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Kovačević, Astrid
Fluminensia, 2022, Volume: 34, Issue: 2Journal Article
U radu se razmatra koncept ženskog i ženstvenog pisma (l’écriture feminine), njegova priroda i podrijetlo. Nastoji se nadići pojam jednakosti, ali i različitosti, odnosno binarnih (o)pozicija, dihotomija. Služeći se psihoanalitičkim teorijskim pristupom, kreće se od pokušaja definiranja ženskog i ženstvenog. Potom se razmatraju i opisuju karakteristike ženske i ženstvene osobnosti, odnosno ekspresije, te načini na koje ženska seksualnost prodire, odnosno izvire, u/iz prostora tekstualnog. Također, koristeći se minucioznim analizama gramatičkih kategorija, ženske i ženstvene kreativne tekstualne strategije, izlaže se teorija o uskom i nedjeljivom odnosu spolnih i jezičnih rodova. Potom se, dekonstrukcijskom metodom, dovodi u vezu jezični položaj ženskog subjekta s procesima individualizacije, identifikacije, heteroseksualizacije te biseksualnog odnosa sa stvarnošću. Ukratko, nastoji se izići iz saussureovskog koncepta jezika te ponuditi poststrukturalističko tumačenje ženskog i ženstvenog diskursa. The paper examines the concept of female and feminine writing, its nature and origin. It strives to surpass the concept of equality but also of diversity, i.e. binary (o) positions, dichotomies. Using the psychoanalytical theoretical approach, it starts from an attemptto define the female and feminine. Furthermore, all the characteristics of female and feminine personality, i.e. expression, are considered and described, as well as the ways in which female sexuality penetrates, i.e. emerges, into/out of the textual space. Also, using meticulous analyzes of grammatical categories, female and feminine textual strategies, the theory about the narrow and indivisible relationship between sexual and linguistic genders is presented. Then, practicing the deconstruction method, the linguistic position of the female subject is connected with the processes of individualization, identification, heterosexualization and bisexual relationship with the reality. In short, trying to get out of the Saussure’s concept of language, the work offers a poststructuralist interpretation of female and feminine discourse.
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