This book covers the full story of the Ustasha, a fascist movement in Croatia, from its historic roots to its downfall. The authors address key questions: In what international context did Ustasha ...terrorism grow and develop? How did this movement rise to power, and then exterminate hundreds of thousands of innocents? Who was Ante Pavelić, its leader? Was he a shrewd politician, able to exploit for his independent project Mussolini’s imperial ambitions, Hitler’s pan-German aims, and the anti-Bolshevism of the Holy See and the Western bloc? Or was he, consciously or not, a pawn in other hands, in a complex international scenario where Croatia was only arena among many? And after the movement’s collapse, how were several of the most prominent Ustasha leaders able to evade capture by Tito’s victorious army? The facts and documents confront us with the ambivalence of terrorism.The book places the appearance of the Ustasha movement not only in the context of the interwar Kingdom of Yugoslavia but also in the wider perspective of the emergence of European fascism.
This book covers the full story of the Ustasha, a fascist movement in Croatia, from its historic roots up to its downfall. The two authors sought answers to questions that touch the heart of the ...issue: In what international context did Ustasha terrorism grow and develop? How could the movement settle to power and exterminate hundreds of thousands of innocents? Who was its leader, Ante Pavelić? A shrewd politician, able to exploit for his independent project Mussolini's imperial ambitions, Hitler's panGerman aims, the antiBolshevism of the Holy See and of the Western bloc? Or was he, consciously or not, a pawn in other hands, a puppet on a board where Croatia was only one box among many others? And after the collapse, how could several of the most prominent Ustasha leaders evade capture by the victorious Tito’s army? The book is successful in contextualizing the appearance of the Ustasha movement not only in the circumstances of the interwar Kingdom of Yugoslavia but into the wider context of the emergence of fascism as a quintessential European movement.
O quinto artigo, com o título "Plataformas digitais e departamentos de comunicaçao/ relaçoes públicas: uma revisao sistemática" apresenta uma revisao sistemática de literatura, por meio do PRISMA, ...referente aos constructos de comunicaçao e plataformas digitais destinados a transformaçao digital dos departamentos de comunicaçao social/ relaçoes públicas. O sétimo artigo, com o título "Escalonamento de pedidos no paradigma Fog Computing: proposta de um modelo sensível ao contexto e avaliaçao do seu desempenho" apresenta um modelo de escalonamento sensíveis ao contexto para o paradigma fog em arquitetura cloud, que utiliza a normalizaçao Min-Max para resolver a heterogeneidade e normalizar os diferentes parámetros de contexto, bem como usa regressao linear múltipla para definir a prioridade dos pedidos e faz uso de técnica de otimizaçao de programaçao näo linear multiobjectivo para definir o escalonamento. Um agradecimento especial as Bases de Dados de Revistas Académicas como CiteFactor, Dialnet, DOAJ, DOI, EBSCO, GALE, IndexCopernicus, Index of Information Systems Journals, ISI Web of Knowledge, Latindex, ProQuest, QUALIS, SciELO, SCImago y Scopus, entidades que contribuem para que a RISTI seja uma revista científica de referencia.
Epilogue Adriano, Pino; Cingolani, Giorgio
Nationalism and Terror,
03/2018
Book Chapter
At the end of 1952, the Sixth Congress of the Communist Party held in Zagreb sanctioned Yugoslavia’s permanent rejection of the Soviet model. The party’s name was changed to League of Communists of ...Yugoslavia. This was done to highlight that its fate was separated from that of the state. And, also, to reaffirm the party’s federal character. Speaking from the party congress platform, Tito accused the Soviet Union of turning formerly independent countries like Czechoslovakia, Hungary, Poland, Romania, and Bulgaria into colonies. In a show of exceptional straightforwardness, Ranković also proved brave in acknowledging the excesses of the Yugoslav internal
1 - troupe di operatori cinematografici dentro la Sagrestia Vecchia di San Lorenzo e in varie zone di Firenze per le riprese
2 - compare il titolo "Firenze XIV secolo"
3 - dipinto della città di ...Firenze dell'epoca
4 - strade del centro storico di Firenze
5 - il commentatore illustra la Firenze storica ed artistica del XIV sec.
