuoni, Lyndon, Debora, and Abou, Svetlana Mintcheva, Mendi + Keith Obadike, Vanessa Place, Laura Raicovich, Michael Rakowitz, Kameelah Janan Rasheed, and Nabiha Syed.
The Art of Veiled Speech Han Baltussen, Peter J. Davis / Han Baltussen, Peter J. Davis
07/2015
eBook
Throughout Western history, there have been those who felt compelled to share a dissenting opinion on public matters, while still hoping to avoid the social, political, and even criminal consequences ...for exercising free speech. In this collection of fourteen original essays, editors Han Baltussen and Peter J. Davis trace the roots of censorship far beyond its supposed origins in early modern history.
Beginning with the ancient Greek concept ofparrhêsia, and its Roman equivalentlibertas, the contributors toThe Art of Veiled Speechexamine lesser-known texts from historical periods, some famous for setting the benchmark for free speech, such as fifth-century Athens and republican Rome, and others for censorship, such as early imperial and late antique Rome. Medieval attempts to suppress heresy, the Spanish Inquisition, and the writings of Thomas Hobbes during the Reformation are among the examples chosen to illustrate an explicit link of cultural censorship across time, casting new light on a range of issues: Which circumstances and limits on free speech were in play? What did it mean for someone to "speak up" or "speak truth to authority"?
Drawing on poetry, history, drama, and moral and political philosophy the volume demonstrates the many ways that writers over the last 2500 years have used wordplay, innuendo, and other forms of veiled speech to conceal their subversive views, anticipating censorship and making efforts to get around it.The Art of Veiled Speechoffers new insights into the ingenious methods of self-censorship to express controversial views, revealing that the human voice cannot be easily silenced.
Contributors:Pauline Allen, Han Baltussen, Megan Cassidy-Welch, Peter J. Davis, Andrew Hartwig, Gesine Manuwald, Bronwen Neil, Lara O'Sullivan, Jon Parkin, John Penwill, François Soyer, Marcus Wilson, Ioannis Ziogas
The Internet was supposed to be an antidote to authoritarianism. It can enable citizens to express themselves freely and organize outside state control. Yet while online activity has helped challenge ...authoritarian rule in some cases, other regimes have endured: no movement comparable to the Arab Spring has arisen in China. InContesting Cyberspace in China, Rongbin Han offers a powerful counterintuitive explanation for the survival of the world's largest authoritarian regime in the digital age.Han reveals the complex internal dynamics of online expression in China, showing how the state, service providers, and netizens negotiate the limits of discourse. He finds that state censorship has conditioned online expression, yet has failed to bring it under control. However, Han also finds that freer expression may work to the advantage of the regime because its critics are not the only ones empowered: the Internet has proved less threatening than expected due to the multiplicity of beliefs, identities, and values online. State-sponsored and spontaneous pro-government commenters have turned out to be a major presence on the Chinese internet, denigrating dissenters and barraging oppositional voices. Han explores the recruitment, training, and behavior of hired commenters, the "fifty-cent army," as well as group identity formation among nationalistic Internet posters who see themselves as patriots defending China against online saboteurs. Drawing on a rich set of data collected through interviews, participant observation, and long-term online ethnography, as well as official reports and state directives,Contesting Cyberspace in Chinainterrogates our assumptions about authoritarian resilience and the democratizing power of the Internet.
This book illuminates the distinctive character of our modern understanding of the basis and value of free speech by contrasting it with the very different form of free speech that was practised by ...the ancient Athenians in their democratic regime. Free speech in the ancient democracy was not a protected right but an expression of the freedom from hierarchy, awe, reverence and shame. It was thus an essential ingredient of the egalitarianism of that regime. That freedom was challenged by the consequences of the rejection of shame (aidos) which had served as a cohesive force within the polity. Through readings of Socrates's trial, Greek tragedy and comedy, Thucydides's History, and Plato's Protagoras this volume explores the paradoxical connections between free speech, democracy, shame, and Socratic philosophy and Thucydidean history as practices of uncovering.
Resumen: El análisis de la jurisprudencia del Tribunal Constitucional en materia de libertad de creación artística muestra que se trata de una libertad cuyo reconocimiento y régimen ...jurídico-constitucional se está forjando en las últimas décadas. Partiendo de este contexto, se ha producido una evolución en la doctrina constitucional ąue ha pasado de considerarla parte de la libertad de expresión a concebirla como una libertad autónoma. Aunque esta evolución no ha sido ni lineal ni clara, en un doble y relevante sentido. Por un lado, el tránsito hacia una libertad autónoma no ha sido ni razonado ni armado con una mínima carga argumentai y, a día de hoy, no queda todavía meridianamente clara la postura del Tribunal respecto del ámbito objetivo de esta libertad. Por otro lado, la autonomía de la libertad de creación artística respecto de la libertad de expresión debería abocar al diseño de un mínimo régimen jurídico-constitucional diferenciado respecto de ésta, que no se ha apuntado por parte del Tribunal. Este artículo analiza con detalle la descrita evolución de la jurisprudencia constitucional en relación con la libertad de creación artística, valorando las distintas opciones de la doctrina constitucional.
Fighting for First Amendment rights is as popular a pastime as ever, but just because you can get on your soapbox doesn't mean anyone will be there to listen. Town squares have emptied out as ...shoppers decamp for the megamalls; gated communities keep pesky signature gathering activists away; even most internet chatrooms are run by the major media companies. Brave New Neighborhood s considers what can be done to protect and revitalize our public spaces.
Margaret Kohn is Assistant Professor of Political Science at the University of Florida. She is the author of Radical Spaces , and she has published articles in Dissent , Polity , Political Theory , Constellations , and IPSR.
"A very fine book... it raises profoundly important issues about the accessibility and availability of public space outside of corporate power and market relationships." - Jamin Raskin
This paper argues that the national populisms of Northern and Western Europe form a distinctive cluster within the wider north Atlantic and pan-European populist conjuncture. They are distinctive in ...construing the opposition between self and other not in narrowly national but in broader civilizational terms. This partial shift from nationalism to "civilizationism" has been driven by the notion of a civilizational threat from Islam. This has given rise to an identitarian "Christianism", a secularist posture, a philosemitic stance, and an ostensibly liberal defence of gender equality, gay rights, and freedom of speech. The paper highlights the distinctiveness of this configuration by briefly comparing the national populisms of Northern and Western Europe to the Trump campaign and to the national populisms of East Central Europe. It concludes by specifying two ways in which the joining of identitarian Christianism with secularist and liberal rhetoric challenges prevailing understandings of European national populism.
