Marcel Réja (1873-1957) French alienist evokes in his book « Au pays des miracles » this innumerable people of healers, mystics, empirics, magnetizers, mediums and fantasists. All operating "cures ...more wonderful than each other". This book questions in a very relevant way the role of the power of the spirit, of healing by the spirit and therefore of suggestion. This "art" of healers includes an affective and emotional coefficient which constitutes its essential spring. There is a mysterious force between the sick and the physician that goes "soul to soul". Current medicine is still very much borrowed from its past with a remnant of "magical" thought. Also, the empathetic dimension of the care relationship remains one of the most necessary dimensions for the exercise of the medical profession.
Bishop Vargas Carvajal commissioned a choir screen for the Plasencia New Cathedral choir in the middle of the 16th century, once the temple works had advanced to the point of closing the vaults of ...the first section of the naves. The choir screen was ordered to master Domingo de Céspedes in Toledo. Its installation in the natural place caused it to be discarded due to the piece's narrowness and replaced by the one made by Juan Bautista Celma at the end of the 16th century. However, Vargas Carvajal's choir screen was not lost, but integrated into other smaller ones in the Cathedral, and was even reused in its pulpits, of which we provide an unpublished tracing made in the 17th century. We also propose a reconstruction of the original choir screen with the pieces that have been preserved.
El obispo Vargas Carvajal encargó a mediados del siglo XVI una reja para el coro de la catedral nueva de Plasencia, una vez que las obras habían avanzado hasta cerrar las bóvedas del primer tramo de las naves. La reja fue contratada en Toledo con el maestro Domingo de Céspedes. La instalación de la misma en su lugar natural hizo que fuera desechada debido a su estrechez, y sustituida por la que haría Juan Bautista Celma a finales del siglo XVI. Sin embargo, la reja de Vargas Carvajal no se perdió, sino que se integró en otras de menor envergadura de la propia catedral, e incluso se reutilizó en sus púlpitos, de los que aportamos una traza inédita realizada en el siglo XVII. Asimismo, y con las piezas que se han conservado, proponemos una reconstrucción de la reja original.
Provider: - Institution: - Data provided by Europeana Collections- Frequency: 2 times a week.- Numbering: R.1, nr 1 (15 lutego 1922)-.- Częstotliwość: 2 x w tyg.- Maszynopis powielony.- Numeracja: ...R.1, nr 1 (15 lutego 1922)-.- Ostatni znany: nr 3 (kwiec. 1922).- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- University of Warsaw Library- Biblioteka Uniwersytecka w Warszawie- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Frequency: 2 times a week.- Numbering: R.1, nr 1 (15 lutego 1922)-.- Częstotliwość: 2 x w tyg.- Maszynopis powielony.- Numeracja: ...R.1, nr 1 (15 lutego 1922)-.- Ostatni znany: nr 3 (kwiec. 1922).- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Frequency: 2 times a week.- Numbering: R.1, nr 1 (15 lutego 1922)-.- Częstotliwość: 2 x w tyg.- Maszynopis powielony.- Numeracja: ...R.1, nr 1 (15 lutego 1922)-.- Ostatni znany: nr 3 (kwiec. 1922).- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- University of Warsaw Library- Biblioteka Uniwersytecka w Warszawie- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- University of Warsaw Library- Biblioteka Uniwersytecka w Warszawie- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- University of Warsaw Library- Biblioteka Uniwersytecka w Warszawie- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: CRISPA Biblioteka Uniwersytecka w Warszawie - Data provided by Europeana Collections- University of Warsaw Library- Biblioteka Uniwersytecka w Warszawie- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
