Depictions of birds are overrepresented in the Dolenjska Hallstatt culture, and appear on over a quarter of artefacts depicting animals. A wide variety of artefacts with birds have been found primarily in graves, and crosscut gender, status, and age. However, poor preservation of zooarchaeological remains has made reconstructions of lived human-bird interactions difficult. This study uses ecological and ethological data, combined with local imagery, to provide insight into prehistoric human-bird interfaces in this area, and the cultural conceptions surrounding these interactions. Birds would have been a constant presence in the lives of Dolenjska Hallstatt people; however, human relationships with them were based more on observation than direct interaction. Birds were ubiquitous in imagery, and it is proposed that this stemmed from Dolenjska Hallstatt conceptions of birds as important observers of human actions, ritual mediators, and possibly guides or guardians. Their differences from humans and other animals distinguished them - they were set apart, and depictions highlighted non-normative behaviours. Birds in the Dolenjska Hallstatt worldview were more than animals, ascribed extraordinary capabilities that made them ritually potent and richly symbolic creatures.