6 - "Filippo Brunelleschi 1377-1446"
7 - altare argenteo del duomo di Pistoia dedicato a San Jacopo
8 - nel 1399 Brunelleschi vi eseguì cinque figurette in argento sbalzato tra cui due profeti
9 - formella rappresentante il Sacrificio di Isacco eseguita nel 1401 per il concorso per la seconda porta del Battistero di Firenze
10 - particolari della formella
11 - campagna intorno a Firenze
12 - panoramica di Firenze
13 - scorcio del Duono da lontano
14 - il Duomo ed il campanile di Giotto
15 - la cupola del Duomo la cui costruzione fu affidata a Brunelleschi nel 1420
16 - particolari della cupola
17 - facciata di Santa Maria del Fiore
18 - lenta carrellata sul Duomo
19 - la lanterna della cupola
20 - volta interna della cupola
21 - viene letto il progetto presentato dall'artista per la costruzione della cupola
22 - creste di marmo della cupola
23 - la chiesa di San Lorenzo
24 - la sagrestia Vecchia di San Lorenzo
25 - inquadrature dei dettagli architettonici della sagrestia
26 - la cupola
27 - l'interno della basilica di San Lorenzo
28 - il transetto
29 - le navate
30 - struttura architettonica della Badia di Fiesole
31 - lo Spedale degli Innocenti progettato da Brunelleschi nel 1419
32 - il cortile dello Spedale
33 - piazza della SS. Annunziata
34 - loggiato dello Spedale
35 - loggiato speculare dall'altra parte della piazza
36 - capitelli corinzi del loggiato
37 - finestre della facciata
38 - medaglioni di terracotta invetriata tra gli archi del loggiato
39 - panoramica della piazza
40 - la chiesa di Santo Spirito
41 - le navate
42 - dettagli architettonici dell'edificio
43 - la Cappella dei Pazzi
44 - lenta carrellata sulla cappella
45 - membrature in pietra grigia
46 - la cupola della Cappella
47 - la lanterna della cupola del Duomo
48 - esterno della lanterna
49 - scala interna alla cupola
50 - tetti di Firenze
51 - la cupola del Duomo
52 - varie visuali della cupola
53 - "Masaccio 1402-1428"
54 - dipinti di Masaccio
55 - pala di Sant'Anna con la Madonna ed il Bambino
56 - ricostruzione ipotetica del polittico dipinto da Masaccio per la chiesa del Carmine di Pisa poichè i pezzi del polittico sono andati in parte dispersi e in parte sono sparpagliati tra le varie collezioni europee
57 - la Crocifissione
58 - il ciclo della Cappella Brancacci nella chiesa del Carmine a Firenze:
59 - San Pietro battezza i neofiti
60 - Resurrezione di Tabita, cui partecipò anche Masolino
61 - Pagamento del tributo
62 - San Pietro risana con la sua ombra gli infermi
63 - Distribuzione dei beni
64 - Cacciata di Adamo ed Eva dal Paradiso
65 - Resurrezione del figlio di Teofilo
66 - San Pietro in cattedra
67 - l'affresco della Trinità in Santa Maria Novella
68 - "Donatello 1386-1466"
69 - la statua di San Giorgio (copia) in una delle nicchie di Orsanmichele
70 - l'originale al Bargello
71 - la formella in bronzo del Convito di Erode eseguita per il Battistero di Siena
72 - statue di Donatello (copie) eseguite per il campanile di Giotto
73 - gli originali sono conservati nel Museo dell'Opera del Duomo
74 - il gruppo di Abramo e Isacco
75 - Geremia
76 - Abacuc
77 - il David bronzeo al Bargello
78 - la cantoria per il Duomo di Firenze
