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Salmič Kovačič, Karmen
Muzikološki zbornik, 07/2014, Volume: 50, Issue: 1Journal Article
Orkestralni opus uvršča Demetrija Žebreta (1912–1970) med osrednje slovenske glasbene moderniste 1. polovice 20. stoletja. Prispevek poskuša odgovoriti na vprašanje, kako se je spremenil slog skladatelja v njegovih orkestralnih delih od leta 1944 naprej, zlasti v simfonični pesnitvi Svobodi naproti (1944), ki je tipičen primer umetnine v presečišču zmernega modernizma in socialističnega realizma na tematiko NOB.
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