V prispevku so analizirani tekst, struktura, funkcija in kontekst paremioloških enot na primeru pravljičnih tipov ATU 980 The Ungrateful Son / Lesena skleda, ATU 296 The Clay Pot and the Brass Pot in ...the River / Glineni in bakreni lonec in *ATU 71* The Blackbird and March / Kos in marec. Obravnavani pregovori in paremiološki obrazci izvirajo iz starih virov in knjig modrosti, zato jih ne moremo obravnavati izven konteksta v katerem so nastajali, saj imajo globlje korenine in tudi različno razvojno pot, kar je predstavljeno v tem članku.
Solunska brata Ciril in Metod sta stara in od Cerkve priznana svetnika. Vendar nobeno od znanih besedil s slovenskih tal ne ustreza vtisu o svetniški legendi kaj šele merilom o njej.
Presented are the perceptions of different foreigners who came to Slovene lands in the past or in the present time, as shown in Slovene folk narratives. Despite often stereotyped picture of the ...Others, the research demonstrates an immense complexity of these narratives and the fact that they tell more about Us than about Them. The book ('The Mysteriou Stranger and the Demonic Enemy. “The Other” and Otherness in Slovene Folk Narratives') brings a theoretical overview of the current research on otherness in folklore studies and contextualizes the examples into a wider international folkloristic, anthropological and historical frames. Stories about the Turks, the Napoleon’s French and the Huns reflect an interweaving of historical facts, archetypical imageries of the dangerous Foreigner and ideological influences. These narratives are strongly embedded into the landscape and reinforce the sense of a common identity of its members. The imagery of historic aggressors is understandably quite different from the imagery of Jews and the Roma, with whom the people of the Slovene lands have had a completely different kind of contact.The same goes for contemporary foreigners from other countries. Nevertheless, they all display a high level of stereotypization, generalization and projection of fears upon “the Other”.
Na Slovenskem narodopisnem inštitutu Urban Jarnik, kjer raziskave in dokumentacije obsegajo vsa področja slovstvene folklore, je nesnovna kulturna dediščina močno razvejano raziskovalno področje. ...Avtorica v prispevku predstavlja kratek zgodovinski pregled zbiranja slovstvene folklore na Koroškem v funkciji utrjevanja slovenskega jezika, kulture in identitete (do leta 1920), v funkciji ohranjanja jezika, kulture in identitete (do leta 1991) in v iskanju sodobnih funkcij slovenske slovstvene folklore na Koroškem kot žive dediščine.
Divided as it is, philology is constantly improving through the emergence of new interdisciplinary sciences. One among them is ethnolinguistics. It has taken particularly firm roots in Slavic ...studies, especially with the Russian and Polish schools. While the diachronous researches of Nikita I. Tolstoy in Svetlana Tolstaya reach as far back as Slavic mythology, the Polish school, headed by Jerzy Bartmińsky, flirts with cognitive linguistics and is more interested, through its synchronous approach, in contemporary themes. The present monograph aims to evaluate the work carried out in this field to date and to raise awareness of the new interdisciplinary direction, which may link up the ethnologies and linguistics of different directions.
This book ('Folkloristic Portraits from three Centuries. From baroque to modernism') preseints 18 profiled personalities from the Slovenian spiritual, cultural history and linguistics from 17th ...Century (J. V. Valvasor, J. Svetokriški, and 18th Century (M. Pohlin, U. Jarnik) up to most of them in the 19th Century (P. Danjko, A. M. Slomšek, M. Ravnikar-Poženčan, A. Murko, S. Vraz, E. Korytko, J. Trdina, M. Valjavec. V. Urbas, G. Krek, S. Škrabec, G. Križnik, S. Rutar) to K. Štrekelj. The personalities are illuminated from folkloristic view, following the prehistory this profession.
Short folklore forms are diverse group of short folklore texts~some of these are used in everyday communication and are still alive, others are reserved for specific moments~some of them are ...disappearing from our linguistic and cultural environment. Their structure,function, texture and context of use differ very greatly, as well as their length~it may comprise a single word (eg. greetings), one sentence (proverbs, riddles) or a short text (defense, prayer). Book systematically and comprehensively shows the origin, structure and classification system, and aesthetic structures of the most representative short folklore forms: working exclamations, greetings, curses, proverbs, riddles, incantations and prayers.
This book (‘Type Index of Slovenian Folktales – Animal Tales and Fables’) is the first of the comprehensive body of systematization of Slovenian folktales along the lines of the latest, revised ...edition of the Types of International Folk Tales by Hans-Jörg Uther (2004). It includes Slovenian animal tales and fables that have been listed among the first 299 numbers of the international classification system. It contains archaic, internationally comparable material which was previously difficult to access and is now published for the first time in a comprehensive and systematic form. With the transfer of the latest scientific results to the Slovenian research sphere~additional studies and comments~and the application of the international classification system for the classification of material it greatly facilitates further development of the discipline while simultaneously including the Slovenian narrative tradition in a broader international context. Since each folktale type includes examples of folktales the book will also attract the attention of the general public.
This translation of the book ('The Historical Roots of Magic Tale') written by one of the most prominent Russian folklorists of the 20th century Vladimir Yakovlevich Propp, presents one more ...classical work of anthropological and folkloristical science to Slovenian researchers. The theoretical starting-points which Propp concived in his book “Morphology of the Folktale” was in this work projected on concrete material – on Russian and European folktales. By comparing folktale motifs with actual historical and anthropological sources he substantiated his structuralistical and ritualistical theoties in folk narrative research and folkloristics.
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