79 - il pergamo del sacro cingolo del Duomo di Prato
80 - decorazioni di Donatello della Sagrestia Vecchia di San Lorenzo
81 - i suoi tondi a bassorilievo
82 - le porte bronzee della Sagrestia
83 - monumento equestre al Gattamelata a Padova
84 - il Crocifisso per la Basilica del Santo
85 - la Madonna in trono per l'altare del Santo
86 - il San Francesco
87 - il Sant'Antonio
88 - San Prosdocimo
89 - Santa Giustina
90 - i quattro bassorilievi bronzei sull'altare con i miracoli di Sant'Antonio
91 - dettagli dell'opera
92 - la Deposizione di Cristo eseguita in pietra sempre sull'altare del Santo
93 - il gruppo di Giuditta e Oloferne eseguito da Donatello per il giardino di Palazzo Medici
94 - la Maddalena fatta dall'artista per il Battistero di Firenze
95 - l'ultima opera di Donatello i rilievi dei pulpiti per la chiesa di San Lorenzo
60 - resurrection of Tabita, in which Masolino also participated
38 - medallions of terracotta invetriata between the arches of the loggia
21 - the project presented by the artist for the construction of the dome is read
31 - the Spedale degli Innocenti designed by Brunelleschi in 1419
8 - in 1399 Brunelleschi performed five gaped silver pussies there, including two prophets
95 - Donatello's last work the reliefs of the pulpit for the church of San Lorenzo
30 - architectural structure of the Badia di Fiesole
56 - hypothetical reconstruction of the polyptych painted by Masaccio for the Carmine church of Pisa since the pieces of the polyptych have gone partly dispersed and are partly scattered among the various European collections
80 - Donatello's decorations of the old sacristy of San Lorenzo
15 - the dome of the dome whose construction was entrusted to Brunelleschi in 1420
9 - formella representative the sacrifice of Isaac executed in 1401 for the competition for the second door of the baptistery of Florence
92 - the deposition of Christ performed in stone always on the altar of the Saint
72 - statues of Donatello (copies) executed for the bell tower of Giotto
73 - the originals are preserved in the Duomo opera Museum
25 - framing of the architectural details of the sacristy
57 - the crucifixion
54 - paintings by Masaccio
53 -\ "Masaccio 1402-1428\"
52 - various visuals of the dome
51 - the dome of the Duomo
50 - roofs of Florence
49 - internal dome staircase
48 - exterior of the lantern
47 - the lantern of the dome of the Duomo
46 - the dome of the chapel
45 - Grey stone limbs
44 - slow rundown on the chapel
43 - the chapel of the madmen
42 - architectural details of the building
41 - the naves
40 - the church of Holy spirit
4 - streets of the historic center of Florence
37 - façade windows
36 - Corinthian capitals of the loggia
34 - loggia del Spedale
33 - SS square. Annunziata
32 - the courtyard of the Spedale
3 - painting of the city of Florence of the time
62 - Saint Peter laughs with his shadow the infirm
29 - the naves
28 - the transept
27 - the interior of the Basilica of San Lorenzo
26 - the dome
24 - the old sacristy of San Lorenzo
23 - the church of San Lorenzo
7 - silver altar of the cathedral of Pistoia dedicated to San Jacopo
71 - the bronze formella of Herod's convex performed for the Sienna baptistery.
