At the end of 2017, Cambridge Scholars Publishing published an edited volume titled Historical Sources of Ethnomusicology in Contemporary Debate, which included a series of presentations given at two ...different international conferences organised by the Study Group on Historical Sources of Traditional Music − in 2012 in Vienna (Austria) and in 2014 in Aveiro (Portugal). Most of the material discussed was audio, which of course cannot be directly reproduced on paper, but the contributions with images offer plenty of useful information on the transcriptions, instruments, iconographic and other handwritten documents.
The article aims to analyse the history of public calls for funding projects in the area of cultural activities of ethnic minority communities in Slovenia. These public calls put in action the ...strategies of a special rights programme, which are being carried out by the Ministry of Culture and the Public Fund for Cultural Activities of the Republic of Slovenia.
Dalmatian klapa songs have been present in Slovenia for quite some time, but it has been only over the last ten years or so that a growing number of singing groups have been performing them. This ...article researches the motives for the formation of the groups, the emotional connotations, the stance of the musicians towards the repertoire and music that they perform and the relations towards the structural dimension of the music. In addition, the reasons for the popularity of Dalmatian klapa-singing in Slovenia are addressed, as well as the manner in which Slovenian singers evoke the stereotypes and idealise the geographically and culturally distant, but simultaneously familiar, Dalmatian region.
Dalmatian klapa songs have been present in Slovenia for quite some time, but it has been only over the last ten years or so that a growing number of singing groups have been performing them. This ...article researches the motives for the formation of the groups, the emotional connotations, the stance of the musicians towards the repertoire and music that they perform and the relations towards the structural dimension of the music. In addition, the reasons for the popularity of Dalmatian Klapa-singing in Slovenia are addressed, as well as the manner in which Slovenian singers evoke the stereotypes and idealise the geographically and culturally distant, but simultaneously familiar, Dalmatian region.
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