69 - the statue of Saint George (copy) in one of the niches of Orsanmichele
79 - the pergam of the sacred crawler of the Cathedral of Prato
5 - the commentator illustrates the historical and artistic Florence of the XIV sec
55 - altarpiece of Saint Anne with our lady and child
91 - details of the work
89 - Santa Giustina
88 - San Prosdocimo
87 - the Saint Anthony
86 - the Saint Francis
85 - our lady enthroned for the altar of the Saint
84 - the crucifix for the Basilica of the Saint
83 - equestrian monument to the Gattamelata in Padua
82 - the bronze doors of the sacristy
81 - his bas-relief rounds
78 - the cantoria for the Duomo of Florence
77 - the David bronzeo at Bargello
76 - Abacuc
75 - Jeremiah
74 - the group of Abraham and Isaac
70 - the original at Bargello
68 -\ "Donatello 1386-1466\"
66 - Saint Peter in the chair
65 - resurrection of the son of Theophilus
64 - Adam and Eve's hunt from paradise
63 - distribution of goods
61 - payment of the tribute
6 -\ "Filippo Brunelleschi 1377-1446\"
59 - Saint Peter baptizes neophytes
22 - marble ridges of the dome
20 - inner vault of the dome
2 - the title\ "Florence XIV century\" appears
90 - the four bronze bas-reliefs on the altar with the miracles of Saint Anthony
19 - the lantern of the dome
18 - slow rundown on the Duomo
17 - façade of Santa Maria del Fiore
16 - details of the dome
14 - the Duomo and the bell tower of Giotto
13 - glimpse of the Duono from afar
12 - overview of Florence
11 - campaign around Florence
10 - details of the formella
35 - worn-out speculate on the other side of the square
67 - the fresco of the Trinity in Santa Maria novella
94 - La Maddalena made by the artist for the baptistery of Florence
93 - the group of Judith and Oloferne performed by Donatello for the garden of Palazzo Medici
1 - crew of film operators in the old sacristy of San Lorenzo and in various areas of Florence for shooting
58 - the cycle of the Brancacci chapel in the church of Carmine in Florence:
39 - overview of the square
157 - the Lucchese cross by Berlinginghieri
135 - the carved lintel, with trusses and figures, of the church's major portal
29 - a sculptural motif, an animal head, horns an outer edge of the ...construction
148 - the façade of the pieve with the belfry on it
124 - the bezel relief of the central portal depicting\ "Christ in glory between angels\"
55 - the lintel, carved in bas-relief, of the main portal, work by Gruamonte and Adeodato
164 - focus of the pictorial work: the expressive faces of our lady and child and the golden threaded draperies.
4 - an ancient population center of Tuscany perched on a hill
85 - view, below up, of the central compartment marked by a double order of arches
73 - one of the flanks of the cathedral punctuated by blind arches
158 - details of the crucified painted in the first decades of the '200
142 - the old pieve of Santa Maria del Giudice ended in 1160
64 - the outer apse punctuated by blind arches and two orders of loggets
90 - the exit from the baptistery towards the façade of the cathedral
42 - the scene of the\ "Inferno\" hand of Coppo di Marcovaldo
28 - decorative details of the exterior cladding in white and green baptistery marble.
167 - the crucifix of Giunta Pisano preserved in San Domenico in Bologna
41 - focus of the musive cycle of the dome, divided into horizontal fascias and made by several hands during the two hundred
131 - the carved details of the outer apse on transalpine models
121 - detail of the sculptural decoration of the porch
139 - the bare church attached to the flanks of a mountain
54 - one of the Romanesque sculptures, a lion paired with a human figure, which bears the entrance portal of the church
184 - the saved and recomposed fragments of the crucifix.
69 - view from below of one of the outer apses of the transept
59 - the outer parament to arches of the three apses
163 - the Majesty of the church of the servants in Orvieto made by Coppo in 1265
136 - lintel focus with its bas-relief figuration
91 - the bronze door of San Ranieri, one of the doors of the Pisan cathedral, merged by Bonanno Pisano
23 - the decorative motifs in polychrome marbles of the church's barriers
78 - the interior of the cathedral of Pisa divided into five naves by a selva of columns and characterized by a Bicroma decoration with parallel fascias
178 - details of the dramatic and tumultuous pictorial composition
60 - the cathedral of Pisa taken up from the top of the leaning tower
162 - the repainted face and the golden streaked robes, according to Byzantine modules, of our lady
160 - the painted cross n. 20 of the Museum of Saint Matthew in Pisa with the figure, of Byzantine derivation, of the dead Christ
168 - details of the work: the dramatic figure of the dead Christ; the dark means of Mary and John in the tables at the end of the cross arm of the cross
96 - the cathedral seen by one of the loggets of the bell tower
126 - the two hundred year old sculptural group of Saint Martin on horseback giving the cloak to the poor man, placed inside the church
52 - focusing of the bas-relief that bears the aforementioned portal, depicting the last supper, the work of a master of Romanesque sculpture: Gruamonte
40 - detail of the musive decoration of the dome with the figure of the Christ Pantocrator, work of Coppo di Marcovaldo
165 - the painted cross of San Gimignano, work of Coppo
147 - the embattled bell tower of the San Giorgio pieve by Brancoli
5 - a historic town erected on the top of a cliff
129 - the external abbey area characterized by radial chapels walking
35 - focus of the internal orders of the baptistery
86 - the cover sometimes and the parietal coating of one of the rings that opens, by means of arches, on the central compartment of the baptistery
109 - the lintel of the church of San Salvatore in Lucca, carved by Biduino in the twelfth century
116 - details of the macabre sculptural decoration of the aforementioned architectural structure
7 - view of a hilly area of Tuscany dominated by the towers and bell towers of San Gimignano
66 - detail of the parament in polychrome marbles of the apse
151 - the symbolic lions on which the columns of the ambon rest
130 - the façade, with the strongly recessed portal, of the abbey
182 - a room of the laboratories of the Superintendence of Florence with some two hundred works, exhibited on rides, under restoration
75 - the façade of the cathedral with the Roman-Pisan motif of the overlapping loggets
6 - view from the top of a medieval center of Tuscany
100 - the square and the Romanesque façade of the Basilica of San Frediano
141 - the marble apse of the pieve built in the spirit of the Romanesque Lucchese
177 - the ruined\ "crucifixion\," work Assysiate of Cimabue
24 - the pierced barriers, inlaid with the church, two hundred of a skilled marble craftsman's work
70 - the geometric patterned marble inlay of one of the outer arches of the complex.
53 - the Romanesque façade of the Pistoia'Andrea church
89 - decorative details of the tarsias with human and animal protomas
10 - the medieval towers of the old municipal center resumed from different points of view
171 - the golden threaded thong of the figure of the dead Christ
146 - the apse and façade of the Romanesque church of San Lorenzo in Court
61 - the square of miracles with the baptistery, the cathedral and the tower
156 - focus of the cross painted with the figure of the triumphant Christ
31 - one of the facades of the baptistery punctuated on three orders and crowned by an attic
17 - the area of the chancel and crypt below framed by a transverse arch and covered by trussed roof
133 - the embattled bell tower of Diecimo in the province of Lucca
99 - the bare and simple façade of the church of Saint Alexander, dated to the second half of the eleventh century
93 - the bas-relief of the bell tower with Christian symbols and animal figures
155 - the cross of Sarzana signed by master William in 1138
21 - special sculptor of the pergamo placed in the presbytery enclosure of San Miniato
174 - focus of the work
172 - the crucifix as a whole
16 - the interior of the church
159 - the face of the triumphant Christ
154 - the expressive faces and gestures of the figures
153 - focusing on composition
149 - the interior of three naves of the pieve
145 - the gabled façade of the oratory
143 - details of the façade
140 - the Romanesque pieve of Saint Michael in Schetu
14 - the Romanesque façade of San Miniato at Mt.
138 - the church Absidiola
134 - the bare facade of the church of Diecimo
132 - the abbey complex
127 - details of the equestrian group
123 - focus of the months cycle
120 - the portico of the cathedral
12 - the city wall
118 - the embattled bell tower of the cathedral
117 - the south flank of the church with the bell tower
113 - the underprivileged back of the church
111 - the square with the cathedral of Lucca
11 - the historic amphitheater square in Lucca
103 - the apse of the church and the annexed bell tower
101 - details of the façade
1 - view from the top of a Tuscan town
170 - details of the work on the joint example
77 - details of the ornate façade of polychrome marbles and architectural sculptures
92 - some formelles, with sacred scenes, from the Romanesque gate
83 - the plastic decoration of one of the Romanesque portals of the baptistery in a view below
108 - focusing on the reliefs that adorn the tub, depicting\ "stories of Moses\"
15 - decorative and structural details of the façade from the geometric and bichrome wall to marble tarsias
49 - the rhythm of the pilasters, with bicrome bandages, which marks the first order of the church
175 - the sails of the cruise of the transept of the upper basilica of Assisi frescoed by Cimabue with the figures of the evangelists
114 - the outer apse and its rich marble and sculptural decoration
82 - exterior of the Pisa baptistery, Roman-Gothic architecture
115 - an external wall of the church marked by three blind arches
105 - the nude and solemn interior of the church of San Frediano
95 - views of the cathedral from the top of the leaning tower
169 - the painted cross of Cimabue in San Domenico in Arezzo datable to 1270
13 - view of the Florentine hill on which the church of San Miniato is raised
62 - the crenelated walls that delimit the square and details of the monumental complex
72 - the cathedral resumed alongside in its basilical development
180 - details of the great table of Cimabue with our lady with the child on the throne, eight angels and four prophets
The main architectural monuments, the sculptural and pictorial masterpieces of Romanesque Tuscany, between XI and XIII centuries, are the subject of this documentary. Florence, Pisa, Lucca, Pistoia and other minor localities of Tuscany are the centers considered in this exhaustive review on the artistic flourishing of Romanesque civilization in Tuscany
128 - in a vast country area of the Sienese the abbey of Saint Antimus of the early twelfth century rises
18 - the floor to carve marble of the church with symbols and figures
150 - the ambon within the church, the work of a master of the thirteenth century
8 - the high medieval towers and the bell towers of San Gimignano
119 - the bell tower and the porticoed façade, marked by three orders of overlapping loggets, of the Lucchese cathedral
98 - a section of the wall of Lucca behind which there is a glimpse of a embattled bell tower
152 - the\ "deposition of Volterra\," polychrome wooden sculpture made by an anonymous artist in the thirteenth century
173 - the fresco of Cimabue with our lady with the child enthroned between four angels and Saint Francis, in the lower basilica of Assisi
122 - the bas-reliefs of the portico with the\ "stories of Saint Martin\" and the cycle of the months, datable to the first half of the thirteenth century
112 - the Romanesque façade of the cathedral in a view of below
97 - the cathedral and the baptistery resumed from above
94 - view below of the tower of Pisa
107 - the baptismal font, pla
Entity Relationship Diagram (ERD) are largely in computer science degrees, related to database discipline. They are an important part of many evaluations. Currently, computer aided assessments are ...widely used for multiple choice questions, however, they do not have the ability to evaluate a student's knowledge more comprehensively, going beyond right or wrong, which is necessary for the job with the diagram. This research project presents an innovative approach for automatic evaluation of ERD. This approach proposes a solution to the challenge of encouraging students to perfect their solution: seeking, in addition to a response that returns the correct result, a note that approaches the ideal solution. This approach has the following advantages: (1) the student receives instant feedback during the practical diagramming activity, which allows the student to redo his solution for an optimal solution; (2) complete integration of ERD teaching concepts with examples of online diagrams; (3) monitoring the student's activities, i.e. how many examples were executed in each exercise, how many attempts were made. This research is a first step in building a fully assisted environment, for example, with automatic evaluation for ERD teaching, where the professor is freed from the arduous work of correcting diagrams and can perform more relevant pedagogical tasks. The method, based on machine learning techniques, uses structured query language (SQL) metrics extracted from the ERD and experts grade to create the prediction model. The solution can be adapted to other types of diagrams, such as the Unified Modeling Language (UML).
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